[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-319939-105":59,"doc-detail-319939-en":131},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":124,"head_meta":126,"extra_data":128,"updated_unix":130},105,"en","the-collected-short-stories-by-rhys-jean","The Collected Short Stories by Rhys Jean","","Collected short stories by Jean Rhys, introduced by Diana Athill, presenting narratives that track the author’s evolving craft across three phases. The introduction groups the works by early pieces, stories largely completed in the 1960s, and late works written when Rhys was an older woman. Emphasis falls on how Rhys transforms personal experience into value for others, while developing a mature clarity and truthful voice shaped by Caribbean, English, and Paris experiences, marked by fear, loneliness, and cruelty.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/the-collected-short-stories-by-rhys-jean/319939/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/the-collected-short-stories-by-rhys-jean/319939.png","ImageObject",300,407,{"name":92,"@type":93},"Seraphina","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-04","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",72,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"How are the stories organized in the introduction?","Question",{"text":113,"@type":114},"The introduction divides the collection into three groups by page range and by the periods in which the stories were written or completed: early work, work mostly completed in the sixties, and late work completed when Rhys was an old woman.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"What does Diana Athill say about how Rhys developed her writing style?",{"text":118,"@type":114},"Athill explains that the early stories closely relate to Rhys’s own experience and contain signs of self-consciousness and occasional cuteness, but the process toward the clarity and simplicity of her mature style is already underway.",{"name":120,"@type":111,"acceptedAnswer":121},"What life experiences does the introduction highlight as shaping Rhys’s themes?",{"text":122,"@type":114},"It emphasizes Rhys’s movement from the Caribbean to England and then to Paris, describing how happiness turned to difficulties such as lack of money and imprisonment, with themes including fear, loneliness, and cruelty. Rhys’s view is framed as a truthful personal perspective rather than an objective absolute truth.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},319939,1790338005,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":145,"read_time":146},962075114101,"https://ap-avatar.wpscdn.com/avatar/e000253a75eb197efd?x-image-process=image/resize,m_fixed,w_180,h_180&k=1780044092746381165","The Collected Short Stories  \nඃ ൾ ൺ ඇ උ ඁ ඒ ඌ  \nWith an Introduction by Diana Athill  \nContents  \nIntroduction by Diana Athill  \nIllusion  \nA Spiritualist  \nFrom a French Prison  \nIn a Café  \nTout Montparnasse and a Lady  \nMannequin  \nIn the Luxemburg Gardens  \nTea with an Artist  \nTrio  \nMixing Cocktails  \nAgain the Antilles  \nHunger  \nDiscourse of a Lady Standing a Dinner to a Down-and-Out Friend  \nA Night  \nIn the Rue de l’Arrivée  \nLearning to Be a Mother  \nThe Blue Bird  \nThe Grey Day  \nThe Sidi  \nAt the Villa d’Or  \nLa Grosse Fifi  \nVienne  \nTill September Petronella  \nThe Day They Burned the Books Let Them Call It Jazz  \nTigers Are Better-Looking  \nOutside the Machine  \nThe Lotus  \nA Solid House  \nThe Sound of the River  \nI Spy a Stranger  \nTemps Perdi  \nPioneers, Oh, Pioneers  \nGood-bye Marcus, Good-bye Rose The Bishop’s Feast  \nHeat  \nFishy Waters  \nOverture and Beginners Please Before the Deluge  \nOn Not Shooting Sitting Birds  \nKikimora  \nNight Out 1925  \nThe Chevalier of the Place Blanche The Insect World  \nRapunzel, Rapunzel  \nWho Knows What’s Up in the Attic? Sleep It Off Lady  \nI Used to Live Here Once  \nKismet  \nThe Whistling Bird  \nInvitation to the Dance  \nFollow Penguin  \nAbout the Author  \nJean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother. She came to England when she was sixteen, where she trained as an actress and worked on chorus lines. In 1919 she married Jean Lenglet (‘Edward de Nève’), with whom she lived on the Continent until their divorce in 1923. One child from the marriage survived. It was in Paris that she came under the influence of the novelist Ford Madox Ford, who encouraged her to write. Rhys’s first book, a collection of stories called The Left Bank, was published in 1927. This was followed by Quartet (originally Postures, 