[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-40330-en":3,"doc-seo-40330-105":29,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":11,"is_downloadable":11,"audit_status":11,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":13,"seo_description":14,"update_tm":27,"read_time":28},40330,8796095462418,"Noah","https://ap-avatar.wpscdn.com/avatar/80000253c1241d02b47?x-image-process=image/resize,m_fixed,w_180,h_180&k=1778826106357471780",1,"Story & Novel","The Amber Spyglass Contents","The Amber Spyglass contents and opening material from Philip Pullman’s His Dark Materials series, presenting a structured chapter list and select epigraph poems. The table of contents enumerates multiple story segments, including key locations and characters, progressing from “The Enchanted Sleeper” through later installments such as “Lyra and Her Death,” “The Abyss,” and “Authority’s End.” It also includes literary epigraphs by William Blake, Rainer Maria Rilke, and John Ashbery that set thematic tones of awakening, desire, and luminous transformation.","THE AMBER  \nSPYGLASS  \nCONTENTS  \nTitle Page Epigraph  \nONE The Enchanted Sleeper TWO Balthamos and Baruch  \nTHREE Scavengers FOUR Ama and the Bats FIVE The Adamant Tower SIX Preemptive Absolution SEVEN Mary, Alone EIGHT Vodka NINE Upriver  \nTEN Wheels ELEVEN The Dragonflies  \nTWELVE The Break  \nTHIRTEEN Tialys and Salmakia  \nFOURTEEN Know What It Is  \nFIFTEEN The Forge  \nSIXTEEN The Intention Craft  \nSEVENTEEN Oil and Lacquer  \nEIGHTEEN The Suburbs of the Dead NINETEEN Lyra and Her Death  \nTWENTY Climbing TWENTY-ONE The Harpies  \nTWENTY-TWO The Whisperers  \nTWENTY-THREE No Way Out  \nTWENTY-FOUR Mrs. Coulter in Geneva TWENTY-FIVE Saint-Jean-les-Eaux  \nTWENTY-SIX The Abyss  \nTWENTY-SEVEN The Platform  \nTWENTY-EIGHT Midnight  \nTWENTY-NINE The Battle on the Plain THIRTY The Clouded Mountain  \nTHIRTY-ONE Authority’s End  \nTHIRTY-TWO Morning  \nTHIRTY-THREE Marzipan  \nTHIRTY-FOUR There Is Now  \nTHIRTY-FIVE Over The Hills And Far Away  \nTHIRTY-SIX The Broken Arrow  \nTHIRTY-SEVEN The Dunes  \nTHIRTY-EIGHT The Botanic Garden  \nAcknowledgments  \nAbout the Author  \nAlso by Philip Pullman  \nCopyright Page  \nThe morning comes, the night decays, the watchmen leave their stations;  \nThe grave is burst, the spices shed, the linen wrapped up; The bones of death, the cov’ring clay, the sinews shrunk & dry’d Reviving shake, inspiring move, breathing, awakening,  \nSpring like redeemed captives when their bonds & bars are burst. Let the slave grinding at the mill run out into the field,  \nLet him look up into the heavens & laugh in the bright air; Let the inchained soul, shut up in darkness and in sighing, Whose face has never seen a smile in thirty weary years,  \nRise and look out; his chains are loose, his dungeon doors are open;  \nAnd let his wife and children return from the oppressor ’s scourge. They look behind at every step & believe it is a dream,  \nSinging: “The Sun has left his blackness & has found a fresher morning,  \nAnd the fair Moon rejoices in the clear & cloudless night; For Empire is no more, and now the Lion & Wolf shall cease .”  \n—from “America: A Prophecy” by William Blake  \nO stars,  \nisn’t it from you that the lover ’s desire for the face of his beloved arises? Doesn’t his secret insight  \ninto her pure features come from the pure constellations?  \n—from “The Third Elegy” by Rainer Maria Rilke  \nFine vapors escape from whatever is doing the living. The night is cold and delicate and full of angels Pounding down the living. The factories are all lit up, The chime goes unheard.  \nWe are together at last, though far apart.  \n—from “The Ecclesiast” by John Ashbery  \nTHE AMBER  \nSPYGLASS  \nONE  \nTHE ENCHANTED SLEEPER  \n… while the beasts of prey,  \nCome from caverns deep,  \nViewed the maid asleep …  \n• WILLIAM BLAKE •  \nIn a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half-hidden by the crag above and the stiff heavy leaves that clustered below.  \nThe woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello.  \nIt was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between barsand pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles.  \nThere was a narrow path beside the stream, whi","cbCaimnYGHnQ6GJd","https://ap.wps.com/l/cbCaimnYGHnQ6GJd","pdf",2181140,2,577,"English","en",105,"# Contents\n## One The Enchanted Sleeper\n## Two Balthamos and Baruch\n## Three Scavengers\n## Four Ama and the Bats\n## Five The Adamant Tower\n## Six Preemptive Absolution\n## Seven Mary, Alone\n## Eight Vodka\n## Nine Upriver\n## Ten Wheels\n## Eleven The Dragonflies\n## Twelve The Break\n## Thirteen Tialys and Salmakia\n## Fourteen Know What It Is\n## Fifteen The Forge\n## Sixteen The Intention Craft\n## Seventeen Oil and Lacquer\n## Eighteen The Suburbs of the Dead\n## Nineteen Lyra and Her Death\n## Twenty Climbing\n## Twenty-One The Harpies\n## Twenty-Two The Whisperers\n## Twenty-Three No Way Out\n## Twenty-Four Mrs. Coulter in Geneva\n## Twenty-Five Saint-Jean-les-Eaux\n## Twenty-Six The Abyss\n## Twenty-Seven The Platform\n## Twenty-Eight Midnight\n## Twenty-Nine The Battle on the Plain\n## Thirty The Clouded Mountain\n## Thirty-One Authority’s End\n## Thirty-Two Morning\n## Thirty-Three Marzipan\n## Thirty-Four There Is Now\n## Thirty-Five Over The Hills And Far Away\n## Thirty-Six The Broken Arrow\n## Thirty-Seven The Dunes\n## Thirty-Eight The Botanic Garden\n## Acknowledgments\n## About the Author\n## Also by Philip Pullman","[{\"question\":\"What is the document’s main organizing structure?\",\"answer\":\"It presents the book’s contents as a numbered sequence of chapters, followed by sections such as acknowledgments and author information.\"},{\"question\":\"Which chapters are listed early in the book?\",\"answer\":\"The contents begin with “One The Enchanted Sleeper,” followed by “Two Balthamos and Baruch” and “Three Scavengers,” then continue through “Four Ama and the Bats” and “Five The Adamant Tower.”\"},{\"question\":\"What epigraph material is included before the chapter text starts?\",\"answer\":\"The document includes excerpted epigraphs from works by William Blake, Rainer Maria Rilke, and John Ashbery, setting thematic tones before the narrative 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