[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-227762-en":3,"doc-seo-227762-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":4,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},227762,962085564381,"Bintang","https://ap-avatar.wpscdn.com/davatar_6f874abed73319feea01a86fa6f0fab8",8,"Research & Report","The American Vitruvius - An Architects'Handbook - Foreword and Introduction","An architects’ handbook presenting a curated, representative collection of creations in civic art, organized with attention to how examples from different schools, cities, and periods express enduring artistic principles. The foreword explains the purpose behind the selection and interpretation of designs rather than aiming for exhaustive history or a complete theory, emphasizing representative compilation, text-and-caption contextualization, and the importance of visual material gathered from major libraries and institutions. It highlights collaboration and acknowledges sources and assistance.","UNIVERSITY QF NORTH CAROLINA   BOOK CARDPlegse keep this card inbook pocket3IZSOB LIB人THEICIBRARYUOF THEUNIVERSITY OFNORTH CAROLINAENDOWED BY THEDIALECTIC AND PHILANTHROPICSOCIETIES  \nn二n2n三三二二急323二三二贵2六2禁二柔出安三  \nCIAIC-民T--  \n9!999!999999999999999999999999999999990  \nThis book is due at ihe WALTER R.DAVIS LIBRARY onthe last date stamped under \"Date Due.\"If not on hold itmay be renewed by bringing it to the library.  \n\n| DATE  \u003Cbr>RET.  \u003Cbr>DUE   |  | DATE  \u003Cbr>RET.  \u003Cbr>DUE   |  |\n| --- | --- | --- | --- |\n| AR 06 19   | 90   |  |  |\n| DF   |  |  |  |\n| 731/2005   |  |  |  |\n| OCT 19   | 010   |  |  |\n| CT   |  |  |  |\n|  | 5200   |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n|  |  |  |  |\n\n么g 8b1 oo包  \nTHE MUNICIPAL BUILDING,NEW YORK  \nFolo2NA9030H42  \nTHE AMERICAN VITRUVIUSAN ARCHITECTS'HANDBOOK OF  \ntclupl  \n61N6  \nh  \nBY  \nWERNER HEGEMANNANDELBERT PEETS  \nMCMXXII  \nNEW YORK:THE ARCHITECTURAL BOOK PUBLISHING CO:  \nPAULWENZEL&MAURICE KRAKOW:31 EAST 12TH STREET  \nCoPYRIGIIT,1922  \nBY  \nPAUL IVENZEL ANI MAURICE KRAKOW  \nAll rights reserbed  \nCONTENTS  \nAGE 1CHAPT ER VCHAPT E R IGABDEN ART AS(TVTC AlT199TH MODERN lBEVIVAL,OF(VIC ART7Prieatc rstatrs f8 F.anples of buildins rOH·Thc feachius of('aillo 8itte:the mrdirraltrolling the dexigu of lurye arca8,20H;parks andand Rcnnis8arr dexigu Hp0H rhich.Nittr'sacde'Ha,204:urden 8iares,220;remeteries,tcuchings rcre o\\#aded.22I.  \nINTRODUCTION  \nC.HAPTER Vt  \nCHAPT ER II  \nPLAZA AND COURT DESIGN IN EUROPE28CITY PLANS AS UNIFIEDDSIGNS227firecl:udl Romfn prrecdrals.28;Renaiss\\#recomts nd plu:a8.37:the xize of RciHRi-hclicn.227:oll toI'H8 a\\#d deal ples,229;plaHs,42;baildings ktding irithiu ylu08.Ror,230:Tersuilleg eHd('arlkruhe,232:Litl.cspccially“reatrul buildiugs”,49;Pian Sariyslust,218:P'Hris,240;London.245:IFrca'splai.246:Berlia aad P'etrogrud,247:tcriePictro,Ranr,50;churches frouting OH pla:u8,5t;threuters and theuter plu8,62:the roulrudinl pla*。248;reetuuler plun,249;torrateugious.251:pleHx aHd rietes of gridliron andpla18 of Frrr,67;Paris plat r petitiou ofdiogo\\#laonts,252:1Hnhcim,254:ridiro1748.79;rariona Reuerissnre pla8,84;Hoder'nrariution,256;Philadelplcin.261;lad sabdiri-comt d m;t desins,93.sioas ad rrxideuer roHμs,262:fT'H ndFnglish artlen gthrze,264:Jrrirwt irn'losiy.273:rr erpenxire rrxideHrgro18,THE GROUPINGFBI'ILDINGS IN AMERICA 99276.Thc rorld's faies,99;the dercloueut nf thctarirl rollege re  8,110:hospital oudothcr institntiol rops,127;.1erieun ririeTHE PLAN OF WASHINGTON285rrnters,133.  \nCHAPT ER II  \nCHAPTER VII  \nI/'Eufuut'x pll8 ttpe nlu;P'eHslranit.t rrHIc;the\"eir1es\";f'npitol NqnPr;the Mall;ARCHITECTURAL STREET DESIGN151the 1W'hitr 11o\\#se.Fistas and tcrmianl fenturrs,152;chreltes iuLIST OF B00KS USE AS SOURCES294street desigu.164;haraonions street farcades.172:street arrdles and rolouHades.187.INIEX295  \nCHAPTER IV  \nFOREWORD  \nally acknowledged in the captions.The greatest of thestohligaticns is to Mr.Franz llerding of the arelitectnralfirm Ierding and Boycl,of St.Lolnis,who las made fortlie book a scrics of pen drawings which eonstitntes one ofits prineipal esthetic assets.  \nThere are varions nore or less external cire1mstanees,relating to the crigin and prpose of a lok of tlhis sort.wlicli onght to le made known to its rders as ia pre.liminary,eveln,to asking them to aecept an introdnctionto the book itself.(ne af tlhese,and to the aunthors itis of first importance,is the aeknowlerlgment of indebtedl-nesss.   ork on the book was legm in New York atthe Avery Library of Colnmbia I'niversity,where every1ssistance was extenled in the nse of the Library's wo11-derul colleetions,and wlere permisioln was given tolave plotographs made of many old plans and engrav-ings,At Milwmkce,where the work was eonfined,thestaff of tlhe Public Lilrary lias heen extremely ldtinlin tinding material and in permitting its 1lse for themaking of reprodnetions.Important ","cbCaii0UEoeBFQsa","https://ap.wps.com/l/cbCaii0UEoeBFQsa","pdf",27022887,1,312,"English","en",105,"# Introduction\n## Foreword\n## Contents Overview (Chapters and Sections)","[{\"question\":\"What is the main goal of the book described in the foreword?\",\"answer\":\"To compile and present a representative collection of civic art creations, interpreted in text and captions to convey the special significance of each design, rather than to produce a complete history or full theory.\"},{\"question\":\"How does the book decide which examples to include?\",\"answer\":\"It often groups works by school or city to strengthen recognition of beauty through cumulative effect, and sometimes selects similar or contrasting designs to show universality of artistic principles under different conditions.\"},{\"question\":\"Why does the foreword emphasize library sources and acknowledgments?\",\"answer\":\"Because producing reproductions of old plans and engravings required access to library collections and permissions, and the authors received various forms of assistance and contributions from multiple institutions.\"}]","The American Vitruvius - An Architects'Handbook - Foreword and Introduction | 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is the main goal of the book described in the foreword?","Question",{"text":75,"@type":76},"To compile and present a representative collection of civic art creations, interpreted in text and captions to convey the special significance of each design, rather than to produce a complete history or full theory.","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"How does the book decide which examples to include?",{"text":80,"@type":76},"It often groups works by school or city to strengthen recognition of beauty through cumulative effect, and sometimes selects similar or contrasting designs to show universality of artistic principles under different conditions.",{"name":82,"@type":73,"acceptedAnswer":83},"Why does the foreword emphasize library sources and acknowledgments?",{"text":84,"@type":76},"Because producing reproductions of old plans and engravings required access to library collections and permissions, and the authors received various forms of assistance and contributions from 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