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It has been accepted for inclusion in SANE journal: Sequential Art Narrative in Education by an authorized administrator of DigitalCommons@University of Nebraska-Lincoln.  \nFilm on Paper, Graphics on Screen, Feminism in Story: An Exegesis of a Feminist Graphic Novel Project  \nCover Page Footnote  \nI would like to express my sincere gratitude to my supervisor William Bardebes for his continuous and dedicated instruction during the journey of my practice-based research. Undoubtedly, it is impossible for my project to go on wheels without his professional supervision and urge. Numerous weekly discussions with William were not just a mechanism to propel my project towards the proposed goals, but also an incubator where inspirations were burst out. We went through a lot, from storyline to character’s arc, from image-making to colour use, from character’s speech to lettering, from book cover design to opening title composition, and from insights to communication. Then, the project was baked. More importantly, I developed my creative practice techniques and theoretical knowledge during the iterative process. This unforgettable study experience will be beneficial to my future art and design career.  \nThis article is available in SANE journal: Sequential Art Narrative in Education: [https://digitalcommons.unl.edu/sane/vol2/iss4/2](https://digitalcommons.unl.edu/sane/vol2/iss4/2)  \nXu: Film on Paper, Graphics on Screen, Feminism in Story  \nFILM ON PAPER, GRAPHICS ON SCREEN, FEMINISM IN STORY:  \nAN EXEGESIS OF A FEMINIST GRAPHIC NOVEL PROJECT  \nJINGWEI XU  \nPublished by DigitalCommons@University of Nebraska-Lincoln, 2019  \n1  \nSANE journal: Sequential Art Narrative in Education, Vol. 2, Iss. 4 [2019], Art. 2  \n[https://digitalcommons.unl.edu/sane/vol2/iss4/2](https://digitalcommons.unl.edu/sane/vol2/iss4/2) 2  \nXu: Film on Paper, Graphics on Screen, Feminism in Story  \nFILM ON PAPER, GRAPHICS ON SCREEN, FEMINISM IN STORY:  \nAN EXEGESIS OF A FEMINIST GRAPHIC NOVEL PROJECT  \nICIB8007 Creative Practice Project Assignment 1  \nJINGWEI XU  \n1502041  \nPOSTGRADUATE DIPLOMA IN CREATIVE PRACTICE  \n2019  \nPublished by DigitalCommons@University of Nebraska-Lincoln, 2019 3  \nSANE journal: Sequential Art Narrative in Education, Vol. 2, Iss. 4 [2019], Art. 2  \nAcknowledgements  \nI would like to express my sincere gratitude to my supervisor William Bardebes for  \nhis continuous and dedicated instruction during the journey of my practice-based  \nresearch. Undoubtedly, it is impossible for my project to go on wheels without his  \nprofessional supervision and urge. Numerous weekly discussions with William  \nwere not just a mechanism to propel my project towards the proposed goals, but  \nalso an incubator where inspirations were burst out. We went through a lot, from  \nstoryline to character’s arc, from image-making to colour use, from character’s  \nspeech to lettering, from book cover design to opening title composition, an","cbCaitZEpDKeqO1g","https://ap.wps.com/l/cbCaitZEpDKeqO1g","pdf",2815427,44,"English","# Research Question\n# Abstract\n# The Storyline\n## Twenty-five","[{\"question\":\"What research question drives the project?\",\"answer\":\"How the author communicates an interpretation of feminism and main claims about awakening female subject consciousness through a graphic novel combined with a title sequence.\"},{\"question\":\"What creative components are developed in this stage?\",\"answer\":\"A graphic novel (body), an opening title sequence (hook), and a package of visual communication design (promotion).\"},{\"question\":\"What does the research claim about women’s emancipation?\",\"answer\":\"Real emancipation depends on whether women can rouse their subject awareness and break through the chain of marriage.\"}]","SANE journal: Sequential Art Narrative in Education - Issue 4 - Article 2 | PDF",1792037316,68]