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The pieces evoke wind, rain, sea light, solitude, grief, and turning seasons, using fragmented scenes and musical rhythms to suggest ongoing quests for meaning. Sections like “Glipse,” “Alltimers,” “Seams,” and “Leafings” explore how perception shifts yet continues, as seams never end and life repeats like a planet going over and out.","# Soon or Late\n\nFrank Borden Hanes  \n# Digitized by the Internet Archivein 2012\n\nhttp://archive.org/details/soonorlate00hane  \n# Soon or Late\n\nFrank Borden Hanes  \n# For Jane Craig Hanesbeloved by many\n\nThis St.Andrews College Press Bookis made possible throughthe Jackson Morton Memorial Fund.  \nISBN 978-1-879934-91-7  \nCopyright 2007 Frank Borden Hanes  \nCover Photos by Frank Borden Hanesat Double Creek Farm  \nCover Design by Melissa Hopkins  \nTable of Contents  \nOctober in DavieMatter29Glimpse2Protagonist30Alltimers3Whistle-stopped30Seams4Lady in Red31Leafings5Folkways32Wah-Who?6Other Dwellings33From the Benches7In Cold Love35Searchers7Well,Book and Gown36Ever After8Infinity37The Winds of Dust9Way Station38The Wolves of Thomas10Bliss39Formulas11Incantation39Ponderings12Chacun son Gout39Shortcomings12Doom40Coda13Sylvania Acres40Travel Guide14The Seer Said41Hooters14Seersays,42Multi-cultural Salvation14Porno43End Game14Seersay II44Lost End14Gropings44Exodus15The Late Supper44Averaging Out15The Quester's Last Queries45Compendium15 Megahurts46Noormon!O,Noormon!16Resolution47There Is a Time17Deep Think48Rurality17Evening Hatch49Shades of Seek1810 Words51Limitless Editions19Etcetera52Bowsprit19The PastThe Late Show20From Caste to BlendP.E.Ratio20SeclusionSeminal History21Outcome53The New Yorker Cognoscenti21Kin53Close Encounters22Reseeding53Peace23Derivatives54Different Oracles23Embers54Cause and Effect24Now from Then54The Post Mega-Minimal School 25Uplift54The Wind-grieved Ghost26In The Beginning55!26Rhyme of the Ancient Miner57Vibratos27Poetry57  \n1  \nPasser-by  \n28  \nOCTOBER IN DAVIE  \nRattling surge of wind.Plunder in the skycracking the bones of Belia..  \nDeluge  \nthrowing only ghostly numbersthrough a veil..silencing off in fainting grumbles.  \nAnd then:  \nTo East,rainbow monolith.A pulsing glow of shaft,cloud-circumcised to showthe bright phallusin its streaked sheath.  \nAnd then:  \nTo West,black shawland a neon slash beneath,broiling the western hearth.  \nSo began one solitude.  \nAnd the trees swirled in sarabandAs their colors wove the wind.  \n1  \nGLIMPSE  \nUnder the squint of a thumb-nail moonhe ran the wind beside the sea,its chill choirs of spindriftspraying,surging,sighinglike spent avowals  \nof some indistinct abeyance.  \nIt was in the throbbing,he thought.Coming,blinking as the lighthouseon the banks,warning him off,its flash as cold as slate.  \nHis feet spun yet in the rough sand,digging,thrusting,harshening his breath.  \nWhy burn the lungs?Thumb the nose?Sear the soles?  \nTall sails flaunt from their horizon.They wave and point.  \nOne answer find.One or two.  \nWhere go the drowning beach whispers?Where trail away the siftings?Like thoughts in silt.Like soul in scrim.  \nJust keep on.Anyhow.Kick it on.  \nPush it.Push it on.Thither,then..whitherWhether.  \nALLTIMERS  \nWith age we do not read to learn.We read to undergo,  \nfeel the rhythms,hear the songs,to find the heart,seek the soul.  \nWe no longer read to teach,  \nbut to taste the hymns of desolationand sense the modes of grief.  \nNo longer do we read to learn,but to undergo old urge of quests,and see the after-glows of meaning.  \nSEAMS  \nIt is late again,  \nand for what do we listen,waitbeyond the glen,beyond the ken?Beyond the tinctures set on silence?  \nThese,then:  \nThrenodies of last dusk…  \nand weevils threading the innardsof lost lust.  \nAnd tints of sweeping instantsgone beyond all twilights;but still the sippings there,the clingings sacred in lost light;And,again,not lost  \nbut seeping from their vergesamong the sentience of departed songs  \nIt is getting late again.  \n(It is always getting late again).But the seams shift on the garmentsof recall,  \nalways and forever.And the seams never end.  \nLEAFINGS  \nFar below the meadow lay,it's splitting stream made S.  \nUp the tall hill trees shuddered.Leaves shook,a broken swarm,born on the heads of trees,dying on the toes.  \nIn falling,each its own swagger.  \nSettling like an old scow on dead water,or dipping lik","cbCaikBiNPWagpsw","https://ap.wps.com/l/cbCaikBiNPWagpsw","pdf",2233644,66,"English","en",105,"# October in Davie\n## Glimpse\n## Alltimers\n## Seams\n## Leafings","[{\"question\":\"What themes does “Soon or Late” emphasize?\",\"answer\":\"The collection emphasizes lateness returning again and again, solitude, remembrance, and the search for meaning through recurring emotional and sensory rhythms.\"},{\"question\":\"How do the poems use nature and environment?\",\"answer\":\"Nature imagery—wind, rain, sea light, trees, leaves, and seasons—frames the poems’ emotional states and recurring cycles of perception and life.\"},{\"question\":\"What does “Seams” suggest about memory and time?\",\"answer\":\"“Seams” portrays memory as something that keeps shifting on garments of recall, with seams that never end, reinforcing the idea of continuous recurrence.\"}]","Soon or Late - Part of a Poetry Collection | PDF",1790588190,102,{"code":4,"msg":82,"data":83},"ok",{"site_id":75,"language":74,"slug":84,"title":65,"keywords":85,"description":66,"schema_data":86,"social_meta":140,"head_meta":142,"extra_data":144,"updated_unix":145},"soon-or-late-part-of-a-poetry-collection","",{"@graph":87,"@context":139},[88,102,122],{"@type":89,"itemListElement":90},"BreadcrumbList",[91,95,97,100],{"item":92,"name":93,"@type":94,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":96,"name":9,"@type":94,"position":14},"https://docshare.wps.com/document/",{"item":98,"name":15,"@type":94,"position":99},"https://docshare.wps.com/document/literature/",3,{"item":101,"name":65,"@type":94,"position":19},"https://docshare.wps.com/document/soon-or-late-part-of-a-poetry-collection/411326/",{"url":101,"name":65,"@type":103,"image":104,"author":109,"headline":65,"publisher":111,"fileFormat":114,"inLanguage":74,"description":66,"dateModified":115,"datePublished":116,"encodingFormat":114,"isAccessibleForFree":117,"interactionStatistic":118},"DigitalDocument",{"url":105,"@type":106,"width":107,"height":108},"https://docshare.wps.com/thumbnails/soon-or-late-part-of-a-poetry-collection/411326.png","ImageObject",300,407,{"name":63,"@type":110},"Person",{"url":92,"name":112,"@type":113},"DocShare","Organization","application/pdf","2026-10-30","2026-09-28",true,{"@type":119,"interactionType":120,"userInteractionCount":24},"InteractionCounter",{"@type":121},"ViewAction",{"@type":123,"mainEntity":124},"FAQPage",[125,131,135],{"name":126,"@type":127,"acceptedAnswer":128},"What themes does “Soon or Late” emphasize?","Question",{"text":129,"@type":130},"The collection emphasizes lateness returning again and again, solitude, remembrance, and the search for meaning through recurring emotional and sensory rhythms.","Answer",{"name":132,"@type":127,"acceptedAnswer":133},"How do the poems use nature and environment?",{"text":134,"@type":130},"Nature imagery—wind, rain, sea light, trees, leaves, and seasons—frames the poems’ emotional states and recurring cycles of perception and life.",{"name":136,"@type":127,"acceptedAnswer":137},"What does “Seams” suggest about memory and time?",{"text":138,"@type":130},"“Seams” portrays memory as something that keeps shifting on garments of recall, with seams that never end, reinforcing the idea of continuous recurrence.","https://schema.org",{"og:url":101,"og:type":141,"og:title":65,"og:site_name":112,"og:description":66},"article",{"robots":143,"canonical":101},"index,follow",{"doc_id":61,"site_id":75},1790791700]