[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-seo-608278-105":3,"detail-sidebar-cat-0-en-105":81,"doc-detail-608278-en":130},{"code":4,"msg":5,"data":6},0,"ok",{"site_id":7,"language":8,"slug":9,"title":10,"keywords":11,"description":12,"schema_data":13,"social_meta":74,"head_meta":76,"extra_data":78,"updated_unix":80},105,"en","such-ada-so-w-at-doctor-of-philosophy-university-of-york-music-september-2018","Such ada So w at - Doctor of Philosophy University of York Music - September 2018","","Phrommas is a well-known episode in the Thai masked dance-drama khon, adapted from the Indian epic Ramayana in Thai tradition as Ramakian. The dramatic text and music form the Phrommas repertoire, arranged by Prince Narisaranuvatiwongse in 1899 and still performed today. The research examines its significance for theatre, the musical characteristics of its individual pieces, and its current state in modern Bangkok. Significance is analyzed via internal conventional meanings and external cultural associations.",{"@graph":14,"@context":73},[15,34,56],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/research-report/","Research & Report",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/such-ada-so-w-at-doctor-of-philosophy-university-of-york-music-september-2018/608278/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/such-ada-so-w-at-doctor-of-philosophy-university-of-york-music-september-2018/608278.png","ImageObject",300,407,{"name":42,"@type":43},"Liam","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-10-30","2026-10-17",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",5,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69],{"name":60,"@type":61,"acceptedAnswer":62},"What is the Phrommas episode and how is it connected to khon?","Question",{"text":63,"@type":64},"Phrommas is one of the best-known episodes from the Thai masked dance-drama khon. Its narrative is adapted from the Indian epic Ramayana, in Thai tradition as Ramakian.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"Who arranged the Phrommas repertoire and when?",{"text":68,"@type":64},"The Phrommas repertoire was arranged by Prince Narisaranuvatiwongse in 1899. It continues to be performed up to the present day.",{"name":70,"@type":61,"acceptedAnswer":71},"What main perspectives does the research use to study the repertoire?",{"text":72,"@type":64},"The research considers the repertoire through three perspectives: its theatre significance, the musical characteristics of the individual pieces, and its current state within modern Bangkok.","https://schema.org",{"og:url":32,"og:type":75,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":77,"canonical":32},"index,follow",{"doc_id":79,"site_id":7},608278,1792251726,{"code":4,"msg":82,"data":83},"success",[84,88,92,96,100,105,110,114,119,122,126],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":85,"show_sort_weight":86,"slug":87},"Story & Novel",90,"story-novel",{"id":26,"doc_module":4,"doc_module_name":25,"category_name":89,"show_sort_weight":90,"slug":91},"Literature",80,"literature",{"id":33,"doc_module":4,"doc_module_name":25,"category_name":93,"show_sort_weight":94,"slug":95},"Exam",70,"exam",{"id":55,"doc_module":4,"doc_module_name":25,"category_name":97,"show_sort_weight":98,"slug":99},"Comic",60,"comic",{"id":101,"doc_module":4,"doc_module_name":25,"category_name":102,"show_sort_weight":103,"slug":104},6,"Technology",50,"technology",{"id":106,"doc_module":4,"doc_module_name":25,"category_name":107,"show_sort_weight":108,"slug":109},7,"Healthcare",40,"healthcare",{"id":111,"doc_module":4,"doc_module_name":25,"category_name":29,"show_sort_weight":112,"slug":113},8,30,"research-report",{"id":115,"doc_module":4,"doc_module_name":25,"category_name":116,"show_sort_weight":117,"slug":118},9,"Religion & Spirituality",20,"religion-spirituality",{"id":117,"doc_module":4,"doc_module_name":25,"category_name":120,"show_sort_weight":117,"slug":121},"World Cup","world-cup",{"id":123,"doc_module":4,"doc_module_name":25,"category_name":124,"show_sort_weight":123,"slug":125},10,"Lifestyle","lifestyle",{"id":127,"doc_module":4,"doc_module_name":25,"category_name":128,"show_sort_weight":55,"slug":129},19,"General","general",{"code":4,"msg":82,"data":131},{"doc_id":79,"user_id":132,"nickname":42,"user_avatar":133,"doc_module":4,"category_id":111,"category_name":29,"doc_title":10,"doc_description":12,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":55,"is_deleted":4,"is_public":22,"is_downloadable":22,"audit_status":22,"page_count":139,"language":140,"language_code":8,"site_id":7,"html_lang":8,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":12,"update_tm":144,"read_time":145},8796095461564,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","Thai Classical Music for the Phrommas Episode in Khon Performance  \nSuch ada So w at  \nDoctor of Philosophy University of York Music  \nSeptember 2018  \nAbstract  \nThe Phrommas is one of the best-known episodes from the Thai masked dance-drama called khon, whose narrative is adapted from the Indian epic, the Ramayana – in Thai tradition the Ramakian. The dramatic text and its music together form the Phrommas repertoire, arranged by Prince Narisaranuvatiwongse in 1899, which continues to be performed to the present day. This research considers the repertoire from three main perspectives: 1) its significance in relation to the theatre, 2) the musical characteristics of the individual pieces which constitute it, and 3) its current state within modern Bangkok.  \nThe significance of the Phrommas repertoire is constructed through both internal and external factors. Internal significance is found mostly within conventional meanings that enable a tradition of using pieces of pre-existing music within the directionality of the Phrommas narrative, whereas external significance is manifest through three main aspects involving cultural association: 1) creation and function, 2) transformation and continuation, 3) interpretation and implication. The characteristics of the music reflect a wide range of refined musical techniques, which require complex inculturation in order to be understood. Direct expression is found in the delivery of the text and specific musical devices, whereas indirect theatrical meaning is reflected not only through a conventional musical implication, but also the individual interpretation of the musicians. The current state of the Phrommas repertoire in modern Bangkok largely depends on the patronage system associated with government and royal institutions, with these aspects contributing in turn to the structural issues of performance and transmission, which thereby bring about the continued relevance, popularity, and sustained future of the Phrommas repertoire in Thai society. The Phrommas repertoire thus emerges as a multi-expressive art form demonstrating a particular and revealing instance of how music is created, transmitted, used and survives within its culture.  \nTable of Contents  \nAbstract ............................................................................................................................2  \nList of Tables ................................................................................................................. 10  \nList of Figures ................................................................................................................ 11  \nAcknowledgements........................................................................................................ 18  \nDeclaration ..................................................................................................................... 19  \nBackground information about the author.................................................................20  \nRomanisation of the Thai language .............................................................................22  \nThai speech tone and melody .......................................................................................24  \nList of Thai monarchs and their reign dates ..............................................................25  \nNotation policy...............................................................................................................26  \nChapter 1........................................................................................................................29  \n1.1 Basic concepts .....................................................................................................29  \n1.2 A review of relevant background literatures .......................................................34  \n1.2.1 Previous works undertaken by Non-Thai writers ...........................................35  \n1.2.2 Previous works undertaken by Thai w","cbCair3wrbvrjM8C","https://ap.wps.com/l/cbCair3wrbvrjM8C","pdf",31192268,381,"English","# Abstract\n# Table of Contents\n## List of Tables\n## List of Figures\n## Acknowledgements\n## Declaration\n## Background information about the author\n## Romanisation of the Thai language\n## Thai speech tone and melody\n## List of Thai monarchs and their reign dates\n## Notation policy\n## Chapter 1\n## 1.1 Basic concepts\n## 1.2 A review of relevant background literatures\n## 1.3 Methodology\n## Chapter 2\n## 2.1 The origin of khon\n## 2.2 Development through Thai historical periods\n## 2.3 Categories of khon and t","[{\"question\":\"What is the Phrommas episode and how is it connected to khon?\",\"answer\":\"Phrommas is one of the best-known episodes from the Thai masked dance-drama khon. Its narrative is adapted from the Indian epic Ramayana, in Thai tradition as Ramakian.\"},{\"question\":\"Who arranged the Phrommas repertoire and when?\",\"answer\":\"The Phrommas repertoire was arranged by Prince Narisaranuvatiwongse in 1899. It continues to be performed up to the present day.\"},{\"question\":\"What main perspectives does the research use to study the repertoire?\",\"answer\":\"The research considers the repertoire through three perspectives: its theatre significance, the musical characteristics of the individual pieces, and its current state within modern Bangkok.\"}]","Such ada So w at - Doctor of Philosophy University of York Music - September 2018 | PDF",1792228709,960]