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The editor recounts memories of an unsociable visitor who rents rooms, observing a quiet, isolated life shaped by temperament and destiny. The volume is placed within Hermann Hesse’s broader literary trajectory, linking his development, psychological influences, and recurring contrasts between bourgeois order and the allure of sensual experience.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/steppenwolf/143731/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/steppenwolf/143731.png","ImageObject",300,407,{"name":92,"@type":93},"Levi","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-30","2026-08-25",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",28,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"How does the editor’s preface introduce Steppenwolf?","Question",{"text":113,"@type":114},"The preface explains that the volume contains surviving notebooks of “Steppenwolf,” and the editor adds personal memories despite limited knowledge of the man’s background.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"What kind of person is described in the editor’s recollections?",{"text":118,"@type":114},"He is portrayed as nearing fifty, quiet, and highly unsociable—like a timid but wild outsider from another world.",{"name":120,"@type":111,"acceptedAnswer":121},"What broader theme does the book connect to in Hesse’s work?",{"text":122,"@type":114},"The material links Hesse’s themes of tension between orderly bourgeois life and the turbulent, enticing world of sensual experience, which is echoed in Steppenwolf and related novels.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},143731,1787696515,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":130,"read_time":145},7971461740909,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","HERMANN HESSE  \nSteppenwolf  \nTranslated from the German and with an Afterword by David Horrocks  \nPENGUIN BOOKS  \nContents  \nSTEPPENWOLF  \nTranslator ’s Note Author ’s Postscript (1941)  \nTranslator ’s Afterword  \nPENGUIN MODERN CLASSICS  \nSTEPPENWOLF  \nHermann Hesse was born in southern Germany in 1877. Hesse concentrated on writing poetry as a young man, but his first successful book was a novel, Peter Camenzind (1904). During the war, Hesse was actively involved in relief efforts. Depression, criticism for his pacifist views, and a series of personal crises led Hesse to undergo psychoanalysis with J. B. Lang. Out of these years came Demian (1919), a novel whose main character is torn between the orderliness of bourgeois existence and the turbulent and enticing world of sensual experience. This dichotomy is prominent in Hesse’s subsequent novels, including Siddhartha (1922), Steppenwolf (1927), and Narcissus and Goldmund (1930) . Hesse worked on his magnum opus, The Glass Bead Game (1943), for twelve years. This novel was specifically cited when he was awarded the Nobel Prize for Literature in 1946. Hesse died at his home in Switzerland in 1962.  \nDavid Horrocks (1943–2011) was Lecturer in German at Keele University from 1967 until his early retirement in 2000. His research and teaching focused on literature of the First World War, German Modernism, West German post-1945 literature and recent writing by Turkish-German authors. Previous literary translation work includes a story by the Austrian writer Thomas Bernhard for Penguin Parallel Texts (German Short Stories, ed. D. Constantine, 1976), poetry by Olga Sedakova (with Valentina Polukhina, in Sedakova’s The Silk ofTime, 1994) and work by Turkish-German author Emine Sevgi Özdamar (in Turkish Culture in German Society Today, ed. D. Horrocks and E. Kolinsky, 1996) . He also contributed articles on Hermann Hesse and Günter Grass to the Encyclopaedia of Literary Translation into English (ed. O. Casse, 2000) .  \nEditor ’s Preface  \nThis volume contains the surviving notebooks of the man we used to call‘Steppenwolf’ – an expression he himself employed on several occasions. Whether his manuscript is in need of a preface to introduce it is a moot point, but I at any rate feel the need to add to Steppenwolf’s pages a few of my own in which I shall try to record my memories of him. Since I am wholly ignorant of his background and past life my actual knowledge of theman is scanty. I have, however, retained a strong and I must say, despite everything, congenial impression of his personality.  \nSteppenwolf was a man nearing fifty who one day some years ago called at my aunt’s block of flats in search of a furnished room. Having rented the attic room up under the roof and the small bedroom next to it, he came back a few days later with two suitcases and a large book chest, and lodged with us for nine or ten months. He led a quiet life, keeping himself to himself, and had it not been for the odd chance meeting on the stairs or in the corridor, occasioned by the proximity of our bedrooms, we would probably not have become acquainted at all. For the man was not sociable; indeed he was unsociable to a degree that I had never observed in anyone before. He really was, to use the term he himself did on occasion, a Steppenwolf, or wolf of the steppes: an alien, wild but also timid – even very timid – creature from a world different to mine. Mind you, it was only after reading the notebooks he left here that I discovered how profoundly isolated a life he had, by virtue of his temperament and destiny, gradually made his own, and how consciously he recognized this isolation as his lot. Still, even before reading them, through meeting and talking with him briefly on a number of occasions, I did get to know him to some extent. And I found  \nthat the image I gained of him from the notebooks basically matched the admittedly paler and sketchier one derived from our personal acquaintance.  \nI happened t","cbCaiaufKe3dYHKL","https://ap.wps.com/l/cbCaiaufKe3dYHKL","pdf",1179832,260,"English","# Steppenwolf\n## Contents\n## Editor’s Preface","[{\"question\":\"How does the editor’s preface introduce Steppenwolf?\",\"answer\":\"The preface explains that the volume contains surviving notebooks of “Steppenwolf,” and the editor adds personal memories despite limited knowledge of the man’s background.\"},{\"question\":\"What kind of person is described in the editor’s recollections?\",\"answer\":\"He is portrayed as nearing fifty, quiet, and highly unsociable—like a timid but wild outsider from another world.\"},{\"question\":\"What broader theme does the book connect to in Hesse’s work?\",\"answer\":\"The material links Hesse’s themes of tension between orderly bourgeois life and the turbulent, enticing world of sensual experience, which is echoed in Steppenwolf and related novels.\"}]","Steppenwolf | PDF",400]