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Contributions examine ruins and accountability, propose ideas for a new art world, and analyze struggle across social and aesthetic registers. Additional chapters address land acknowledgment, violence and borders, politics of being, photography and race, and queer metaphor, supported by editor and contributor notes and acknowledgments of production and licensing.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/talks-on-human-rights-and-the-arts-1-land-acknowledgment/322577/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/talks-on-human-rights-and-the-arts-1-land-acknowledgment/322577.png","ImageObject",300,407,{"name":92,"@type":93},"Bill Black","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-09-21",true,{"@type":102,"interactionType":103,"userInteractionCount":39},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What topics does this book explore?","Question",{"text":112,"@type":113},"It explores how human rights connect with the arts, focusing on responsibility, representation, violence, borders, identity, and artistic or aesthetic regimes.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Who edited the volume?",{"text":117,"@type":113},"The volume is edited by Fawz Kabra.",{"name":119,"@type":110,"acceptedAnswer":120},"What does the book’s table of contents include?",{"text":121,"@type":113},"It includes a land acknowledgment, a foreword, an editor’s note, multiple lecture chapters introduced by different contributors, and sections on the editor and contributors.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},322577,1791063653,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":39,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},24189269381491,"https://ap-avatar.wpscdn.com/avatar/160000cf11732dd8392?x-image-process=image/resize,m_fixed,w_180,h_180&k=1788146458752108895","Talks on Human Rights and the Arts 1  \nEdited by Fawz Kabra  \nTHROUGH THE RUINS  \nTHROUGH THE RUINS  \nTalks on Human Rights and the Arts 1  \nEdited by Fawz Kabra  \nTo Adam, Ali, Carol, Garrett, Hattie, Iris, Isabella, Majd, Margarita, Nour, Oscar, and Pavel, our first cohort of graduate students.  \n© 2023 by the OSUN Center for Human Rights and the Arts at Bard College. Through the Ruins is licensed under a Creative Commons Attribution 4.0 International License.  \nPublished by OSUN Center for Human Rights & the Arts at  \nBard College, 30 Campus Road, Annandale-on-Hudson, NY 12504; and Natus Books, 120 Station Hill Road, Barrytown, NY 12507  \nThis publication was produced in collaboration with the  \nOpen Society University Network and supported by a grant from the Open Society Foundations.  \nTalks on Human Rights & theArts is curated by Tania El Khoury, Thomas Keenan, and Gideon Lester  \nProduction and editorial assistance by Polina Malikin  \nCover photo by Cassils, Cuts: A Traditional Sculpture: Time Lapse, 2011  \nBook design by Will Brady  \nCover illustration by Haitham Haddad  \nISBN: 9781581772241  \nLibrary of Congress Control Number: 2022951982  \nPrinted in the United States of America  \nCONTENTS  \n9 Land Acknowledgment  \n11 Foreword by Tania El Khoury  \n13 Editor’s Note by Fawz Kabra  \n16 Of Ruins and Responsibility by Faustin Linyekula Introduced by Gideon Lester  \n36 [ideas for a new art world] by The White Pube Introduced by Emilio Rojas  \n62 The Struggle For/The Struggle Against by Cassils Introduced by Sahar Assaf  \n86 Land and An Architecture of the Overflow by Emily Johnson Introduced by Christian Ayne Crouch  \n110 Tracing Violence Within and Against the Mediterranean Frontier’s Aesthetic Regime by Border Forensics Introduced by Kerry Bystrom  \n130 Politics of Being by Ashmina Ranjit Introduced by Danielle Riou  \n148 Photography, Race, Rights, and Representation by Mark Sealy Introduced by Marcelo Brodsky  \n170 Queerness in/as Metaphor by Hamed Sinno Introduced by Ziad Abu Rish  \n190 About the Editor  \n191 About the Contributors","cbCaipSCFqwd5FGZ","https://ap.wps.com/l/cbCaipSCFqwd5FGZ","pdf",7859443,196,"English","# Land Acknowledgment\n# Foreword by Tania El Khoury\n# Editor’s Note by Fawz Kabra\n# Of Ruins and Responsibility by Faustin Linyekula Introduced by Gideon Lester\n# [ideas for a new art world] by The White Pube Introduced by Emilio Rojas\n# The Struggle For/The Struggle Against by Cassils Introduced by Sahar Assaf\n# Land and An Architecture of the Overflow by Emily Johnson Introduced by Christian Ayne Crouch\n# Tracing Violence Within and Against the Mediterranean Frontier’s Aesthetic Regime by Border Forensics Introduced by Kerry Bystrom\n# Politics of Being by Ashmina Ranjit Introduced by Danielle Riou\n# Photography, Race, Rights, and Representation by Mark Sealy Introduced by Marcelo Brodsky\n# Queerness in/as Metaphor by Hamed Sinno Introduced by Ziad Abu Rish\n# About the Editor\n# About the Contributors","[{\"question\":\"What topics does this book explore?\",\"answer\":\"It explores how human rights connect with the arts, focusing on responsibility, representation, violence, borders, identity, and artistic or aesthetic regimes.\"},{\"question\":\"Who edited the volume?\",\"answer\":\"The volume is edited by Fawz Kabra.\"},{\"question\":\"What does the book’s table of contents include?\",\"answer\":\"It includes a land acknowledgment, a foreword, an editor’s note, multiple lecture chapters introduced by different contributors, and sections on the editor and contributors.\"}]","Talks on Human Rights and the Arts 1 - Land Acknowledgment | PDF",1789963053,302]