[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-133383-en":3,"doc-seo-133383-105":31,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},133383,7971461740909,"Levi","https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d",8,"Research & Report","Study on the Path of Shaping the Visual Image of \"POP MART\" Blind Boxes","Against the backdrop of a booming cultural industry, blind boxes have become a recent craze among young consumers, and “POP MART” stands out as a leading Chinese brand in blind-box cultural creation. From a consumer perspective, the study examines how visual symbols are selected, how cultural cores are constructed, and what problems remain in blind-box visual shaping. It further explores future development trends and innovation paths in the cultural and creative market, arguing that blind boxes still have substantial potential for further growth and contemporary research value.","Study on the path of shaping the visual image of \"POP MART\" blind box  \nJingyi Yu  \nSchool of Wuhan Textile University, Wuhan, China  \nAbstract: In the background of the booming cultural industry, \"blind box\" as a form of cultural creation has become a craze among young consumers in recent years, and \"POP MART\", as a famous brand of blind box culture and creation in China, has occupied a place in the market. Based on the perspective of consumers, we explore the visual shaping path of \"POP MART\"blind boxes, discussing the selection of visual symbols, the shaping of cultural cores and the remaining problems of blind box shaping, and then analyze the development trend and innovation path of blind boxes in the future cultural and creative market. As a kind of cultural and creative carrier with diversified forms and rich contents, the blind box still has much room for development and innovation in the future, and also has the value of contemporary research.  \nKeywords: Blind box; Image shaping; Visual elements; POP MART.  \n1. Introduction  \nWith the rise of Generation Z advocating the concept of self-pleasure and personalized consumption, \"trendy play\"has gradually entered the consumers' vision. In recent years, the rise and integration of various trendy cultures, the changing aesthetics of the times and the development of industrial technology have all contributed to the continuous updating of the form of trendy toys to better meet the needs of the consumers. The positioning of the tide plays also from the initial art toys and designer toys, and turn to a larger field-the art market. In recent years, the trendy game in the form of blind boxes in China has exploded, and the initial wind of blind boxes and bring it to the mainstream market is China's trendy game brand \"POP MART\", it caters to the contemporary youth aesthetic, in line with the trend of cultural development trend of visual design by the viewers, and continue to develop overseas markets. The explosion of\"POP MART\" blind box products is inseparable from its rich product visual shape, and its path of shaping blind box products also brings value reference for many brands, while inevitably causing the qualitative phenomenon caused by excessive imitation of brands.  \n\"Blind box\" in China as a popular form of trendy play, thereis great room for expansion and innovation, with a broad market outlook. From the success of POP MART, we analyze the path of shaping excellent blind boxes, and reflect on the existing problems and make improvements, which can help China's blind boxes to get more diversified development in the future.  \n2. The rise of blind box toys background  \nThe concept of \"blind box\" toys first began in the United States in the 1920s, the United States appeared in the form of toys packaged in plastic and sold in the machine, the 1980s this model was improved by Japanese manufacturers for capsule toys \"Twister\", widely used in In the 1980s, this model was modified by Japanese manufacturers as the capsule toy \"Twister\", which is widely used in the sale of anime and manga IP figures. Strictly speaking, \"Twister\" is  \nthe predecessor of \"blind box\" toys, creating a market for blind boxes.  \nIn the 1990s, there was a similar nature of \"card collection marketing\" in China, such as the small raccoon dry noodles sold under the Unity Group, which came with a random card of the Water Margin heroes after opening the product, and since only after opening the package could we know which card we were getting, this kind of product with unknown attributes was quite attractive to consumers, which was also the classic snack product of that era. This is also the classic snack goods + card draw marketing model of the times.  \nBlind box tide plays only began to appear in 2012 in the country, at that time still not put into mass production, in the country only belong to the circle of niche enthusiasts’ range, mostly introduced from abroad, IP content is mostly animation as well as film","cbCaige3M8GTadCB","https://ap.wps.com/l/cbCaige3M8GTadCB","pdf",412177,3,1,5,"English","en",105,"# Introduction\n## Rise of blind box toys background\n# “POP MART” visual shape analysis\n## Cute modeling design\n## Visual symbols and cultural core shaping\n## Innovation path and remaining problems","[{\"question\":\"What is the main research focus of the study?\",\"answer\":\"The study focuses on the visual image shaping path of “POP MART” blind boxes, including visual symbol selection, cultural core shaping, and remaining issues.\"},{\"question\":\"Why has “POP MART” become a key brand in the blind-box market?\",\"answer\":\"It gained consumer attention through rich product visual form, strong IP image design, and successful market expansion from niche to mainstream.\"},{\"question\":\"What development trend and innovation direction does the study suggest for blind boxes?\",\"answer\":\"It argues that blind boxes still have room for further development and innovation in the future cultural and creative market, with improvements needed to avoid excessive imitation.\"}]","Study on the Path of Shaping the Visual Image of \"POP MART\" Blind Boxes | 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is the main research focus of the study?","Question",{"text":76,"@type":77},"The study focuses on the visual image shaping path of “POP MART” blind boxes, including visual symbol selection, cultural core shaping, and remaining issues.","Answer",{"name":79,"@type":74,"acceptedAnswer":80},"Why has “POP MART” become a key brand in the blind-box market?",{"text":81,"@type":77},"It gained consumer attention through rich product visual form, strong IP image design, and successful market expansion from niche to mainstream.",{"name":83,"@type":74,"acceptedAnswer":84},"What development trend and innovation direction does the study suggest for blind boxes?",{"text":85,"@type":77},"It argues that blind boxes still have room for further development and innovation in the future cultural and creative market, with improvements needed to avoid excessive 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