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explain the link between film connotations and social significance?",{"text":71,"@type":63},"After data collection and analysis, the study concludes that the audience’s acceptance is related to how feminist ideas are encoded in the films’ heroine representations, and it discusses the broader social and cultural significance of that reception.","https://schema.org",{"og:url":32,"og:type":74,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":76,"canonical":32},"index,follow",{"doc_id":78,"site_id":7},136230,1787363560,{"code":4,"msg":81,"data":82},"success",[83,87,91,95,100,105,110,114,119,122,126],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":84,"show_sort_weight":85,"slug":86},"Story & 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Conference on Comprehensive Art and Cultural Communication (CACC 2022)  \nStudy on the Acceptance of Heroine Images in Chinese and American Animated Films  \nZhengxin Huang 1,† Qinyao Sun2,*,† Wenyi Zhang3,†  \n1 Beijing Technology and Business University, Beijing, China  \n2 Communication University of Zhejiang, Hangzhou, China  \n3 Wenzhou Business College, Wenzhou, China  \n*Corresponding author. Email: [194202122@stu.cuz.edu.cn](194202122@stu.cuz.edu.cn)  \n†Those authors contributed equally.  \nABSTRACT  \nWith the development of our society, new waves of feminist movements emerged continuously. At the same time, feminism had a profound impact in the field of film creating, inspiring generations of film and television creations around the world, and gradually integrating feminist theories into the connotation of their own film and television works. The animation also showed up in innovative forms, providing spiritual nourishment and cultural edification. This paper selected two feminist animated films \"Frozen 2\" and \"Verta 2\" as representatives, focusing on the expression and acceptance of feminism in animated films. This paper used quantitative methods to explore heroines’charm and their cultural connotations, and describe the communication between the film connotations and the respondents. The effect and its social significance were also explored to establish connections between animated films feminist connotation and the feminist social and cultural conditions. After a quantitative investigation and analysis process, using research methods such as literature analysis, case analysis, and data processing methods such as regression analysis, the relationship between the film's feminist ideas and the audience's acceptance is concluded.  \nKeywords: Feminism, Animated films, China, the United States  \n1. INTRODUCTION  \nFeminism, since it first appeared on the historical stage, has maintained its vitality. From the 1930s, feminism in the United States began to take off. During this period, the female image was still regarded as the vassal of the male, staying home to raise their children. By the 1950s, there was a series of anti-bias campaigns against race, feminism, homosexuals, and other marginalized groups in society. By the 1980s and early 1990s, after decades of feminist activism, the US had become more aware of feminism and the public had gradually changed its stereotypical view of women, with women gaining equal rights to work and education. Until today, the feminist movement in the United States has been quite effective, gradually breaking the public's stereotype of women, and outstanding women can be seen in various fields. The feminist movement has shifted from the actual struggle for social rights to more ideological liberation.  \nAs a cultural and social trendsetter, the film will inevitably bear the brand of the times. The creation of characters in films is a product of the psychological requirements of adults for that type of character, in line with the cultural identity of contemporary society. Since Disney's first animated princess film Snow White and the Seven Dwarfs in 1937, the definition of the female figure has been dominated by masculinity, rescued by the male figure, who “gazes” at the female, and the female figure in the film caters to the male and is mentally dependent on him [1][2] . With the continuous advancement of feminism, the image of Disney Princess is also changing. In the 1970s and 1990s, the emergence of ecofeminism promoted the development of feminism. Ecofeminism combined ecologicalism and Feminism combined the concepts of devaluing women and nature in society, emphasizing the close connection between women and nature, and believes that only women who actively participate in saving nature can truly solve natural ecological problems. At the same time, Virginia Woolf, a pioneer of 20th-c","cbCaikwkMHSoezIx","https://ap.wps.com/l/cbCaikwkMHSoezIx","pdf",545113,"English","# Introduction\n# Feminist image in animated film\n## Development of feminism and film narratives\n# Case study and research design\n## Selected films\n## Quantitative methods and data processing\n# Findings and discussion\n## Relationship between feminist ideas and audience acceptance\n# Conclusion","[{\"question\":\"Which animated films are used as representatives in the study?\",\"answer\":\"The paper uses two feminist animated films as representatives: Frozen 2 and Verta 2, focusing on how feminism is expressed and accepted through heroine images.\"},{\"question\":\"What research methods are applied to examine audience acceptance?\",\"answer\":\"Quantitative methods are used, supported by literature and case analysis, and data processing including regression analysis to test the relationship between feminist connotations and audience responses.\"},{\"question\":\"How does the paper explain the link between film connotations and social significance?\",\"answer\":\"After data collection and analysis, the study concludes that the audience’s acceptance is related to how feminist ideas are encoded in the films’ heroine representations, and it discusses the broader social and cultural significance of that reception.\"}]","Study on the Acceptance of Heroine Images in Chinese and American Animated Films - Research Findings | PDF",18]