[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-515417-105":59,"doc-detail-515417-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","the-call-of-cthulhu-the-horror-in-clay","The Call of Cthulhu - The Horror in Clay","","A firsthand narrative opens with cosmic horror: the human mind cannot fully reconcile reality, and the sciences may one day reveal terrifying truths that drive people mad or into a new age of darkness. The narrator traces this glimpse of forbidden “aeons” to an accidental chain linking an old newspaper item and a dead professor’s notes. After inheriting and sorting the professor’s papers, he discovers a locked box containing an uncanny clay bas-relief and disjointed writing that hints at a cryptic, ancient, monster-like presence.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/the-call-of-cthulhu-the-horror-in-clay/515417/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/the-call-of-cthulhu-the-horror-in-clay/515417.png","ImageObject",300,407,{"name":92,"@type":93},"Dipper","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-27","2026-10-06",true,{"@type":102,"interactionType":103,"userInteractionCount":34},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What initiates the narrator’s knowledge of the forbidden truth?","Question",{"text":112,"@type":113},"The narrator’s knowledge begins when an old newspaper item and the notes of a dead professor are pieced together, revealing a glimpse of forbidden “aeons.”","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Why does the narrator focus on the locked notes and bas-relief?",{"text":117,"@type":113},"He finds a puzzling, locked box containing a clay bas-relief and writing that feels far from modern, prompting him to investigate its origin and meaning.",{"name":119,"@type":110,"acceptedAnswer":120},"What is the atmosphere and warning expressed at the start of the story?",{"text":121,"@type":113},"The story warns that human understanding is limited and that future connections of knowledge may expose horrifying vistas of reality, possibly driving people mad or seeking safety in darkness.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},515417,1791421729,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":34,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},1374404997633,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","H. P. Lovecraft  \nThe Call of Cthulhu  \n(Found Among the Papers ofthe Late Francis Wayland Thurston, ofBoston)  \n“Of such great powers or beings there may be conceivably a survival... a survival of a hugely remote period when... consciousness was manifested, perhaps, in shapes and forms long since withdrawn before the tide of advancing humanity... forms of which poetry and legend alone have caught a ﬂying memory and called them gods, monsters, mythical beings ofall sorts and kinds... \"  \nAlgernon Blackwood.  \nI  \nThe Horror in Clay.  \nThe most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of inʉinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or ﬂee from the deadly light into the peace and safety of a new dark age.  \nTheosophists have guessed at the awesome grandeur of the cosmic cycle wherein our world and human race form transient incidents. They have hinted at strange survivals in terms which would freeze the blood if not masked by a bland optimism. But it is not from them that there came the single glimpse of forbidden aeons which chills me when I think of it and maddens me when I dream of it. That glimpse, like all dread glimpses of truth, ﬂashed out from an accidental piecing together of separated things—in this case an old newspaper item and the notes ofa dead professor. I hope that no one else will accomplish this piecing out; certainly, if I live, I shall never knowingly supply a link in so hideous a chain. I think that the professor, too, intended to keep silent regarding the part he knew, and that he would have destroyed his notes had not sudden death seized him.  \nMy knowledge of the thing began in the winter of 1926–27 with the death of my grand-uncle George Gammell Angell, Professor Emeritus of Semitic Languages in Brown University, Providence, Rhode Island. Professor Angell was widely known as an authority on ancient inscriptions, and had frequently been resorted to by the heads of prominent museums; so that his passing at the age of ninety-two may be recalled by many. Locally, interest was intensiʉied by the obscurity of the cause of death. The professor  \n[lovecraft.arkham.town](lovecraft.arkham.town) Page 1|17  \nhad been stricken whilst returning from the Newport boat; falling suddenly, as witnesses said, after having been jostled by a nautical-looking negro who had come from one of the queer dark courts on the precipitous hillside which formed a short cut from the waterfront to the deceased's home in Williams Street. Physicians were unable to ʉind any visible disorder, but concluded after perplexed debate that some obscure lesion of the heart, induced by the brisk ascent of so steep a hill by so elderly a man, was responsible for the end. At the time I saw no reason to dissent from this dictum, but latterly I am inclined to wonder—and more than wonder.  \nAs my grand-uncle's heir and executor, for he died a childless widower, I was expected to go over his papers with some thoroughness; and for that purpose moved his entire set of ʉiles and boxes to my quarters in Boston. Much of the material which I correlated will be later published by the American Archaeological Society, but there was one box which I found exceedingly puzzling, and which I felt muchaverse from shewing to other eyes. It had been locked, and I did not ʉind the key till it occurred to me to examine the personal ring which the professor carried always in his pocket. Then indeed I succeeded in opening it, but when I did so seemed only to be confronted by a greater and more closely locked barrier. For what could be the meaning of the queer clay b","cbCaicteA5SNjvlq","https://ap.wps.com/l/cbCaicteA5SNjvlq","pdf",253269,17,"English","# I\n## The Horror in Clay","[{\"question\":\"What initiates the narrator’s knowledge of the forbidden truth?\",\"answer\":\"The narrator’s knowledge begins when an old newspaper item and the notes of a dead professor are pieced together, revealing a glimpse of forbidden “aeons.”\"},{\"question\":\"Why does the narrator focus on the locked notes and bas-relief?\",\"answer\":\"He finds a puzzling, locked box containing a clay bas-relief and writing that feels far from modern, prompting him to investigate its origin and meaning.\"},{\"question\":\"What is the atmosphere and warning expressed at the start of the story?\",\"answer\":\"The story warns that human understanding is limited and that future connections of knowledge may expose horrifying vistas of reality, possibly driving people mad or seeking safety in darkness.\"}]","The Call of Cthulhu - The Horror in Clay | PDF",1791313621,26]