[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-129232-en":3,"doc-seo-129232-105":31,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},129232,962085564807,"Aurelia","https://ap-avatar.wpscdn.com/davatar_6f874abed73319feea01a86fa6f0fab8",2,"Literature","Shame and Modern Writing - Edited by Barry Sheils and Julie Walsh","Shame and Modern Writing examines how shame operates within and across modern writing forms. The volume brings together essays by established and emerging scholars in the humanities and social sciences, alongside shorter practice-oriented reflections from poets and clinical writers. It focuses on shame as represented through contemporary literary and cultural practices, with particular attention to questions of race, gender, and the challenges of new media representation. The book is edited by Barry Sheils and Julie Walsh and includes a detailed introduction and chapter-by-chapter critical inquiry.","Shame and Modern Writing  \nShame and Modern Writing seeks to uncover the presence of shame in and across an array of modern writing modalities. This interdisciplinary volume includes essays from distinguished and emergent scholars in the Humanities and Social Sciences, and shorter practice-based reflections from poets and clinical writers. It serves as a timely reflection of shame as presented in modern writing, giving added attention to engagementson race, gender, and the question of new media representation.  \nBarry Sheils is Assistant Professor in twentieth and twenty-first century literature at Durham University, where he is also an associate director of the Centre for Cultural Ecologies. He is the author of W.B. Yeats and World Literature: The Subject of Poetry (Routledge), and co-editor of Narcissism, Melancholia and the Subject of Community (Palgrave).  \nJulie Walsh is Lecturer in Psychosocial and Psychoanalytic Studies at the University of Essex, and a psychoanalyst in private practice. She is the author of Narcissism and Its Discontents (Palgrave), and co-editor of Narcissism, Melancholia and the Subject of Community (Palgrave). She is also a member of The Site for Contemporary Psychoanalysis.  \nRoutledge Interdisciplinary Perspectives on Literature  \n81 Multilingual Currents in Literature, Translation, and Culture  \nEdited by Rachael Gilmour and Tamar Steinitz  \n82 Rewriting the American Soul  \nTrauma, Neuroscience and the Contemporary Literary Imagination Anna Thiemann  \n83 Milton and the Early Modern Culture of Devotion  \nBodies at Prayer  \nNaya Tsentourou  \n84 TransGothic in Literature and Culture  \nEdited by Jolene Zigarovich  \n85 Latin American Gothic in Literature and Culture  \nEdited by Sandra Casanova-Vizcaíno and Inés Ordiz  \n86 Mediating Memory  \nTracing the Limits of Memoir  \nEdited by Bunty Avieson, Fiona Giles, and Sue Joseph  \n87 From Mind to Text  \nContinuities and Breaks Between Cognitive, Aesthetic and Textualist Approaches to Literature  \nBartosz Stopel  \n88 Attachment, Place, and Otherness in Nineteenth-Century American Literature  \nNew Materialist Representations  \nJillmarie Murphy  \n89 Shame and Modern Writing  \nEdited by Barry Sheils and Julie Walsh  \nFor a full list of titles in this series, [please visit www.routledge.com](please visit www.routledge.com).  \nShame and Modern Writing  \nEdited by  \nBarry Sheils and Julie Walsh  \nFirst published 2018  \nby Routledge  \n711 Third Avenue, New York, NY 10017 and by Routledge  \n2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business  \n© 2018 Taylor & Francis  \nThe right of Barry Sheils and Julie Walsh to be identified asthe authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.  \nAll rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.  \nTrademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data CIP data has been applied for.  \nISBN: 978-1-138-06727-1 (hbk)  \nISBN: 978-1-315-15875-4 (ebk) Typeset in Sabon by codeMantra  \nContents  \nAcknowledgments  \nNotes on Contributors  \n1 Introduction: Shame and Modern Writing  \nBARRY SHE IL S AND JULIE WALSH  \n2 Montaigne’s Writing: “Honteux Insolent”?  \nELIzABETH GUILD  \n3 Shamefulness and Modernity: Remarks on Shakespeare’s Sonnet 129  \nTHOMAS OSBORNE  \n4 Lyric Shame  \nDENISE RILEY  \n5 Writing to Spare One’s Blushes: Jean Jacques Rousseau’s Confessions and the Automation of Confidence  \nCHRISTOPH","cbCaigucwohguFeV","https://ap.wps.com/l/cbCaigucwohguFeV","pdf",5417807,8,1,273,"English","en",105,"# Contents\n## Introduction: Shame and Modern Writing\n## Montaigne’s Writing: “Honteux Insolent”?\n## Shamefulness and Modernity: Remarks on Shakespeare’s Sonnet 129\n## Lyric Shame\n## Writing to Spare One’s Blushes: Jean Jacques Rousseau’s Confessions\n## Between Shame and Guilt: Lord Jim and the Confounding of Distinctions\n## Black and Ashamed: Deconstructing Race in Ralph Ellison’s Invisible Man\n## The Body that Race Built: Shame, Trauma and Lack in Toni Morrison’s The Bluest Eye and God Help the Child\n## “The Lyric a Form / of Shame Management”?\n## Vulnerability and Vulgarity: The Uses of Shame in the Work of Dodie Bellamy\n## Writing Shame and Disgust in Susan Gubar’s Memoir of a Debulked Woman\n## On Writing-Up: Shame and Clinical Writing\n## Shame and Plagiarism\n## “Dance Like Nobody’s Watching”: The Mediated Shame of Academic Publishing\n## Cultural Capital and the Shameful University\n## Index","[{\"question\":\"What is the central focus of Shame and Modern Writing?\",\"answer\":\"The book investigates the presence and workings of shame across a range of modern writing modalities, treating shame as a key critical lens for contemporary texts and practices.\"},{\"question\":\"Who are the editors of the volume?\",\"answer\":\"Barry Sheils and Julie Walsh serve as editors, and they also write the introduction to the collection.\"},{\"question\":\"How does the book approach themes such as race, gender, and new media?\",\"answer\":\"It gives added attention to shame as it appears in relation to race and gender, and to questions of representation shaped by new media contexts.\"}]","Shame and Modern Writing - 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