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It introduces Part I, “Seeing Life,” and opens with a vivid scene of a young dog near a Marist convent, contrasting the dog’s confidence with the sudden reality of danger. 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Arnold BennettTHE AUTHOR’S CRAFT  \nBY  \nARNOLD BENNETT  \n5  \nReprinted 1975 By Arrangement withDoubleday and Company,Inc.  \nLibrary of Congress Cataloging in Publication Data  \nBennett,Arnold,1867-1931.  \nThe author's craft.  \n(The collected works of Arnold Bennett)  \nReprint of the ed.published by G.H.Doran,New York  \n1.Authorship.I.Title.PNI45.B43  1975808'.0274-5293ISBN 0-518-19086-2  \nPRINTED IN THE UNITED STATES OF AMERICA  \nCONTENTS  \nPART IPageSeeing Life  .......··  9PART IIWriting Novels.  ·  ·  ·  ·  ·  ·  ·39PART IIIWriting Plays..  ·  ·  ·  ····.69PART IVThe Artist and the Public .    ...99  \nhttps://archive.org/details/authorscraft0000unse_f1w3  \nPART I  \nSEEING LIFE  \n# PART ISEEING LIFE\n\nI  \nYOUNG dog,inexperienced,sadlylacking in even primary education,ambles and frisks along the foot-path of Fulham Road,near the mysteriousgates of a Marist convent.He is a largepuppy,on the way to be a dog of much dignity,but at present he has little to recommend himbut that gawky elegance,and that boundinggratitude for the gift of life,which distinguishthe normal puppy.He is an ignorant fool.He might have entered the convent of nuns andhad a fine time,but instead he steps off thepavement into the road,the road being a vastand interesting continent imperfectly explored.His confidence in his nose,in his agility,andin the goodness of God is touching,absolutely  \n# THE AUTHOR’S CRAFT\n\nIO  \npainful to witness.He glances casually at ahuge,towering vermilion construction that iswhizzing towards him on four wheels,precededby a glint of brass and a wisp of steam;andthen with disdain he ignores it as less im-portant than a mere speck of odorous matter inthe mud.The next instant he is lying inert inthe mud.His confidence in the goodness ofGod had been misplaced.Since the beginningof time God had ordained him a victim.  \nAn impressive thing happens.The motor-bus reluctantly slackens and stops.Not thedifferential brake,nor the footbrake,has ar-rested the motor-bus,but the invisible brakeof public opinion,acting by administrativetransmission.There is not a policeman insight.Theoretically,the motor-bus is free towhiz onward in its fight to the paradise ofShoreditch,but in practice it is paralysed bydread.A man in brass buttons and a stylishcap leaps down from it,and the blackeneddemon who sits on its neck also leaps downfrom it,and they move gingerly towards thepuppy.A little while ago the motor-bus might","cbCaielDFXcqzIZQ","https://ap.wps.com/l/cbCaielDFXcqzIZQ","pdf",3502838,132,"English","# Contents\n## PART I: SEEING LIFE\n## PART II: WRITING NOVELS\n## PART III: WRITING PLAYS\n## PART IV: The Artist and the Public","[{\"question\":\"What is Part I of The Author’s Craft focused on?\",\"answer\":\"Part I is titled “Seeing Life,” emphasizing the writer’s way of observing and interpreting everyday reality.\"},{\"question\":\"How does the excerpt describe the young dog’s situation?\",\"answer\":\"It portrays the dog as inexperienced and trusting, then shows how his confidence fails when he steps into danger and is struck, lying inert in the mud.\"},{\"question\":\"What metaphor does the excerpt use to explain why the motor-bus stops?\",\"answer\":\"It describes an “invisible brake of public opinion,” implying that social forces and authority, not direct mechanical controls, halt the bus.\"}]","The Author’s Craft - Part I - Seeing Life | PDF",1791868705,203]