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It argues that ideas of property, propriety, and possession shape images of literary authority, textual identity, and poetic figuration across their collaboration and later careers. The analysis reads the literary politics generated by these images as allegories for structures and processes of meaning, focusing on who owns language and who controls 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Possession  \nSUSAN EILENBERG  \nNew YorkOxfordOXFORD UNIVERSITY PRESS  \nOxford University Press  \nOxford New York Toronto  \nDelhi Bombay Calcutta Madras KarachiPetaling Jaya Singapore Hong Kong TokyoNairobi Dar es Salaam Cape TownMelbourne Aucklandand associated companies inBerlin Ibadan  \nCopyright C 1992 by Oxford University Press,Inc.  \nPublished by Oxford University Press,Inc.200 Madison Avenue,New York,New York 10016  \nOxford is a registered trademark of Oxford University Press  \nAll rights reserved.No part of this publication may be reproduced,stored in a retrieval system,or transmitted,in any form or by any means,electronic,mechanical,photocopying,recording,or otherwise,without the prior permission of Oxford University Press.  \nLibrary of Congress Cataloging-in-Publication DataEilenberg,Susan,1956-  \nStrange power of speech:Wordsworth,Coleridge,andliterary possession /Susan Eilenberg.  \np.cm.Includes bibliographical references and index.ISBN 0-19-506856-4ISBN 0-19-506856-4  \n1.Wordsworth,William,1770-1850—Authorship.2.Coleridge,Samuel Taylor,1772-1834—Authorship.3.Coleridge,Samuel Taylor,1772-1834.Biographia literaria.4.Wordsworth,William,1770-1850.  \nLyrical ballads.5.Authorship—Collaboration—History--19th century.  \n6.Copyright—Great Britain—History—19th century.I.Title.PR5886.E451992821'.709-dc2091-25497  \nPrinted in the United States of Americaon acid-free paper  \nI am grateful to several publishers and editors forpermission to quote from copyrighted works:  \nSamuel Taylor Coleridge,Biographia Literaria,editedby James Engell and Walter Jackson Bate.Copyright1983 by Princeton University Press.  \nSamuel Taylor Coleridge,Poetical Works,edited byErnest Hartley Coleridge.Copyright 1979 by OxfordUniversity Press.  \nCollected Letters of Samuel Taylor Coleridge,edited byEarl Leslie Griggs.Copyright 1956 and 1959by OxfordUniversity Press.  \nLetters of William and Dorothy Wordsworth,edited byErnest De Selincourt,revised by Chester L.Shaver,Mary Moorman,and Alan G.Hill.2nd edition.Copyright 1967-1982 by Oxford University Press.  \nLyrical Ballads(1798),edited by W.J.B.Owen.2ndedition.Copyright 1969 by Oxford University Press.  \nLyrical Ballads:The Text of the 1798 Edition with theAdditional 1800 Poems and the Prefaces,edited by R.L.Brett and A.R.Jones.Copyright 1963 by Routledge.  \nThe Poetical Works of William Wordsworth,edited byErnest De Selincourt and Helen Darbishire.Copyright1940-1947 by Oxford University Press.  \nThe Prose Works of William Wordsworth,edited by W.  \nJ.B.Owen and Jane Worthington Smyser.Copyright1974 by Oxford University Press.  \nF.W.J.Schelling,System of Transcendental Idealism(1800),translated by Peter Heath.Copyright 1978University Press of Virginia.  \nThis page intentionally left blank  \nFor my parents  \nThis page intentionally left blank  \n# Preface\n\nThe subject of this book is the relationship between tropes ofliterary property and signification in the writings and literary pol-itics of Wordsworth and Coleridge.I argue that a complex of ideasabout property,propriety,and possession informs the images ofliterary authority,textual identity,and poetic figuration to befound in much of the two writers'major work.During the periodof their closest collaboration as well as at points later in theircareers,Wordsworth and Coleridge took as their primary materialthe images of property and propriety upon which definitions ofmeaning and figuration have traditionally depended,groundingthese images in writings about landed and spiritual property,ma-terial and intellectual theft,dispossession by creditors and posses-sion by demons.The writings and the politics generated by theliteralization of such images can be read as allegorical of the struc-tures and processes of signification.Each such gesture,each suchtrope,addresses in some way the fundamental quest","cbCaiuIBc8EB5zh7","https://ap.wps.com/l/cbCaiuIBc8EB5zh7","pdf",17447546,301,"English","# Preface\n## Core Research Question: Who Owns Language?\n## How Property and Possession Shape Literary Authority\n## Material vs. Spiritual Possession in the Two Writers","[{\"question\":\"What is the central topic of the book according to the preface?\",\"answer\":\"It focuses on how tropes of literary property relate to signification in Wordsworth and Coleridge’s writings and literary politics.\"},{\"question\":\"How does the book explain the role of property, propriety, and possession in the two authors?\",\"answer\":\"It argues that these ideas inform images of literary authority, textual identity, and poetic figuration in their major works.\"},{\"question\":\"What key question does the preface highlight about meaning and language?\",\"answer\":\"The preface frames the inquiry around “Who owns language?” and “Who controls meaning?” as the stakes behind the analogy between the literary and the material.\"}]","Strange Power of Speech - Wordsworth, Coleridge, and Literary Possession | PDF",1789947273,464]