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Coverage centers on 1910–1960 while linking back to nineteenth-century traditions. It discusses modernism and New Criticism’s implications for contemporary debates, formalism, anti-sentimentalism, and tone, with extensive bibliographic support and chapters on individual critics, groups, and genres.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/the-cambridge-history-of-literary-criticism-volume-7-modernism-and-the-new-criticism/319938/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/the-cambridge-history-of-literary-criticism-volume-7-modernism-and-the-new-criticism/319938.png","ImageObject",300,407,{"name":92,"@type":93},"Seraphina","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-03","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":52},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What period and movements does Volume 7 cover?","Question",{"text":112,"@type":113},"The volume centers on 1910–1960 while connecting to nineteenth-century traditions. It tracks modernist and avant-garde critical traditions and the rise and influence of the New Critics.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which figures are highlighted among the modernists?",{"text":117,"@type":113},"Chapters address T. S. Eliot, Ezra Pound, Gertrude Stein, Virginia Woolf, Wyndham Lewis, W. B. Yeats, and the Harlem Renaissance.",{"name":119,"@type":110,"acceptedAnswer":120},"How is the volume structured regarding New Criticism?",{"text":121,"@type":113},"It includes dedicated chapters for I. A. Richards, the Southern New Critics, and William Empson, framed as part of the New Critics section.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},319938,1790419731,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":52,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},962075114101,"https://ap-avatar.wpscdn.com/avatar/e000253a75eb197efd?x-image-process=image/resize,m_fixed,w_180,h_180&k=1780044092746381165","The Cambridge History of  \nLiterary Criticism  \nVOLUME 7  \nModernism and the New Criticism  \nThis volume of The Cambridge History of Literary Criticism provides a thorough account of the critical tradition emerging with the modernist and avant-garde writers of the early twentieth century (Eliot, Pound, Stein, Yeats), continuing with the New Critics (Richards, Empson, Burke, Winters), and feeding into the influential work of Leavis, Trilling and others who helped form the modern institutions of literary culture. The core period covered is 1910–1960, but explicit connections are made with nineteenth-century traditions and there is discussion of the implications of modernism and the New Criticism for our own time, with its inherited formalism, anti-sentimentalism, and astringency of tone. The book provides a companion to the other twentieth-century volumes of The Cambridge History of Literary Criticism, and offers a systematic and stimulating coverage of the development of the key literary-critical movements, with chapters on groups and genres as well as on individual critics.  \na . walton litz is Professor Emeritus of English at Princeton University. Heisthe author of numerous books on modernist literature, including The Art of James Joyce (1961) and Introspective Voyager: The Poetic Achievement of Wallace Stevens ( 1972 ), the editor of Eliot in His Time ( 1973 ), and the co-editor of Ezra Pound’s Poetry and Prose ( 1991 ) .  \nlouis menand is Professor of English atthe Graduate Center ofthe City University of New York. Heisthe author of Discovering Modernism: T. S. Eliot and His Context (1987), co-editor of America in Theory (1988), and editor of both The Future of Academic Freedom (1996) and Pragmatism: A Reader ( 1997 ) . Since 1994 he has been contributing editor of The New York Review of Books.  \nlawrence rainey is Professor of English at the University of York. He is the author of Ezra Pound and the Monument of Culture ( 1991 ) and Institutions of Modernism: Literary Elites and Public Culture ( 1999 ), the editor of A Poem Containing History: Textual Studies in Pound’s Cantos ( 1997 ), and co-editor of Futurism: A Literary and Visual Repertory (2000 ). Lawrence Rainey is founder and co-editor of the journal Modernism/Modernity, and writes reviews and essays for the Times Literary Supplement and The London Review of Books.  \nCambridge Histories Online © Cambridge University Press, 2008  \nThe Cambridge History of  \nLiterary Criticism  \ngeneral editors  \nProfessor H. B. Nisbet  \nUniversity of Cambridge  \nProfessor Claude Rawson  \nYale University  \nThe Cambridge History of Literary Criticism will provide a comprehensive historical account of Western literary criticism from classical antiquity to the present day, dealing with both literary theory and critical practice. The History is intended as an authoritative work of reference and exposition, but more than a mere chronicle of facts.  \nWhile remaining broadly non-partisan it addresses, where appropriate, controversial issues of current critical debate without evasion or false pretences of neutrality. Each volume is a self-contained unit designed to be used independently as well as in conjunction with the others in the series. Substantial bibliographic material in each volume provides the foundation for further study of the subjects in question.  \nvolumes published  \nVolume 1: Classical Criticism, edited by George A. Kennedy Volume 3: The Renaissance, edited by Glyn P. Norton Volume 4: The Eighteenth Century, edited by H. B. Nisbet and Claude Rawson Volume 5: Romanticism, edited by Marshall Brown Volume 7: Modernism and the New Criticism, edited by A. Walton Litz, Louis Menand, and Lawrence Rainey Volume 8: From Formalism to Poststructuralism, edited by Raman Selden  \nother volumes in preparation Volume 2: The Middle Ages, edited by Alastair Minnis Volume 6: The Nineteenth Century Volume 9: Twentieth-Century Historical, Philosophical, and Psychological Approaches, edited by Chr","cbCaidaLyGK5GBYi","https://ap.wps.com/l/cbCaidaLyGK5GBYi","pdf",16789890,556,"English","# Notes on contributors\n# Introduction\n## Louis Menand and Lawrence Rainey\n# The modernists\n## T. S. Eliot\n## Ezra Pound\n## Gertrude Stein\n## Virginia Woolf\n## Wyndham Lewis\n## W. B. Yeats\n## The Harlem Renaissance\n# The New Critics\n## I. A. Richards\n## The Southern New Critics\n## William Empson","[{\"question\":\"What period and movements does Volume 7 cover?\",\"answer\":\"The volume centers on 1910–1960 while connecting to nineteenth-century traditions. It tracks modernist and avant-garde critical traditions and the rise and influence of the New Critics.\"},{\"question\":\"Which figures are highlighted among the modernists?\",\"answer\":\"Chapters address T. S. Eliot, Ezra Pound, Gertrude Stein, Virginia Woolf, Wyndham Lewis, W. B. Yeats, and the Harlem Renaissance.\"},{\"question\":\"How is the volume structured regarding New Criticism?\",\"answer\":\"It includes dedicated chapters for I. A. Richards, the Southern New Critics, and William Empson, framed as part of the New Critics section.\"}]","The Cambridge History of Literary Criticism - Volume 7 - Modernism and the New Criticism | PDF",1789948002,856]