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Using genre-focused analysis and comparative reading, it traces dystopia’s evolution from anti-utopia to twentieth-century forms and highlights key characteristics. The book also addresses critical responses, from Zamyatin’s We and Orwell’s Nineteen Eighty-Four to gendered dystopia in Atwood and YA genre dissemination through selected young adult works.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/the-boundaries-of-dystopian-literature-the-genre-in-context/319906/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/the-boundaries-of-dystopian-literature-the-genre-in-context/319906.png","ImageObject",300,407,{"name":92,"@type":93},"Seraphina","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-21","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":52},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What scope does the book focus on for its examination of dystopian literature?","Question",{"text":112,"@type":113},"The book examines both classic and contemporary dystopian novels, with a particular focused critical assessment of six contemporary texts mentioned in the foreword.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which authors and works does the book use to trace dystopia’s development?",{"text":117,"@type":113},"It highlights the influence of Yevgeny Zamyatin, Aldous Huxley, and George Orwell, and specifically links Zamyatin’s We to Orwell’s Nineteen Eighty-Four in later chapters.",{"name":119,"@type":110,"acceptedAnswer":120},"How does the book address gender and sexuality within dystopian fiction?",{"text":121,"@type":113},"It examines gendered dystopia through the control of sexuality and the representation of gender in Margaret Atwood’s The Handmaid’s Tale.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},319906,1789999300,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":52,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},962075114101,"https://ap-avatar.wpscdn.com/avatar/e000253a75eb197efd?x-image-process=image/resize,m_fixed,w_180,h_180&k=1780044092746381165","See discussions, stats, and author profiles for this publication at: [https://www. researchgate. net/publication/337973717](https://www. researchgate. net/publication/337973717)  \nTHE BOUNDARIES OF DYSTOPIAN LITERATURE: THE GENRE IN CONTEXT  \nBook · December 2016  \nCITATIONS READS  \n0 2,036  \n2 authors, including:  \nSelma Veseljevic Jerkovic University of Tuzla  \n2 PUBLICATIONS 0 CITATIONS  \nSEE PROFILE  \nSome of the authors of this publication are also working on these related projects:  \n Contemporary Dystopian Literature View project  \n This project was funded by the Office of Public Affirs, United States Embassy Belgrade. View project  \nAll content following this page was uploaded by Selma Veseljevic Jerkovic on 17 December 2019.  \nThe user has requested enhancement of the downloaded file.  \nTHE BOUNDARIES OF DYSTOPIAN LITERATURE  \nTHE GENRE IN CONTEXT  \nDemir Alihodžić  \nSelma Veseljević Jerković  \nTuzla, 2016.  \nTHE BOUNDARIES OF DYSTOPIAN LITERATURE  \nTHE GENRE IN CONTEXT  \nAuthors / Autori:  \nDemir Alihodžić  \nSelma Veseljević Jerković  \nReviewers / Recenzenti:  \n[dr.sc. Jasmina Husanovi](dr.sc. Jasmina Husanovi)ć-Pehar, vanredna profesorica, Filozofski fakultet Univerziteta u Tuzli[dr.sc. Damir Arsenijevi](dr.sc. Damir Arsenijevi)ć, vanredni profesor, Filozofski fakultet Univerziteta u Tuzli  \nProofreading by / Lektura:  \n[mr.sc. Nerma Pezerovi](mr.sc. Nerma Pezerovi)ć-Riđić, viša asistentica, Filozofski fakultet Univerziteta u Tuzli  \nPublisher / Izdavač:  \nOFF-SET d.o.o. Tuzla  \nFor the publisher / Za izdavača:  \nSadika Murić, direktor  \nTechnical editing and printing / Tehničko uređenje i štampa:  \nOFF-SET d.o.o. Tuzla  \nYear / Godina izdanja:  \n2016.  \nCirculation / Tiraž:  \n200  \nContents  \nForeword .......................................................................................................5  \nIntroduction .................................................................................................. 7  \nChapter One: Defining Dystopia .............................................................13  \nChapter Two: The Critical Response to Dystopia .................................29  \nChapter Three: From Anti-Utopia to Dystopia: The Evolution of the Genre in the Twentieth Century and Its Characteristics.........43  \nChapter Four: From Zamyatin’s We to Orwell’s Nineteen Eighty-Four .................................................................................65  \nChapter Five: Gendered Dystopia: The Control of Sexuality and the Representation of Gender in Margaret Atwood’s The Handmaid’s Tale .................................................................................. 79  \nChapter Six: Young Adult Literature – The Genre Disseminated....109  \nChapter Seven: Issues of the YA Dystopian Genre .............................121  \nConclusion ................................................................................................ 149  \nBibliography .............................................................................................. 161  \nIndex of Key Terms ...................................................................................173  \nForeword  \nIn many aspects the world we live in is an illusion. The affluent Western world, enchanted by its wealth, has become the stage for dystopian literature which engages with disturbing global issues, from environmental destruction to technological disasters. Since little attention is paid to the consequences of technological development and ecological disasters, dystopian writing had to take on a subversive role and educate the readers of the fault in our ways, without directly challenging the social role.  \nThis book will discuss both classic and contemporary dystopian novels that have previously not been subjected to careful critical scrutiny. By placing these novels within the genre of dystopia, comparing the social constructs which they explore and in which they were written, and considering the theme of writing in each, we hope to s","cbCailIze1wF5yJl","https://ap.wps.com/l/cbCailIze1wF5yJl","pdf",4133555,177,"English","# Foreword\n# Introduction\n# Chapter One: Defining Dystopia\n# Chapter Two: The Critical Response to Dystopia\n# Chapter Three: From Anti-Utopia to Dystopia: The Evolution of the Genre in the Twentieth Century and Its Characteristics\n# Chapter Four: From Zamyatin’s We to Orwell’s Nineteen Eighty-Four\n# Chapter Five: Gendered Dystopia: The Control of Sexuality and the Representation of Gender in Margaret Atwood’s The Handmaid’s Tale\n# Chapter Six: Young Adult Literature – The Genre Disseminated\n# Chapter Seven: Issues of the YA Dystopian Genre\n# Conclusion\n# Bibliography\n# Index of Key Terms","[{\"question\":\"What scope does the book focus on for its examination of dystopian literature?\",\"answer\":\"The book examines both classic and contemporary dystopian novels, with a particular focused critical assessment of six contemporary texts mentioned in the foreword.\"},{\"question\":\"Which authors and works does the book use to trace dystopia’s development?\",\"answer\":\"It highlights the influence of Yevgeny Zamyatin, Aldous Huxley, and George Orwell, and specifically links Zamyatin’s We to Orwell’s Nineteen Eighty-Four in later chapters.\"},{\"question\":\"How does the book address gender and sexuality within dystopian fiction?\",\"answer\":\"It examines gendered dystopia through the control of sexuality and the representation of gender in Margaret Atwood’s The Handmaid’s Tale.\"}]","THE BOUNDARIES OF DYSTOPIAN LITERATURE - THE GENRE IN CONTEXT | PDF",1789947829,273]