[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-129088-en":3,"doc-seo-129088-105":31,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},129088,549768702563,"Sage","https://ap-avatar.wpscdn.com/avatar/8000c4aa63b76e948b?x-image-process=image/resize,m_fixed,w_180,h_180&k=1786536092046926083",2,"Literature","Stranded in the Future - Robyn Hitchcock - 1967","1967: How I Got There and Why I Never Left is a witty, sharply observed memoir in which Robyn Hitchcock uses the single pivotal year as a lens on boarding-school life and the music that shaped his artistic sensibility. Readers trace time-travel-like loops between past and present, alongside surreal sketches and perceptive musical commentary. The text is both nostalgic and energetic, blending personal reflection with an Anglophile’s love for English eccentricity and pop culture.","Praise for 1967: How I Got There and Why I Never Left by Robyn Hitchcock  \n“A bright, nostalgic look at the exhilaration of 1967, this book—illustrated throughout with Hitchcock’s surreal sketches—will appeal to not only the author ’s many fans but also anyone interested in the music and culture from the golden age of psychedelia.” —Kirkus Reviews  \n“British singer-songwriter Hitchcock wistfully reflects on boarding school and the music that shaped him in this captivating chronicle of the year he credits with sculpting his artistic sensibility … Readers need not be fans of Hitchcock’s music to find this enchanting.” —Publishers Weekly  \n“Memoirists rarely begin their work with a stroke of genuine inspiration, and Robyn Hitchcock’s ingenious idea to limit his account of his life to the titular year gives this sharp, funny, finely written book an unusually keen, wistful intensity without sacrificing its sense of the breathtaking sweep of time. I absolutely adored every line of 1967 and every moment I spent reading it.” —Michael Chabon, author of Telegraph Avenue  \n“1967 …in which our hero looks down from the future at his squeaky realm of boyhood, a world of dayglo sunsets, and would-be denizens of music and the mind. Cometh the year, cometh the groover.” —Johnny Marr, guitarist and cosongwriter of the Smiths  \n“Robyn Hitchcock belongs to an almost extinct species,‘The Totally Original Artist,’ once relatively commonplace, now only occasionally glimpsed in the dense tree canopy of the pop rainforest. Mysterious, elusive, a kind of rock ’n’ roll olingo … 1967 presents his many fans with a tantalizing print-bite of how he wound up in those trees and in so doing (whether he likes it or not) became a National Treasure.” —Nick Lowe, singer-songwriter  \n“Five stars … [It’s] funny and sparkling with a wild, questioning energy … One of the joys of this charming and compulsively perceptive work is the way the past loops, fountain-like, into the present and back; and how sharp his sense of the source remains. It is a kind of time-travel.” —Telegraph (UK)  \n“[I]t’s daft (but smart), ever so surreal, and pure Hitchcock …Yes, this is a book for Hitchcock fans and music geeks generally. But it’s more. It’s an Anglophile’s dream, set in the world of cloistered boarding schools and the quite English eccentricities of family life … [A]fter giving us so many memorable songs, he’s given us music on the page, a singular memoir that was one wild year—and a lifetime of memories—in the making.” —Chapter 16  \n“Delightful … Dense with time-travel reminiscence and sharp musical analysis, 1967 comes closer than most to showing how music can switch on the lights, switch on a life.” —MOJO  \n“[R]iveting …a delightful journey into [Hitchcock’s] headspace. Part autobiography, part love letter to the music that shaped him, the book uses that year as a snapshot of his life and passion for music …Energetic and infectious, 1967: How I Got There and Why I Never Left doesn’t get tangled up in the brambles. Stylistically, it is a crisp read that resembles his songs in its clever wordplay and clever hooks.” —Big Takeover  \n“In 1967, Hitchcock deftly captures the mercurial spirit of the time, and his luminous prose showshe’s not only a singular maker of music, but has been a secret writer of books all along.” —Rain Taxi Review of Books  \n“Page Turner could be the name of a lead singer in a sixties psychedelic band, but it’s not, it’s a description of Robyn Hitchcock’s tender and hilarious memoir.” —Joe Boyd, author of White Bicycles: Making Music in the 1960s  \n[OceanofPDF.com](OceanofPDF.com)  \nSTRANDED in the FUTURE  \nROBYN HITCHCOCK  \n[OceanofPDF.com](OceanofPDF.com)  \nAll rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written consent of the publisher.  \nPublished by Akashic Books ©2026 Robyn Hit","cbCainN4gfaIynlV","https://ap.wps.com/l/cbCainN4gfaIynlV","pdf",8069546,4,1,138,"English","en",105,"# Contents\n## I Know Where She Lives\n## Two Boiled Eggs\n## My Love Is Like a Red, Red Trolleybus\n## An Exercise in Futility 1: The Marble Dance\n## On an Island\n## Enter the Medusa (the Bells Don’t Work)\n## Micro-Flashes Forward\n## An Exercise in Futility 2: The Art School Dance\n## Intermission\n## End of Intermission—Press “Play”\n## No Chips Alone\n## Shipwrecked Inland\n## Give It to the Soft Boys\n## Headbanger Charade\n## Walking Through a Mirror\n## Suddenly the World Happens\n## I Wanna Go Backwards\n## Interlude in the Otherworld\n## Endgame\n## Acknowledgements","[{\"question\":\"这本回忆录用什么方式组织叙事？\",\"answer\":\"作者以1967这一年作为核心时间切片来讲述人生与音乐经历，并让过去与现在以“时间旅行”般的方式相互回环。\"},{\"question\":\"叙述的主题主要围绕哪些内容？\",\"answer\":\"围绕寄宿学校的成长经历、塑造作者艺术感的音乐，以及对当时音乐与文化精神的分析与回忆展开。\"},{\"question\":\"书中如何体现幽默与超现实风格？\",\"answer\":\"文中强调机智、好笑且带有明显的超现实倾向，同时配有作者的超现实素描，使回忆更具震撼与趣味性。\"}]","Stranded in the Future - Robyn Hitchcock - 1967 | PDF",1786007887,213,{"code":4,"msg":32,"data":33},"ok",{"site_id":25,"language":24,"slug":34,"title":13,"keywords":35,"description":14,"schema_data":36,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":29},"stranded-in-the-future-robyn-hitchcock-1967","",{"@graph":37,"@context":85},[38,53,68],{"@type":39,"itemListElement":40},"BreadcrumbList",[41,45,48,51],{"item":42,"name":43,"@type":44,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":46,"name":47,"@type":44,"position":11},"https://docshare.wps.com/document/","Document",{"item":49,"name":12,"@type":44,"position":50},"https://docshare.wps.com/document/literature/",3,{"item":52,"name":13,"@type":44,"position":20},"https://docshare.wps.com/document/stranded-in-the-future-robyn-hitchcock-1967/129088/",{"url":52,"name":13,"@type":54,"author":55,"headline":13,"publisher":57,"fileFormat":60,"inLanguage":24,"description":14,"dateModified":61,"datePublished":62,"encodingFormat":60,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":56},"Person",{"url":42,"name":58,"@type":59},"DocShare","Organization","application/pdf","2026-09-04","2026-08-06",true,{"@type":65,"interactionType":66,"userInteractionCount":20},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"这本回忆录用什么方式组织叙事？","Question",{"text":75,"@type":76},"作者以1967这一年作为核心时间切片来讲述人生与音乐经历，并让过去与现在以“时间旅行”般的方式相互回环。","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"叙述的主题主要围绕哪些内容？",{"text":80,"@type":76},"围绕寄宿学校的成长经历、塑造作者艺术感的音乐，以及对当时音乐与文化精神的分析与回忆展开。",{"name":82,"@type":73,"acceptedAnswer":83},"书中如何体现幽默与超现实风格？",{"text":84,"@type":76},"文中强调机智、好笑且带有明显的超现实倾向，同时配有作者的超现实素描，使回忆更具震撼与趣味性。","https://schema.org",{"og:url":52,"og:type":87,"og:title":13,"og:site_name":58,"og:description":14},"article",{"robots":89,"canonical":52},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":92},[93,97,100,104,109,114,119,124,129,132,136],{"id":21,"doc_module":4,"doc_module_name":47,"category_name":94,"show_sort_weight":95,"slug":96},"Story & Novel",90,"story-novel",{"id":11,"doc_module":4,"doc_module_name":47,"category_name":12,"show_sort_weight":98,"slug":99},80,"literature",{"id":20,"doc_module":4,"doc_module_name":47,"category_name":101,"show_sort_weight":102,"slug":103},"Exam",70,"exam",{"id":105,"doc_module":4,"doc_module_name":47,"category_name":106,"show_sort_weight":107,"slug":108},5,"Comic",60,"comic",{"id":110,"doc_module":4,"doc_module_name":47,"category_name":111,"show_sort_weight":112,"slug":113},6,"Technology",50,"technology",{"id":115,"doc_module":4,"doc_module_name":47,"category_name":116,"show_sort_weight":117,"slug":118},7,"Healthcare",40,"healthcare",{"id":120,"doc_module":4,"doc_module_name":47,"category_name":121,"show_sort_weight":122,"slug":123},8,"Research & Report",30,"research-report",{"id":125,"doc_module":4,"doc_module_name":47,"category_name":126,"show_sort_weight":127,"slug":128},9,"Religion & Spirituality",20,"religion-spirituality",{"id":127,"doc_module":4,"doc_module_name":47,"category_name":130,"show_sort_weight":127,"slug":131},"World Cup","world-cup",{"id":133,"doc_module":4,"doc_module_name":47,"category_name":134,"show_sort_weight":133,"slug":135},10,"Lifestyle","lifestyle",{"id":137,"doc_module":4,"doc_module_name":47,"category_name":138,"show_sort_weight":105,"slug":139},19,"General","general"]