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 16N. т1n.о 5ог с..I **55... 1  с   1    I    а p.!е s  \nC·C动漫社是由一群从小看着漫画长大，狂热并执着于把动漫作为一生事业、充满梦想的年轻人所组成，是目前国内规模最大，也是最专业的漫画技法图书创作团队。从2005年开发出国内第一本漫画技法图书至今，已经出版有几大系列60余种漫画技法图书，备受广大读者喜爱，销量也超过了引进自日本的众多图书，并被很多大专院校和培训班选作教材。其中大部分著作版权都已输出到海外。  \n关注@CC动漫社微信，获得更多绘画指导及新书赠阅机会!  \n微博：http://weibo.com/c2aclub  \n淘宝：http://ccdongman.taobao.com  \n邮箱：c2aclub@sina.com  \n翰林学校(初中部)0087480  \nHE  \ndA一N  \n(古风插画手绘技法从入门到精通古N(4女  \nZ  \nO FC L A S S  \nC,Q动漫社著  \n中国永州水电版社www.waterpub.com.cn  \n古板;参  \n造型经得起推敲，但姿态未免过于  \n考新漫画风格来画，又不免失掉了那种优雅  \n神秘的气质。  \n本书以浪漫的新古典主义画风，在唯  \n美复古与时尚新颖间找到绝妙的平衡点。总  \n结新式古风插画的规律要点，从人物结构讲  \n起，细致分析深入讲解那些华丽的发型和服  \n饰，灵活运用色铅笔和水彩打造明媚精致的  \n画面效果。针对初学者常见困惑进行针对性  \n地解答，一步步帮助你画出自己心中的美  \n图'打造自己梦想中瑰丽的梦幻王朝。  \nC.C动漫社  \n前  \n不是那么容易。参考真正的古代  \n仕  \n然而，想要画好一张漂亮  \n女图虽然  \n的  \n古  \n五色染就霓彩裳  \n—P r e f a c e  \n铺一张纸，挥笔轻描，笔锋起落，一个  \n古装丽人从画轴中袅袅婷婷地走来，水袖轻  \n舞顾盼生姿。精致繁复的发型，衣带飘飞的  \n华服，让「古风」这一主题成为画师们笔下  \n经久不衰的经典。  \n插画却  \n风  \n丹朱为卿点绛唇  \n言  \n兰墨轻描绘佳人  \n清水为媒花做纸  \n# 从  创  造  角  色  开  始\n\n目  \nC 0 n t e n t s  \n○  \n案例展37  \n如何画出出风感觉的线冬  \n笔法的练习  \n服 发 五  \n姣好的面容  \n柔美的曲线  \n工具的选择  \n具有中国风的构图  \n饰 型 官  \n风美少女的特征  \n风美少女的画法  \n272218  \n18  \n结合色彩塑造古韵十足的美少女  \n录  \n为大面积皮肤上色  \n身体动态的表现  \n风美少女身体的上色  \n为头发上色  \n为五官上色19  \n为皮肤上色  \n风美少数面部的上色  \n# 利用服饰让角色形象更丰满\n\n打造华明的古装丽人3  \n古风服饰的上色要点  \n装饰的细节处理  \n古代服饰的配色原理  \n利用色彩丰富画面细节  \n常用衣料的质感表现  \n绘制具有古代韵味的花纹与图案  \n如何画出好看的渐变效果  \n结合西方元素的古风服饰  \n结合东方元素的古风服饰  \n120  \n117113  \n113  \n# 渲染如梦如幻的古风场景\n\n不同角度的画面表现  \n构图的原理  \n160  \n植物的绘制  \n静物的刻画  \n风景的渲染  \n150138126  \n160  \n绘常贝的占风梦景元素  \n126  \n| 古 风美少女的特征  \u003Cbr>面部是人们首先看到的地方，所以精致的五官会给人物的魅力加分很多。  \u003Cbr>姣好的面容  \u003Cbr>1 .1.1   |  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- | --- |\n| 绘制古风人物的面容时，需要的是精致感，古代风格的美少女五官小巧精致，给人一种好似仙女一般的气息。  \u003Cbr>①正面五官的比例  \u003Cbr>眼角到耳朵的透视宽度  \u003Cbr>两眼之间的宽度相当  \u003Cbr>于一只眼晴的宽度。  \u003Cbr>是半只眼睛的宽度。   |  |  |  |  |  |  |\n| 古风的眉毛大多较  \u003Cbr>细，长度与眼晴的长  \u003Cbr>度差不多。   |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |\n|  |  |  |  | 嘴巴的位置   |  |  |\n|  |  |  |  |  |  |  |\n\n从创造角色开始  \nLesson 1  \n# ②正侧面五官的比例\n\n| 从创造角色开始   | 半侧面时鼻  \u003Cbr>五  \u003Cbr>半  \u003Cbr>面  \u003Cbr>官的比  \u003Cbr>侧  \u003Cbr>子中心线会  \u003Cbr>偏向朝向的  \u003Cbr>那一侧。  \u003Cbr>耳朵的宽度   | 发际线的位置   |  |  |\n| --- | --- | --- | --- | --- |\n|  |  |  |  |  |\n| L.esson1   |  |  |  |  |\n|  |  |  |  |  |\n|  |  |  |  |  |\n|  | 侧面立体的弧度   |  |  |  |\n|  | 不论是正面还  \u003Cbr>是45°角侧  \u003Cbr>面，甚至是正  \u003Cbr>侧面，眼睛与  \u003Cbr>头顶的位置都  \u003Cbr>变化不大。   |  |  |  |","cbCaiobOl9hibmAS","https://ap.wps.com/l/cbCaiobOl9hibmAS","pdf",21699099,196,"Chinese","en","# 从创造角色开始\n## 古风美少女的特征\n## 姣好的面容\n## 正面五官的比例\n## 正侧面五官的比例","[{\"question\":\"本书如何从“创造角色”切入古风美少女的绘制？\",\"answer\":\"以古风美少女的面部与五官为起点，先建立精致五官的结构与比例，再逐步扩展到不同角度的特征理解。\"},{\"question\":\"正面五官的比例要点有哪些？\",\"answer\":\"强调眼角到耳朵的透视宽度、两眼之间的宽度关系，以及与“半只眼睛宽度”等基准的对应关系。\"},{\"question\":\"半侧面或侧面时，五官比例和位置会发生什么变化？\",\"answer\":\"半侧面时鼻子与相关面部中心线会偏向朝向的那一侧，同时眼睛与头顶的位置变化不大，并讨论耳朵宽度与发际线位置等关键位置。\"}]","从创造角色开始 - 古风美少女的特征 - 从绘制面容与五官比例入门 | PDF",1790581574,302]