1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939) . In 1932, she married Leslie Tilden-Smith, who was a reader with the publisher Hamish Hamilton and acted as her literary agent; he died in 1945. In 1947, she married Max Hamer, Leslie’s cousin. Max was convicted of fraud and as he was moved from prison to prison, Rhys followed him and disappeared from the literary scene. On his release, they moved to a cottage in Devon, where Rhys was re-discovered in 1958. She had begun work on a Dominica-based novel on her return from a visit there in 1936; despite poverty and ill-health, but with the support of her editor, Diana Athill, this would be published as Wide Sargasso Sea in 1966. The novel was Rhys’s response to Jane Eyre and was a sensational comeback. It won literary prizes on publication and is today recognized as her masterpiece. Rhys wrote two further story collections, Tigers Are Better-Looking (1968) and Sleep It Off Lady (1976) . She died in 1979, and her unfinished autobiography, Smile Please, was published posthumously the same year.  \nIntroduction  \nThese stories fall into three groups: up to page 118, early work, written before Jean Rhys’s first novel; from page 119 to page 263 , stories written, or completed, in the sixties (some of them were probably begun a good deal earlier); from page 264 to the end, stories written, or completed, when she was an old woman.  \nShe published the first group in 1927 under the title The Left Bank. Like all her work, these stories relate closely to her own experience: she was teaching herself, as she wrote them, how to turn personal experience into something of value to other people. They contain touches of selfconsciousness (the last line of ‘Hunger’, for example) which she never allowed herself in her later work, and an occasional cuteness (like calling Miss Dufreyne, in ‘In the Rue de l’Arrivée’,‘the Lady’, which is the sort of thing she came to detest). But this does not prevent Miss Dufreyne’s being an accurate self-portrait. What Jean Rhys had to say and how she said it had not yet blended into the clarity and simplicity of her","cbCaiishTZ1zhrRR","https://ap.wps.com/l/cbCaiishTZ1zhrRR","pdf",3219625,377,"English","# Introduction by Diana Athill\n## Illusion\n## A Spiritualist\n## From a French Prison\n## In a Café\n## Tout Montparnasse and a Lady\n## Mannequin\n## In the Luxemburg Gardens\n## Tea with an Artist\n## Trio\n## Mixing Cocktails\n## Again the Antilles\n## Hunger\n## Discourse of a Lady Standing a Dinner to a Down-and-Out Friend\n## A Night\n## In the Rue de l’Arrivée\n## Learning to Be a Mother\n## The Blue Bird\n## The Grey Day\n## The Sidi\n## At the Villa d’Or\n## La Grosse Fifi\n## Vienne\n## Till September Petronella\n## The Day They Burned the Books Let Them Call It Jazz\n## Tigers Are Better-Looking\n## Outside the Machine\n## The Lotus\n## A Solid House\n## The Sound of the River\n## I Spy a Stranger\n## Temps Perdi\n## Pioneers, Oh, Pioneers\n## Good-bye Marcus, Good-bye Rose The Bishop’s Feast\n## Heat\n## Fishy Waters\n## Overture and Beginners Please Before the Deluge\n## On Not Shooting Sitting Birds\n## Kikimora\n## Night Out 1925\n## The Chevalier of the Place Blanche The Insect World\n## Rapunzel, Rapunzel\n## Who Knows What’s Up in the Attic? Sleep It Off Lady\n## I Used to Live Here Once\n## Kismet\n## The Whistling Bird\n## Invitation to the Dance\n## Follow Penguin\n## About the Author","[{\"question\":\"How are the stories organized in the introduction?\",\"answer\":\"The introduction divides the collection into three groups by page range and by the periods in which the stories were written or completed: early work, work mostly completed in the sixties, and late work completed when Rhys was an old woman.\"},{\"question\":\"What does Diana Athill say about how Rhys developed her writing style?\",\"answer\":\"Athill explains that the early stories closely relate to Rhys’s own experience and contain signs of self-consciousness and occasional cuteness, but the process toward the clarity and simplicity of her mature style is already underway.\"},{\"question\":\"What life experiences does the introduction highlight as shaping Rhys’s themes?\",\"answer\":\"It emphasizes Rhys’s movement from the Caribbean to England and then to Paris, describing how happiness turned to difficulties such as lack of money and imprisonment, with themes including fear, loneliness, and cruelty. Rhys’s view is framed as a truthful personal perspective rather than an objective absolute truth.\"}]","The Collected Short Stories by Rhys Jean | PDF",1789948010,581]