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distant view of an older man sitting on a rocking chair on a wraparound screened porch, and the way others seem to recognize him.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"How does the text change after the porch scene?",{"text":68,"@type":64},"It shifts to the narrator describing extensive medical tests, including blood tests, spinal tap, MRIs, and X-rays in a desert setting.",{"name":70,"@type":61,"acceptedAnswer":71},"What role does protection appear to play in the scenes?",{"text":72,"@type":64},"Bird activity and nesting protection are emphasized, alongside the man’s unclear sense of what he is protecting, reinforcing the chapter’s atmosphere of guarding and 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\nHeartless  \nFifteen One-Act Plays  \nDay out of Days  \nKicking a Dead Horse  \nBuried Child Tooth of Crime (Second Dance) The God of Hell  \nGreat Dream of Heaven  \nThe Late Henry Moss, Eyesfor Consuela, When the World Was Green  \nCruising Paradise  \nSimpatico  \nStates of Shock, Far North, Silent Tongue A Lie of the Mind The Unseen Hand and Other Plays Fool for Love and Other Plays Paris, Texas  \nSeven Plays  \nMotel Chronicles Rolling Thunder Logbook Hawk Moon  \nTHIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF  \nCopyright © 2017 by The Estate of Sam Shepard  \nAll rights reserved. Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York, and distributed in Canada by Random House of Canada, a division of Penguin Random House Limited, Toronto.  \n[www.aaknopf.com](www.aaknopf.com)  \nKnopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC.  \nLCCN: 2017956676  \nISBN: 978-0-525-52156-3 (hardcover) ; 978-0-525-52157-0 (ebook)  \nEbook ISBN 9780525521570  \nThis is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Cover photograph: Señor de los Pájaros ( Lord of the Birds) , Nayarit, Mexico, 1985 © Graciela Iturbide  \nCover design by Carol Devine Carson  \nv5 .1  \nep  \nContents  \nCover  \nAlso by Sam Shepard  \nTitle Page  \nCopyright  \nDedication  \nChapter 1  \nChapter 2  \nChapter 3  \nChapter 4  \nChapter 5  \nChapter 6  \nChapter 7  \nChapter 8  \nChapter 9  \nChapter 10  \nChapter 11  \nChapter 12  \nChapter 13  \nChapter 14  \nChapter 15  \nChapter 16  \nChapter 17  \nChapter 18  \nChapter 19  \nChapter 20  \nChapter 21  \nChapter 22  \nChapter 23  \nChapter 24  \nChapter 25  \nChapter 26  \nChapter 27  \nChapter 28  \nChapter 29  \nChapter 30  \nChapter 31  \nChapter 32  \nChapter 33  \nChapter 34  \nChapter 35  \nChapter 36  \nChapter 37  \nNote to Reader Acknowledgments A Note About the Author  \nIn Memory of Sam  \nSam’s children, Hannah, Walker, and Jesse, would like to recognize their father’s life and work and the tremendous effort he made to complete his final book.  \n1  \nS een from a distance. That is, seeing from across the road, it’s hard to tell how old he is  \nbecause of the wraparound screen porch. Because of his wraparound shades. Purple. Lone Ranger. Masked bandit. I don’t know what he’s protecting. He’s actually inside an enclosed screen porch with bugs buzzing, birds chirping, all kinds of summer things going on, on the outside—butterflies, wasps, etc.—but it’s very hard to tell from this distance exactly how old he is. The baseball cap, the grimy jeans, the old vest. He’s sitting in a rocking chair, as far as I can tell. A rocking chair that looks like it was lifted from a Cracker Barrel. In fact, it still has the broken security chain around one leg. I think from this distance it’s red but it could be black, the rocker, some of these colors originate from the Marines, some of them from the Army, some from the Air Force, depends on the depth of one’s patriotism, and he just rocks all day. That’s all. Telling stories of one kind or another, little histories. Battle stories. People come by, and they see him sitting thereon the porch in his rocker mumbling to himself. And they just walk up and sit down. They seem to know him somehow. At first they seem as though they don’t, but then they do. Also there are other people who come by. Who come and go. One of them looks like it might be his son. Tall and lanky. One looks like it could be his daughter. Two of them look like they might be his sisters. They come and go from deep inside the house but it’s very hard to tell from this distance how deep the house goes.  \nRobins are chirping approval. More or less. Robins are always chirping here, for some reason. I think mostly protecting nests. Protect","cbCairmdOIH1a8pw","https://ap.wps.com/l/cbCairmdOIH1a8pw","pdf",1254642,55,"English","# Chapter 1\n## Also by Sam Shepard\n## Copyright","[{\"question\":\"What does Chapter 1 focus on at the beginning?\",\"answer\":\"It opens with a distant view of an older man sitting on a rocking chair on a wraparound screened porch, and the way others seem to recognize him.\"},{\"question\":\"How does the text change after the porch scene?\",\"answer\":\"It shifts to the narrator describing extensive medical tests, including blood tests, spinal tap, MRIs, and X-rays in a desert setting.\"},{\"question\":\"What role does protection appear to play in the scenes?\",\"answer\":\"Bird activity and nesting protection are emphasized, alongside the man’s unclear sense of what he is protecting, reinforcing the chapter’s atmosphere of guarding and watchfulness.\"}]","Spy of the First Person - Chapter 1 | PDF",1789989344,85]