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Andrew Burkett develops a media-theory lens through case studies that connect Byron’s manuscripts, Keats’s phonographic imagination, and Blake’s moving images to broader questions of information, representation, and cultural transmission. 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Gilbert, editor  \nRomantic Mediations  \n􀀂􀀃􀀄􀀅􀀂  \nMedia Theory and British Romanticism  \nANDREW BURKETT  \nSUNY  \nP R E S S  \nCover illustration: Kim Keever, Sunset 44d, 2007, chromogenic color print. Courtesy of Kim Keever and Kinz + Tillou Fine Art, Brooklyn, New York.  \nPublished by  \nSTATE UNIVERSITY OF NEW YORK PRESS Albany  \n© 2016 State University of New York All rights reserved Printed in the United States of America  \nNo part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.  \nFor information, contact State University of New York Press [www.sunypress.edu](www.sunypress.edu)  \nProduction, Laurie D. Searl  \nMarketing, Kate R. Seburyamo Library of Congress Cataloging-in-Publication Data  \nNames: Burkett, Andrew, 1977– author.  \nTitle: Romantic mediations : media theory and British romanticism / Andrew Burkett.  \nDescription: Albany : State University of New York Press, 2016. | Series: SUNY series, Studies in the long nineteenth century | Includes bibliographical references and index.  \nIdentifiers: LCCN 2016007709 (print) | LCCN 2016020088 (ebook) | ISBN 9781438463278 (hardcover : alk. paper) | ISBN 9781438463261 (pbk. : alk. paper) | ISBN 9781438463285 (e-book)  \nSubjects: LCSH: Romanticism—Great Britain. | English literature—18th  \ncentury—History and criticism. | Mass media and literature—Great Britain—History—18th century.  \nClassification: LCC PR447 .B77 2016 (print) | LCC PR447 (ebook) | DDC 820.9/145—dc23  \nLC record available at [https://lccn.loc.gov/2016007709](https://lccn.loc.gov/2016007709)  \n10 9 8 7 6 5 4 3 2 1  \nIn loving memory of Julia Elise Gregory, our bright star  \nContents  \nList of Illustrations ix Acknowledgments xiii Introduction 1  \n1 Photographing Byron’s Hand 19  \n2 Keats and the Phonograph 45  \n3 Blake’s Moving Images 75  \n4 Media, Information, and Frankenstein 115  \nCoda Toward a Romantic Media Archaeology 135  \nNotes 141  \nWorks Cited 169  \nIndex 189  \nIllustrations  \nFig. 1.1. William Henry Fox Talbot, Copy of a stanza from the“Ode to Napoleon” in Lord Byron’s hand (prior to 4 April 1840) . 20  \nFig. 1.2. William Henry Fox Talbot, [Leguminoae Papilionaceae (Pea Bean)] (about 6 February 1836) . 32  \nFig. 1.3. William Henry Fox Talbot, A human hand (ca. 1841) . 33  \nFig. 3.1. Michael Phillips, title page, Songs of Innocence (1789), re-created relief-etched copper plate. 83  \nFig. 3.2. William Blake, Songs of Innocence and of Experience, Plate 13,“Nurse’s Song”(Bentley 24), Copy L (1789–94) . 85  \nFig. 3.3. William Blake, Laocoön (Bentley 1), Copy B (ca. 1826–27) . 89  \nFig. 3.4. William Blake, Europe. A Prophecy, Plate 6  \n(Bentley 7), Copy A (1794) . 97  \nFig. 3.5. William Blake, Jerusalem: The Emanation of the Giant Albion, Plate 95 (Bentley 95), Copy E (1804–20) . 103  \nFig. 3.6. Film still of Guy Brenton’s (dir.) partial shot of the title page plate from William Blake’s Jerusalem, The Vision of William Blake (England, 1958) . 107","cbCaid2VRD0StoXY","https://ap.wps.com/l/cbCaid2VRD0StoXY","pdf",3867428,214,"English","# Introduction\n# Photographing Byron’s Hand\n# Keats and the Phonograph\n# Blake’s Moving Images\n# Media, Information, and Frankenstein\n# Coda: Toward a Romantic Media Archaeology\n# Notes\n# Works Cited\n# Index","[{\"question\":\"What is the main focus of Romantic Mediations?\",\"answer\":\"It investigates how different media practices—visual, audio, and moving-image forms—inform and transform interpretations of British Romanticism.\"},{\"question\":\"Which Romantic authors are addressed in the chapter case studies?\",\"answer\":\"Chapters foreground Byron, Keats, and Blake, using manuscript, phonograph-related thinking, and moving images as key entry points.\"},{\"question\":\"How does the book position its final argument?\",\"answer\":\"The coda frames the project as a move toward a “Romantic Media Archaeology,” extending the media-theory approach beyond the individual studies.\"}]","Romantic Mediations - Media Theory and British Romanticism | PDF",1789945857,330]