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11  Agency or authorship? 13  Drawing as a social and cultural act 16  Drawing, projection and geometry 20  Old and new working drawings 24  Hand drawing and sketching 26  Computer and drawing 29  The difference between the drawn and the made 30  \n Drawing and simulation 33  CONCLUSION 34 DRAWING REASONING I:   \nMETHOD-ARTISTIC RESEARCH 47  \n DOUBLE PRACTICE 48  \n Differences and similarities 51  Implications of this way of working 53 DRAWING REASONING II:   \nMETHODOLOGY-ABDUCTIVE AND DIAGRAMMATIC REASONING 59  \n ABDUCTION 59  Abduction as logical form 60  Primary abduction 62  The paradox of abduction - Intuition and logic? 63  Abduction as world-creating device 65  FROM ABDUCTIVE TO DIAGRAMMATIC REASONING 67  A semiotic concept of reasoning 68  Reasoning with icon diagrams 70  Conventional drawing reasoning 74  TRANSGRESSING CONVENTIONS WITH DIAGRAMS 78  \n The diagram as a map of rational relations 79  TOWARDS A DIAGRAM: A DRAWING MACHINE 83  The diagram as a map of “possible worlds” 96  Imaginative moments 98  TOWARDS AN ANALOGUE DIAGRAM: MEMORY DRAWINGS 101  \nDRAWING REASONING III:   \nDRAWINGS AND MAPPINGS AS EPISTEMIC ARTEFACTS 121  \n EPISTEMIC ARTEFACTS 122  Symbolic, architectural drawing as epistemic practice 126  Iconic, architectural drawing as epistemic practice 127  BERLIN HYPOTHESES 133  \nMEDIA MUTATIONS I:   \nHOW CONVENTIONS COME INTO BEING 157  \n MAPS AND KNOWLEDGE 158  World maps and projection 161  THE LEAP SECOND 164  ARCHITECTURAL KNOWLEDGE SPACES 190  Sketch becomes diagram 190  ORIGAMI DRAWINGS 193  \nMEDIA MUTATIONS II:   \nANIMATIONS AND MUTATIONS 203  \n ORTHOGONAL DRAWING ANIMATIONS 206  A Working Nexus Mutates 210  ORTHOGONAL DRAWING MUTATIONS 212  From drawing technique to drawing apparatus 212  The drawing kicks back 215  REANIMATING THE DEVELOPED SURFACE DRAWING TECHNIQUE 219  \nMEDIA MUTATIONS III: SKETCHES AND DIAGRAMS  235  \n PROJECTION AND NOTATION 236  THE ANALOGUE AND THE DIGITAL 242  Analogue and digital notation 242  Mixed and transitional notation 242  Shadow notation 246  FIELD OF SUNDIALS 249  SKETCHES AND DIAGRAMS 253  A musical sketch diagram 261  Architectural sketch diagrams 262  Devices that generate drawing processes 266  Questioning conventions 269  Devices and moves 270  Chance Methods 276  Algorithmic drawings 278  TOWARDS A DIGITAL DIAGRAM 283  \nCONCLUSION 307 TEXT APPENDIX 315 DRAWING APPENDIX 321 DANISH AND ENGLISH SUMMARY 396 ACKNOWLEDGEMENTS 399 BIBLIOGRAPHY 400  \nINTRODUCTION  \n“It’s alive. It’s alive!”Frankenstein, the film, 1931  \nThis Ph. D. project discusses conventional architectural drawing and the intensely discussed role of such drawing in the contemporary computerised context of architectural design. Some architects and architectural theorists prognosticate that conventional drawing is a dying phenomeno","cbCaibEBbhgu5ogW","https://ap.wps.com/l/cbCaibEBbhgu5ogW","pdf",29098088,212,"English","# Contents\n## Introduction and Research Question\n## State of the Art: The Many Lives and Deaths of Architectural Drawing\n## Drawing Reasoning I: Method-Artistic Research\n## Drawing Reasoning II: Methodology-Abductive and Diagrammatic Reasoning\n## Drawing Reasoning III: Drawings and Mappings as Epistemic Artefacts\n## Media Mutations I: How Conventions Come Into Being\n## Media Mutations II: Animations and Mutations\n## Media Mutations III: Sketches and Diagrams\n## Conclusion\n## Text Appendix","[{\"question\":\"What is the central focus of this PhD project?\",\"answer\":\"The project discusses conventional architectural drawing and its debated role in contemporary, computerized architectural design contexts.\"},{\"question\":\"How does the thesis position conventional drawing versus computational design?\",\"answer\":\"It rejects a simplistic either/or distinction and treats them as a continuum, with emphasis on conventional drawing while examining mixed media practices.\"},{\"question\":\"What does the thesis claim about the role of drawing as a working medium?\",\"answer\":\"Drawing is treated as an intermediary working medium that transports ideas and co-produces outcomes, with architects also designing and being shaped by their working media.\"}]","THE ANIMATE DRAWING - PhD Dissertation - Anna Katrine Hougaard | PDF",534]