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It traces this preoccupation through links between sense-perception, emerging sciences of the mind, and interdisciplinary histories of the human sciences. The analysis connects these concerns to major social transformations, including the French Revolution, and highlights how Romantic ideas continue to matter for contemporary cultural and historical criticism. ",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/science-and-sensation-in-romantic-poetry/319682/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/science-and-sensation-in-romantic-poetry/319682.png","ImageObject",300,407,{"name":92,"@type":93},"Eden","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":44},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What central idea does the book explore?","Question",{"text":112,"@type":113},"It explores how perception and sensory experience operate and how they connect to aesthetic experience in Romantic writing.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which historical and intellectual contexts does the study link to Romantic sensory language?",{"text":117,"@type":113},"It links Romantic preoccupations to late eighteenth-century human sciences and to social transformations such as the French Revolution.",{"name":119,"@type":110,"acceptedAnswer":120},"How is the book organized across its main parts?",{"text":121,"@type":113},"It is structured into three parts: senses of history, senses of community, and the persistence of the aesthetic through later afterlives.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},319682,1790102511,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":44,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},1374391974468,"https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0","This page intentionally left blank  \nSCIENCE AND SENSATION IN ROMANTIC POETRY  \nRomantic poets, notably Wordsworth, Blake, Coleridge, and Keats, were deeply interested in how perception and sensory experience operate, and in the connections between sense-perception and aesthetic experience. Noel Jackson tracks this preoccupation through the Romantic period and beyond, both in relation to late eighteenthcentury human sciences, and in the context of momentous social transformations in the period of the French Revolution. Combining close readings of the poems with interdisciplinary research into the history of the human sciences, Noel Jackson sheds new light on Romantic efforts to define how art is experienced in relation to the newly emerging sciences of the mind and shows the continued relevance of these ideas to our own habits of cultural and historical criticism today. This book will be of interest not only to scholars of Romanticism, but also to those interested in the intellectual interrelations between literature and science.  \nnoel jackson is Associate Professor in the Literature Section of the Massachusetts Institute of Technology.  \ncambridge studies in romanticism  \nFounding editor  \nProfessor Marilyn Butler, University of Oxford  \nGeneral editor  \nProfessor James Chandler, University of Chicago  \nEditorial Board  \nJohn Barrell, University of York  \nPaul Hamilton, University of London Mary Jacobus, University of Cambridge Claudia Johnson, Princeton University Alan Liu, University of California, Santa Barbara Jerome McGann, University of Virginia Susan Manning, University of Edinburgh David Simpson, University of California, Davis  \nThis series aims to foster the best new work in one of the most challenging fields within English literary studies. From the early 1780s to the early 1830s a formidable array of talented men and women took to literary composition, not just in poetry, which some of them famously transformed, but in many modes of writing. The expansion of publishing created new opportunities for writers, and the political stakes of what they wrote were raised again by what Wordsworth called those “great national events” that were “almost daily taking place”: the French Revolution, the Napoleonic and American wars, urbanization, industrialization, religious revival, an expanded empire abroad, and the reform movement at home. This was an enormous ambition, even when it pretended otherwise. The relations between science, philosophy, religion, and literature were reworked in texts such as Frankenstein and Biographia Literaria; gender relations in A Vindication of the Rights of Woman and Don Juan; journalism by Cobbett and Hazlitt; poetic form, content, and style by the Lake School and the Cockney School. Outside Shakespeare studies, probably no body of writing has produced such a wealth of comment or done so much to shape the responses of modern criticism. This indeed is the period that saw the emergence of those notions of “literature” and of literary history, especially national literary history, on which modern scholarship in English has been founded.  \nThe categories produced by Romanticism have also been challenged by recent historicist arguments. The task of the series is to engage both with a challenging corpus of Romantic writings and with the changing field of criticism they have helped to shape. As with other literary series published by Cambridge, this one will represent the work of both younger and more established scholars, on either side of the Atlantic and elsewhere.  \nFor a complete list of titles published see end of book.  \nSCIENCE AND SENSATION IN ROMANTIC POETRY  \nNOEL JACKSON  \nCAMBRIDGE UNIVERSITY PRESS  \nCambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo  \nCambridge University Press  \nThe Edinburgh Building, Cambridge CB2 8RU, UK  \nPublished in the United States of America by Cambridge University Press, New York  \n[www.cambridge.org](www.cambridge.org)  \nInformation on this","cbCain1vpVhjfwvR","https://ap.wps.com/l/cbCain1vpVhjfwvR","pdf",2479718,309,"English","# Introduction: Lyrical forms and empirical realities: reading Romanticism’s “language of the sense”\n# Contents\n## PART I SENSES OF HISTORY: BETWEEN THE MIND AND THE WORLD\n## 1 Powers of suggestion: sensation, revolution, and Romantic aesthetics\n## 2 The “sense of history” and the history of the senses: periodizing perception in Wordsworth and Blake\n## PART II SENSES OF COMMUNITY: LYRIC SUBJECTIVITY AND “THE CULTURE OF THE FEELINGS”\n## 3 Critical conditions: Coleridge, “common sense,” and the literature of self-experiment\n## 4 Sense and consensus: Wordsworth, aesthetic culture, and the poet-physician\n## PART III THE PERSISTENCE OF THE AESTHETIC: AFTERLIVES OF ROMANTICISM\n## 5 John Keats and the sense of the future\n## 6 More than a feeling? Walter Pater, Wilkie Collins, and the legacies of Wordsworthian aesthetics\n## Notes\n## Select bibliography\n## Index","[{\"question\":\"What central idea does the book explore?\",\"answer\":\"It explores how perception and sensory experience operate and how they connect to aesthetic experience in Romantic writing.\"},{\"question\":\"Which historical and intellectual contexts does the study link to Romantic sensory language?\",\"answer\":\"It links Romantic preoccupations to late eighteenth-century human sciences and to social transformations such as the French Revolution.\"},{\"question\":\"How is the book organized across its main parts?\",\"answer\":\"It is structured into three parts: senses of history, senses of community, and the persistence of the aesthetic through later afterlives.\"}]","Science and Sensation in Romantic Poetry | PDF",1789946153,476]