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Featuring contributions from Alan Rawes and multiple scholars, the volume explores formal self-awareness, invocation, fragmentation, satiric print structures, new historicist readings of Wordsworth, and experiments by Southey. It also analyzes belief and seduction of form in the work of Southey, Ann Batten Cristall and Charlotte Smith, and narrative irony across Byron’s poetry and Austen’s prose. Bibliographical references and an index are included.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/romanticism-and-form-table-of-contents/319641/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/romanticism-and-form-table-of-contents/319641.png","ImageObject",300,407,{"name":92,"@type":93},"Skyler","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-30","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",13,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"What is the central focus of Romanticism and Form?","Question",{"text":113,"@type":114},"The volume studies how literary and poetic form operates within English Romantic writing and how it affects interpretation and reception.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"Which major Romantic authors are discussed in the book?",{"text":118,"@type":114},"The table of contents indicates sustained attention to Byron and Southey, with additional focus on Wordsworth, Ann Batten Cristall, Charlotte Smith, Austen, and the reception of Don Juan.",{"name":120,"@type":111,"acceptedAnswer":121},"Does the book include reference materials for further study?",{"text":122,"@type":114},"Yes. The front matter states that the volume includes bibliographical references and an index.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},319641,1790050507,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":145,"read_time":146},2336464648746,"https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c","Romanticism and Form  \nEdited by Alan Rawes  \nRomanticism and Form  \nAlso by Alan Rawes  \nBYRON’S POETIC EXPERIMENTATION: Childe Harold, the Tales and the Quest for Comedy  \nENGLISH ROMANTICISM AND THE CELTIC WORLD (co-edited with Gerard Carruthers)  \nROMANTIC BIOGRAPHY (co-edited with Arthur Bradley)  \nRomanticism and Form  \nEdited by  \nAlan Rawes  \nIntroduction, editorial selection and Chapter 6 © Alan Rawes 2007 Individual chapters © contributors 2007  \nAll rights reserved. No reproduction, copy or transmission of this publication may be made without written permission.  \nNo paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence  \npermitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP.  \nAny person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.  \nThe authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988.  \nFirst published 2007 by PALGRAVE MACMILLAN  \nHoundmills, Basingstoke, Hampshire RG21 6XS and  \n175 Fifth Avenue, New York, N.Y. 10010  \nCompanies and representatives throughout the world  \nPALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan􀀂 is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries.  \nISBN-13: 978􀀃1􀀃4039􀀃9472􀀃1 hardback  \nISBN-10: 1􀀃4039􀀃9472􀀃2 hardback  \nThis book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin.  \nA catalogue record for this book is available from the British Library.  \nLibrary of Congress Cataloging-in-Publication Data Romanticism and form/edited by Alan Rawes.  \n[p. cm](p. cm).  \nIncludes bibliographical references (p. ) and index. ISBN-13: 978􀀃1􀀃4039􀀃9472􀀃1  \nISBN-10: 1􀀃4039􀀃9472􀀃2  \n1. English poetry“19th century“History and criticism. 2. English poetry“18th century“History and criticism. 3. Romanticism“Great Britain. 4. Literary form“History“19th century. 5. Literary form“  \nHistory“18th century. 6. Poetry“Authorship“History“ 19th century. 7. Poetry“Authorship“History“18th century.  \nI. Rawes, Alan.  \nPR590.R597 2007  \n821.009“dc22 2006053012  \n10 9 8 7 6 5 4 3 2 1  \n16 15 14 13 12 11 10 09 08 07  \nPrinted and bound in Great Britain by  \nAntony Rowe Ltd, Chippenham and Eastbourne  \nContents  \nList of Illustrations vii  \nNotes on Contributors viii  \nIntroduction xii  \nAlan Rawes  \n1 Romantic Indirection 1  \nPaul M. Curtis  \n2 ‘Conscript Fathers and Shuffling Recruits’: Formal  \nSelf-awareness in Romantic Poetry 23  \nMichael O’Neill  \n3 Romantic Invocation: A Form of Impossibility 40  \nGavin Hopps  \n4 ‘Ruinous Perfection’: Reading Authors and Writing  \nReaders in Romantic Fragments 60  \nMark Sandy  \n5 Combinatoric Form in Nineteenth-century Satiric Prints 78  \nSteven E. Jones  \n6 Romantic Form and New Historicism: Wordsworth’s ‘Lines Written a Few Miles above  \nTintern Abbey’ 95  \nAlan Rawes  \n7 Southey’s Forms of Experiment 116  \nNicola Trott  \n8 Believing in Form and Forms of Belief: The Case of  \nRobert Southey 138  \nBernard Beatty  \nvi Contents  \n9 The Seductions of Form in the Poetry of Ann Batten Cristalland Charlotte Smith  \nJacqueline M. Labbe  \n10 ‘Seldom Safely Enjoyed by Those Who Enjoyed it Completely’: Byron’s Poetry, Austen’s Prose and Forms of Narrative Irony  \nCaroline Franklin  \n11 ‘What Constitutes a Reader?’ Don Juan and the Changing Reception of Romantic Form  \nJane Stabler, Martin H. Fischer, Andrew  \nMich","cbCaimYxR9Z3TEtp","https://ap.wps.com/l/cbCaimYxR9Z3TEtp","pdf",1018255,248,"English","# Contents\n## List of Illustrations\n## Notes on Contributors\n## Introduction\n## 1 Romantic Indirection\n## 2 ‘Conscript Fathers and Shuffling Recruits’: Formal Self-awareness in Romantic Poetry\n## 3 Romantic Invocation: A Form of Impossibility\n## 4 ‘Ruinous Perfection’: Reading Authors and Writing Readers in Romantic Fragments\n## 5 Combinatoric Form in Nineteenth-century Satiric Prints\n## 6 Romantic Form and New Historicism: Wordsworth’s ‘Lines Written a Few Miles above Tintern Abbey’\n## 7 Southey’s Forms of Experiment\n## 8 Believing in Form and Forms of Belief: The Case of Robert Southey\n## 9 The Seductions of Form in the Poetry of Ann Batten Cristall and Charlotte Smith\n## 10 ‘Seldom Safely Enjoyed by Those Who Enjoyed it Completely’: Byron’s Poetry, Austen’s Prose and Forms of Narrative Irony\n## 11 ‘What Constitutes a Reader?’ Don Juan and the Changing Reception of Romantic Form\n## Afterword: Romanticism’s Forms\n## Select Bibliography\n## Index","[{\"question\":\"What is the central focus of Romanticism and Form?\",\"answer\":\"The volume studies how literary and poetic form operates within English Romantic writing and how it affects interpretation and reception.\"},{\"question\":\"Which major Romantic authors are discussed in the book?\",\"answer\":\"The table of contents indicates sustained attention to Byron and Southey, with additional focus on Wordsworth, Ann Batten Cristall, Charlotte Smith, Austen, and the reception of Don Juan.\"},{\"question\":\"Does the book include reference materials for further study?\",\"answer\":\"Yes. The front matter states that the volume includes bibliographical references and an index.\"}]","Romanticism and Form - Table of Contents | PDF",1789945869,382]