[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-40804-en":3,"doc-seo-40804-105":29,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":11,"is_downloadable":11,"audit_status":11,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":13,"seo_description":14,"update_tm":27,"read_time":28},40804,1374391974468,"Eden","https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0",1,"Story & Novel","Sprawl Trilogy 3 Mona Lisa Overdrive","Sprawl Trilogy 3: Mona Lisa Overdrive presents Mona encountering street-level artifacts and posters that signal deeper connections to Angie Mitchell, blending sensory detail with a sense of destiny. The surrounding matter frames William Gibson’s style through critical praise: diamond-hard, cinematic prose; richly drawn, hurting characters; and a near-future world where technology, artificial intelligence, and shadowy forces collide. The contents indicate multiple interconnected stories moving toward cyberspace, with distinct chapters spanning varied urban and speculative settings.","Mona turned a corner at random, automatic reflex avoiding a crazy, and found herself walking past sunfaded card tables spread with cheap Indo simstim sets, used cassettes, colored spikes of microsoft stuck in blocks of pale blue Styrofoam. There was a picture of Angie Mitchell taped up behind one of the tables, a poster Mona hadn ’t seen before. She stopped and studied it hungrily, taking in the stars clothes and makeup first, then trying to figure out the background, where it had been shot. Unconsciously, she adjusted her expression to approximate Angie ’s in the poster. Not a grin, exactly. A sort of half-grin, maybe a little sad. Mona felt a special way about Angie.…  \n“Dust off those mirrored shades! The man credited with starting the cyberpunk movement is back with a new high-tech, far-future thriller.… Watching him mix together Japanese gangsters, Haitian voodoo, killer robots, and mean-spirited artificial intelligence is always compelling. He knows how to create quirky characters and propel them through expertly paced adventures. And, perhaps above all, he is a distinctive stylist whose prose has been polished until it gleams.”  \n—San Francisco Chronicle  \n“Gibson’s initial grab is his diamond-hard prose, stylish settings, and cinematic sweep.… But what sets him apart is his humanity: He creates characters who hurt, love, hate, and mourn like real people, even if they’re in a world where data is accessed by hallucinating ‘console jockeys’ and precious art is created by something in space that may be a machine and may be God.”  \n—The Seattle Times  \n“The man can write. His prose is sleek, hard, cool.”  \n—San Diego Tribune  \n“William Gibson showed that he has lost none of his brilliance with Mona Lisa Overdrive.”  \n—St. Louis Post-Dispatch Magazine  \n“Gibson’s writing has gotten better—cleaner, quicker.… He has shaken up the fundamental principles of science fiction while sustaining it as a pop-culture genre by creating vivid characters and putting them into action-packed situations. The result is that instead of harboring a lot of wooden characters on distant planets floating around gabbing sententiously, Gibson’s novels contain the drive and intricate plotting of good adventure stories, while summoning up a world that bears just enough resemblance to our own to keep the reader rooted.”  \n—Philadelphia Inquirer  \n“There is not one story but five, each compelling, each displaying richness of character and subtlety of expression.… With a hint here, a word or two there, the stories converge, gather speed, and jump into cyberspace, literally and literarily.”  \n—Northwest Examiner  \n“A fascinating and gripping read.”  \n—The San Francisco Bay Guardian  \n“Smooth and liquid and quietly compelling.”  \n—Science Fiction Eye  \n“Gibson’s spare style contrasts wonderfully with his opaque plot and glinting, metallic settings; with his tale’s nebulous schemes of Yakuza overlords and the garish glory of a haircut called the Cleveland Fighting Fish.”  \n—Cleveland Plain Dealer  \n“Dazzling … Exceptional … A brilliant blender of high-tech speculation, intricate plotting, and sharply drawn characters.”  \n—St. Louis Post-Dispatch  \n“Gibson is simply a superb writer. This time the sheer inventiveness of phrasing that earned him unprecedented acclaim for his first novel, Neuromancer—the only book to simultaneously receive the Hugo, Nebula, and Philip K. Dick awards—is complemented by interior character portrayals that have made Mona more moving than its predecessor Count Zero.”  \n—Edmonton Magazine (Canada)  \nSprawl Trilogy 3  \nHarper&Row  \nCover About Title Page Dedication  \n1 The Smoke  \n2 Kid Afrika  \n3 Malibu  \n4 Squat  \n5 Portobello  \n6 Morning Light  \n7 No There, There  \n8 Texas Radio  \n9 Underground  \n10 The Shape  \n1 1 Down on the Drag  \n12 Antarctica Starts Here  \n13 Catwalk  \n14 Toys  \n15 The Silver Walks  \n16 Filament in Strata  \n17 Jump City  \n18 Jail-Time  \n19 Under the Knife  \n20 Hilton Swift  \n21 The Aleph  \n22 Ghosts and Empties  \n23 Mir","cbCaipY6lGyB3Lc6","https://ap.wps.com/l/cbCaipY6lGyB3Lc6","pdf",2887293,2,297,"English","en",105,"# The Smoke\n# Kid Afrika\n# Malibu\n# Squat\n# Portobello\n# Morning Light\n# No There, There\n# Texas Radio\n# Underground\n# The Shape\n\n# Down on the Drag\n# Antarctica Starts Here\n# Catwalk\n# Toys\n# The Silver Walks\n# Filament in Strata\n# Jump City\n# Jail-Time\n# Under the Knife\n# Hilton Swift\n# The Aleph\n# Ghosts and Empties\n# Mirror Mirror\n# In a Lonely Place\n# Back East","[{\"question\":\"Who is the central character introduced in the excerpt?\",\"answer\":\"Mona is the focus of the opening scene, navigating a street environment and studying a poster connected to Angie Mitchell.\"},{\"question\":\"What major elements of the novel are highlighted by the quoted reviews?\",\"answer\":\"The reviews emphasize Gibson’s polished, hard-edged prose, distinctive characters, cinematic pacing, and a far-future cyberpunk world shaped by technology and artificial intelligence.\"},{\"question\":\"How is the book’s structure suggested by the table of contents?\",\"answer\":\"The contents list multiple titled pieces, indicating a multi-part collection whose stories converge and accelerate toward 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