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Through multiple speakers and vivid imagery, the poems move between intimate self-portraits and wider geographies, including accounts of submission, solace, and the spiritual or folkloric presence of djinn. Themes include loss and apprenticeship, questions of writing, and elegiac reflections that connect personal history with communal aftermath, culminating in notes and closing acknowledgments.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/tarfia-faizullah-registers-of-illuminated-villages-poems/440174/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/tarfia-faizullah-registers-of-illuminated-villages-poems/440174.png","ImageObject",300,407,{"name":92,"@type":93},"Adam","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-02","2026-09-29",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",18,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"What is the overall structure of the collection?","Question",{"text":113,"@type":114},"The book is organized as a contents list of individual poems, grouped under repeating motifs such as “Register” and “Self-Portrait,” and followed by “Notes.”","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"What kinds of themes recur throughout the poems?",{"text":118,"@type":114},"Recurring themes include hunger and elimination, submission and solace, questions about writing, and elegiac reflection tied to personal and communal histories.",{"name":120,"@type":111,"acceptedAnswer":121},"Are there specific cultural or spiritual elements mentioned in the poems?",{"text":122,"@type":114},"Yes. The contents list includes references such as “Djinn,” indicating spiritual or folkloric elements alongside more direct personal and social imagery.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},440174,1790829764,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":145,"read_time":146},1374404737137,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","REG:ISTERSOF  \nILLUMIN ATEDVILLAGESPOEMSTARFIA:FAIZULLAH  \nREGISTERS OF ILLUMINATED VILLAGES  \nAlso by Tarfia Faizullah  \nSeam  \nRE GISTERSF  \nILLUMINATEDVILLAGE S  \nPOEMS  \n# TARFIA FAIZULLAH\n\nCopyright ◎2018 by Tarfia Faizullah  \nThis publication is made possible,in part,by the voters of Minnesota through a MinnesotaState Arts Board Operating Support grant,thanks to a legislative appropriation fromthe arts and cultural heritage fund,and a grant from the Wells Fargo Foundation.Significant support has also been provided by Target,the McKnight Foundation,theLannan Foundation,the Amazon Literary Partnership,and other generous contributionsfrom foundations,corporations,and individuals.To these organizations and individualswe offer our heartfelt thanks.  \nPublished by Graywolf Press250 ThirdAvenue North,Suite 60oMinneapolis,Minnesota 55401  \nAll rights reserved.  \nwww.graywolfpress.org  \nPublished in the UnitedStates of America  \nISBN 978-1-55597-80o-6  \n246897531First Graywolf Printing,2018  \nLibrary of Congress Control Number:2017938024  \nCover design:Mary Austin Speaker  \nCover art:Shahzia Sikander,Pleasure Pillars,2001.Watercolor,dry pigment,vegetablecolor,tea and ink on hand-prepared wasli paper.◎ The artist,courtesy of Sean Kelly,New York.  \nforyall  \nshobar jonno  \n一  \nCONTENTS  \nRegister of Eliminated Villages 5  \nThe Hidden Register of Hunger 11Self-Portrait as Mango 13Acolyte 14  \nYour Own Country 16The Sacrifice 17  \nIV and Make-Up Homework 19West Texas Nocturne 21  \nThe Performance of No One's Fingers 22Djinn in Need of a Bitch 24Feast or Famine 27  \nBefore the Accident,and After 29100 Bells 30  \nThe Hidden Register of Submission 35Self-Portrait as Slinky 37What This Elegy Wants 39  \nTo the Bangladeshi Cab Driver in San Francisco 41To the Littlest Brother 43  \nSoliloquies from the Village of Orphans and Widows 46Your Own Palm 57  \nConsider the Hands Once Smaller 59Dark Pairing 60  \nPoetry Recitation at St.Catherine's School for Girls 62Sex or Sleep or Silk 64Great Material 66You Ask Why Write about It Again 67  \nThe Hidden Register of Solace 71Self-Portrait as Artemis 73  \nThe Distance between Fire and Stone 74The Error of Echo 75The Doors to Trinity 77Diary 79  \nApology from a Muslim Orphan 8oSearchlight Payar 81  \nAubade with Sage and Lemon 82Because There's Still a Sky,Junebug 84I Told the Water 85Mother 87  \nVariations on a Cemetery in Summer 88...But You Can't Stay Here 90Fable of the Firstborn 91  \nNotes 95","cbCaifDWUXErYRcv","https://ap.wps.com/l/cbCaifDWUXErYRcv","pdf",2844002,116,"English","# Contents\n## Register of Eliminated Villages\n## The Hidden Register of Hunger\n## Self-Portrait as Mango\n## Acolyte\n## Your Own Country\n## The Sacrifice\n## IV and Make-Up Homework\n## West Texas Nocturne\n## The Performance of No One's Fingers\n## Djinn in Need of a Bitch\n## Feast or Famine\n## Before the Accident, and After\n## 100 Bells\n## The Hidden Register of Submission\n## Self-Portrait as Slinky\n## What This Elegy Wants\n## To the Bangladeshi Cab Driver in San Francisco\n## To the Littlest Brother\n## Soliloquies from the Village of Orphans and Widows\n## Your Own Palm\n## Consider the Hands Once Smaller\n## Dark Pairing\n## Poetry Recitation at St. Catherine's School for Girls\n## Sex or Sleep or Silk\n## Great Material\n## You Ask Why Write about It Again\n## The Hidden Register of Solace\n## Self-Portrait as Artemis\n## The Distance between Fire and Stone\n## The Error of Echo\n## The Doors to Trinity\n## Diary\n## Apology from a Muslim Orphan\n## Searchlight Payar\n## Aubade with Sage and Lemon\n## Because There's Still a Sky, Junebug\n## I Told the Water\n## Mother\n## Variations on a Cemetery in Summer\n## ...But You Can't Stay Here\n## Fable of the Firstborn\n## Notes","[{\"question\":\"What is the overall structure of the collection?\",\"answer\":\"The book is organized as a contents list of individual poems, grouped under repeating motifs such as “Register” and “Self-Portrait,” and followed by “Notes.”\"},{\"question\":\"What kinds of themes recur throughout the poems?\",\"answer\":\"Recurring themes include hunger and elimination, submission and solace, questions about writing, and elegiac reflection tied to personal and communal histories.\"},{\"question\":\"Are there specific cultural or spiritual elements mentioned in the poems?\",\"answer\":\"Yes. The contents list includes references such as “Djinn,” indicating spiritual or folkloric elements alongside more direct personal and social imagery.\"}]","Tarfia Faizullah - Registers of Illuminated Villages - Poems | PDF",1790691388,179]