[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-33757-en":3,"doc-seo-33757-105":29},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":4,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":13,"seo_description":14,"update_tm":27,"read_time":28},33757,13056703019404,"Miles","https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0",2,"Literature","The Address of the Eye: A Phenomenology of Film Experience","A phenomenological analysis of film experience that centers the embodied, perceiving viewer and the way seeing becomes meaningful through cinematic expression. The book develops a framework linking perception, intentionality, embodiment, and movement to film theory’s treatment of vision. It examines how technology and the film apparatus produce an objective address of the eye, and it argues for synthesizing split vision through dialectics and an incorporation of subjective experience into film-theoretical thinking.","","cbCaicSIMpl9zrO7","https://ap.wps.com/l/cbCaicSIMpl9zrO7","pdf",11636637,1,353,"English","en",105,"# The Embodied and Enworlded Eye: Perception and Expression\n## Film Theory and the Objectification of Embodied Vision\n## Phenomenology and Film Theory\n# The Act of Being with One's Own Eyes\n## Intentionality, Embodiment, and Movement\n## The Viewing Subject\n## Whose Body? A Brief Meditation on Sexual Difference and Other Bodily Discriminations\n# Film's Body\n## Technology and Instrumentality\n## The Film Embodied\n## Film’s Body: A Brief Intentional History\n# The Address of the Eye\n## Thesis and Antithesis: The Paranoia of Split Vision\n## Synthesis: The Dialectics of Double Vision\n## The Eye's Address\n## Toward the \"Incorporation\" of Subjective Experience in Film Theory\n## Becoming and Concluding: The End Is In-Sight","[{\"question\":\"What is the core focus of The Address of the Eye?\",\"answer\":\"The book focuses on a phenomenology of film experience, emphasizing how embodied perception and expression shape what film means to the viewer.\"},{\"question\":\"How does the book connect phenomenology with film theory?\",\"answer\":\"It argues that film experience can’t be reduced to objective representation; instead, it should be understood through intentionality, embodiment, and the viewer’s active seeing.\"},{\"question\":\"What does the title concept “the address of the eye” refer to?\",\"answer\":\"It refers to how film positions and speaks to the viewer’s vision, producing a structured relationship between subjective experience and the film’s material/technological form.\"}]",1782215208,544,{"code":4,"msg":30,"data":31},"ok",{"site_id":24,"language":23,"slug":32,"title":13,"keywords":15,"description":14,"schema_data":33,"social_meta":83,"head_meta":85,"extra_data":87,"updated_unix":27},"the-address-of-the-eye-a-phenomenology-of-film-experience",{"@graph":34,"@context":82},[35,51,65],{"@type":36,"itemListElement":37},"BreadcrumbList",[38,42,45,48],{"item":39,"name":40,"@type":41,"position":20},"https://docshare.wps.com","Home","ListItem",{"item":43,"name":44,"@type":41,"position":11},"https://docshare.wps.com/document/","Document",{"item":46,"name":12,"@type":41,"position":47},"https://docshare.wps.com/document/literature/",3,{"item":49,"name":13,"@type":41,"position":50},"https://docshare.wps.com/document/the-address-of-the-eye-a-phenomenology-of-film-experience/33757/",4,{"url":49,"name":13,"@type":52,"author":53,"headline":13,"publisher":55,"fileFormat":58,"description":14,"dateModified":59,"datePublished":59,"encodingFormat":58,"isAccessibleForFree":60,"interactionStatistic":61},"DigitalDocument",{"name":9,"@type":54},"Person",{"url":39,"name":56,"@type":57},"DocShare","Organization","application/pdf","2026-06-23",true,{"@type":62,"interactionType":63,"userInteractionCount":4},"InteractionCounter",{"@type":64},"ViewAction",{"@type":66,"mainEntity":67},"FAQPage",[68,74,78],{"name":69,"@type":70,"acceptedAnswer":71},"What is the core focus of The Address of the Eye?","Question",{"text":72,"@type":73},"The book focuses on a phenomenology of film experience, emphasizing how embodied perception and expression shape what film means to the viewer.","Answer",{"name":75,"@type":70,"acceptedAnswer":76},"How does the book connect phenomenology with film theory?",{"text":77,"@type":73},"It argues that film experience can’t be reduced to objective representation; instead, it should be understood through intentionality, embodiment, and the viewer’s active seeing.",{"name":79,"@type":70,"acceptedAnswer":80},"What does the title concept “the address of the eye” refer to?",{"text":81,"@type":73},"It refers to how film positions and speaks to the viewer’s vision, producing a structured relationship between subjective experience and the film’s material/technological form.","https://schema.org",{"og:url":49,"og:type":84,"og:title":13,"og:site_name":56,"og:description":14},"article",{"robots":86,"canonical":49},"index,follow",{"doc_id":7,"site_id":24}]