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She was awarded the Nobel Prize in Literature in 1991. She lives in Johannesburg, South Africa.  \nPENGUIN BOOKS  \nPublished by the Penguin Group  \nPenguin Books Ltd, 27 Wrights Lane, London W8 5TZ, England Penguin Putnam Inc.. 375 Hudson Street, New York, New York 10014, USA Penguin Books Australia Ltd, Ringwood, Victoria, Australia Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2 Penguin Books (NZ) Ltd, Private Bag 102902. NSMC. Auckland. New Zealand  \nPenguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England  \nFirst published in Great Britain by Jonathan Cape 1974 First published in the United States of America by The Viking Press 1975 First published in Canada by The Macmillan Company of Canada Limited 1975 Published in Penguin Books 1978  \nPublished in the United States by arrangement with Alfred A. Knopf, Inc.  \nCopyright © Nadine Gordimer, 1972, 1973, 1974 All rights reserved ISBN : 978-1-101-57106-4  \nProse quotations are from the Reverend Henry Callaway’s The Religious System ofthe Amazulu: Dealing with Unkulunkulu, or the Tradition of Creation; Amatonga, or Ancestor Worship; Izinyanga Zokubula, or Divination; andAbatakato, or Medical Magic and Witchcraft, originally published by the Springdale Mission Press; acknowledgement is made to the facsimile edition published by C. Struik (Pty) Ltd, Cape Town, 1970. Acknowledgement is made to Richard Shelton for permission to quote part of his poem ‘The Tattooed Desert’, first published in The New Yorker (copyright © The New Yorker Magazine, Inc., 1970) and subsequently included in Mr Shelton’s collection of poetry The Tattooed Desert (University of Pittsburg Press, 1971) .  \n[http://us.penguingroup.com](http://us.penguingroup.com)  \nAcknowledgements  \nProse quotations are from the Reverend Henry Callaway’s The Religious System of the Amazulu, dealing with Unkulunkulu, or the Tradition of Creation; Amatonga, or Ancestor worship; Izinyanga Zokubula, or Divination; and Abatakato, or Medical Magic and Witchcraft, originally published by the Springdale Mission Press. Acknowledgements are made to the facsimile edition published by C. Struik (Pty) Ltd, Cape Town, 1970.  \nAcknowledgements are made to Richard Shelton for permission to quote part of his poem ‘The Tattooed Desert’, first published in The New Yorker Magazine, copyright © The New Yorker Magazine, Inc., 1970, and subsequently included in Mr Shelton’s collection of poetry, The Tattooed Desert, University of Pittsburgh Press, 1971.  \nI must have been almost crazy to start out alone like that on my bicycle pedalling into the tropics carrying a medicine for which no one had found the disease and hoping I would make it in time  \nI passed through a paper village under glass where the explorers first found silence and taught it to speak where old men were sitting in front of their houses killing sand without mercy  \nbrothers I shouted to them tell me who moved the river where can Ifind a good place to drown  \nRichard Shelton,‘The Tattooed Desert’  \nPale freckled eggs.  \nSwaying over the ruts to the gate of the third pasture, Sunday morning, the owner of the farm suddenly sees: a clutch of pale freckled eggs set out before a half-circle of children. Some are squatting; the one directly behind the eggs is cross-legged, like a vendor in a market. There is pride of ownership in that grin lifted shyly to the farmer ’s gaze. The eggs are arranged like marbles, the other children crowd round but you can tell they are not allowed to touch unless the cross-legged one gives permission. The bare soles, the backsides of the children have flatte","cbCaimVApZaekbZH","https://ap.wps.com/l/cbCaimVApZaekbZH","pdf",1277084,216,"English","# The Conservationist\n## Front matter and acknowledgements\n## Narrative scenes and quotations","[{\"question\":\"What is The Conservationist mainly about based on the provided text?\",\"answer\":\"The provided text highlights narrative scenes and literary framing connected to Nadine Gordimer’s storytelling. It focuses on intimate, symbolic moments in a rural setting involving children and a farmer.\"},{\"question\":\"How do the acknowledgements relate to the content?\",\"answer\":\"The acknowledgements explain sources for prose quotations and permission to quote poetry. This establishes the literary and intertextual background behind the book’s excerpts.\"},{\"question\":\"What key scene is described in the excerpt?\",\"answer\":\"A Sunday morning moment is shown where a clutch of pale, freckled eggs is arranged before children, and the farmer observes the ritual with quiet authority and distance.\"}]","The Conservationist - read online | PDF",333]