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K. Rowling - Issue 43","","Aim: evaluate J. K. Rowling’s fairy-tale world and determine how closely it matches established criteria for a fantasy secondary world. The analysis focuses on the Harry Potter wizarding world as a setting that is geographically shared with the real world yet hidden from non-magical people, with a coherent system of culture, customs, traditions, and social norms. The core conflict is the struggle for domination between Good and Evil, with Evil seeking expansion across both worlds. 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Todorov, R. Jackson, and F. 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K. Rowling  \nŽivilė Nemickienė  \nVilnius University Kaunas Faculty  \nInstitute of Language, Literature and Translation Studies  \n8 Muitinės St. , 44280 Kaunas, Lithuania Email: [zivile.nemickiene@knf.vu.lt](zivile.nemickiene@knf.vu.lt)  \nORCID iD: [https://orcid.org/0000-0002-4857-0112](https://orcid.org/0000-0002-4857-0112)  \nResearch interests: Translation studies, Morphology, Morphonology, Lexicology  \nDovilė Vengalienė  \nVilnius University Kaunas Faculty  \nInstitute of Language, Literature and Translation Studies  \n8 Muitinės St. , 44280 Kaunas, Lithuania Email: [dovile.vengaliene@knf.vu.lt](dovile.vengaliene@knf.vu.lt)  \nORCID iD: [https://orcid.org/0000-0002-9113-9301](https://orcid.org/0000-0002-9113-9301)  \nResearch interests: Cognitive linguistics, Humour, Translation studies  \nAbstract. The aim is to evaluate Rowling’s world of fairy tales and its adherence to the criteria of a fantasy secondary world according to the frameworks proposed by T. Todorov (1973), R. Jackson (1981), and F. Mendlesohn (2008). The secondary world in the Harry Potter series, the wizarding world, is open to the real world and shares its geography, yet hidden from non-magical people. It is consistently described with its own culture, customs, traditions, and social norms. The central conflict is between Good and Evil for domination, with Evil aiming to extend its power to both the magic world and the real world. The fantasy world is relatable to readers due to its handling of universal themes and issues relevant to their lives, transferring characters into new  \nlife conditions. Research methods include content analysis, psychological research, and comparative analysis. Keywords: fantasy; secondary world; psychological accuracy; determinacy; dichotomous time.  \nIntroduction  \nA secondary world in fantasy refers to a fictional world separate from our own, with its own geography, history, and culture. It allows authors to create a sense of otherness and explore themes not easily explored in our world. A well-crafted secondary world must be psychologically accurate and aesthetically meaningful to make the reader believe in its reality. Fantasy offers determinacy in a world where good and bad merge, providing absolute and undoubted goodness. It is like mathematical models based on simple semantic elements and rules of building.  \nSubmitted 20 November 2022 / Accepted 1 March 2023 Įteikta 2022 11 20 / Priimta 2023 03 01  \nCopyright © 2023 Živilė Nemickienė, Dovilė Vengalienė . Published by Vilnius University Press. This is an Open Access article distributed under the terms of the Creative Commons Attribution License CC BY-NC-ND 4.0, which permits unrestricted use, distribution, and reproduction in any medium provided the original author and source are credited.  \nII. Issues of Literary Narratives and Contexts / Literatūros naratyvai ir kontekstai / Narracje literackie i konteksty  \nŽivilė Nemickienė, Dovilė Vengalienė . Secondary World in Fantasy Tradition after J. K. Rowling  \nThe aim of the research is to evaluate the fantasy world by Rowling and assess how well it conforms to the criteria of a fantasy secondary world according to the theoretical frameworks proposed by T. Todorov (1973), R. Jackson (1981), and F. Mendlesohn (2008) theory of fantasy.  \nSeveral research methods have been employed to analyse the secondary world in Rowling’s Harry Potter series. Content analysis has been used to examine themes, symbols, and motifs, as well as the representation of certain groups. Psychological research has investigated the series’ effects on readers’ beliefs, attitudes, and emotional engagement. Comparative analysis has been used to identify simil","cbCaieAjYJKCg1zc","https://ap.wps.com/l/cbCaieAjYJKCg1zc","pdf",636009,12,"English","# Introduction\n## Secondary World as a Fantasy Concept\n# Theoretical Frameworks for the Study of Fantasy Literature, with Applications to the Harry Potter Series\n## Todorov, Jackson, and Mendlesohn Frameworks\n## Related Authors and Fantasy Typology\n# Research Aim and Methods\n## Evaluation Criteria and Reader Relevance","[{\"question\":\"What is the document’s main research aim?\",\"answer\":\"To evaluate Rowling’s fantasy fairy-tale world and assess how well it conforms to criteria of a fantasy secondary world based on frameworks by T. Todorov, R. Jackson, and F. Mendlesohn.\"},{\"question\":\"How is the secondary world in the Harry Potter series described?\",\"answer\":\"It is open to the real world through shared geography but hidden from non-magical people, and it is consistently portrayed through its own culture, customs, traditions, and social norms.\"},{\"question\":\"What methods are used to analyze the secondary world?\",\"answer\":\"The study uses content analysis to examine themes, symbols, and motifs; psychological research to investigate effects on readers’ beliefs and emotional engagement; and comparative analysis to identify similarities and differences with other fantasy literature.\"}]","Secondary World in Fantasy Tradition after J. K. Rowling - Issue 43 | PDF"]