[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-40741-en":3,"doc-seo-40741-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":13,"seo_description":14,"update_tm":28,"read_time":29},40741,687197207057,"Sage","https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0",8,"Research & Report","Recursivity and Contingency","Recursivity and Contingency presents a media-philosophical inquiry into how computation, automation, and digitalization reshape subjectivity, temporality, perception, and relations. The media philosophy series positions media not as mere factual matter, but as affective, unpredictable, and non-linear events with machine agency. Rather than treating media philosophy as only an application of philosophy to media, the work emphasizes reciprocal cross-contamination between disciplines, using technical mediation as an engine for re-invention of thought and world. It frames contingency alongside emergent thought.","Recursivity and Contingency  \nMedia Philosophy  \nSeries Editors:  \nEleni Ikoniadou, Senior Tutor (Research) in Visual Communication at the Royal College of Art;  \nScott Wilson, Professor of Cultural Theory at the London Graduate School and the School of Performance and Screen Studies, Kingston University.  \nThe Media Philosophy series seeks to transform thinking about media by inciting a turn towards accounting for their autonomy and “eventness,” for machine agency, and for the new modalities of thought and experience that they enable. The series showcases the“transcontinental” work of established and emerging thinkers whose work engages with questions about the reshuffling of subjectivity, of temporality, of perceptions and of relations vis-à-vis computation, automation, and digitalization as the current twenty-first-century conditions of life and thought. The books in this series understand media as a vehicle for transformation, as affective, unpredictable, and non-linear, and move past its consistent misconception as pure matter-of-fact actuality.  \nFor Media Philosophy, it is not simply a question of bringing philosophy to bear on an area usually considered an object of sociological or historical concern, but of looking at how developments in media and technology pose profound questions for philosophy and conceptions of knowledge, being, intelligence, information, the body, aesthetics, war, death. At the same time, media and philosophy are not viewed as reducible to each other's internal concerns and constraints and thus it is never merely a matter of formulating a philosophy of the media; rather the series creates a space for the reciprocal contagion of ideas between the disciplines and the generation of new mutations from their transversals. With their affects cutting across creative processes, ethico-aesthetic experimentations and biotechnological assemblages, the unfolding media events of our age provide different points of intervention for thought, necessarily embedded as ever in the medium of its technical support, to continually re-invent itself and the world.  \n“The new automatism is worthless in itself if it is not put to the service of a powerful, obscure, condensed will to art, aspiring to deploy itself through involuntary movements which none the less do not restrict it.” —Eleni Ikoniadou and Scott Wilson  \nTitles in the Series  \nSoftware Theory, by Federica Frabetti  \nMedia after Kittler, edited by Eleni Ikoniadou and Scott Wilson  \nChronopoetics: The Temporal Being and Operativity of Technological Media, by Wolfgang Ernst, translated by Anthony Enns  \nThe Changing Face of Alterity: Communication, Technology and Other Subjects, edited by David J. Gunkel, Ciro Marcondes Filho, and Dieter Mersch  \nTechnotopia: A Media Genealogy of Net Cultures, by Clemens Apprich, translated by Aileen Derieg  \nContingent Computation: Abstraction, Experience, and Indeterminacy in Computational Aesthetics, by M. Beatrice Fazi  \nRecursivity and Contingency, by Yuk Hui  \nSound Pressure: How Speaker Systems Influence, Manipulate and Torture, by Toby Heys (forthcoming)  \nMedia Arts in the XXI Century: Archaeologies, Theories, Preservation, by Valentino Catricalà, translated by Arabella Ciampi (forthcoming)  \nRecursivity and Contingency  \nYuk Hui  \nLondon • New York  \nPublished by Rowman & Littlefield International Ltd.  \n6 Tinworth Street, London SE11 5AL, United Kingdom [www.rowmaninternational.com](www.rowmaninternational.com)  \nRowman & Littlefield International Ltd. is an affiliate of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706, USA  \nWith additional offices in Boulder, New York, Toronto (Canada), and Plymouth (UK) [www.rowman.com](www.rowman.com)  \nCopyright © 2019 by Yuk Hui  \nAll rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except b","cbCaiuc61eemef3x","https://ap.wps.com/l/cbCaiuc61eemef3x","pdf",2776309,4,1,337,"English","en",105,"# Acknowledgments\n# Preface\n# Introduction: A Psychedelic Becoming\n## Adventure of Reason\n## Invisible Nature, Visible Mind\n## Contingency and Finality\n## Beyond M","[{\"question\":\"这本书在媒体哲学系列中强调哪些核心问题？\",\"answer\":\"它强调计算、自动化与数字化如何重组主体性、时间性、感知与关系，并探讨媒介如何触发新的思想与经验模式。\"},{\"question\":\"“媒体不是单纯的事实性存在”这一观点在书系中如何被界定？\",\"answer\":\"书系将媒体理解为会发生的事件：具备情感性、不可预测性与非线性，并且超越“纯粹的客观事实”的误解。\"},{\"question\":\"为什么该系列并不把媒体哲学等同为“把哲学应用到媒体对象上”？\",\"answer\":\"系列强调学科之间的思想互相感染与横向变异：媒体与哲学彼此不可化约，从而持续生成新视角，而不是仅讨论形式上的媒介哲学。\"}]",1783314715,849,{"code":4,"msg":31,"data":32},"ok",{"site_id":25,"language":24,"slug":33,"title":13,"keywords":34,"description":14,"schema_data":35,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":28},"recursivity-and-contingency","",{"@graph":36,"@context":85},[37,53,68],{"@type":38,"itemListElement":39},"BreadcrumbList",[40,44,48,51],{"item":41,"name":42,"@type":43,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":45,"name":46,"@type":43,"position":47},"https://docshare.wps.com/document/","Document",2,{"item":49,"name":12,"@type":43,"position":50},"https://docshare.wps.com/document/research-report/",3,{"item":52,"name":13,"@type":43,"position":20},"https://docshare.wps.com/document/recursivity-and-contingency/40741/",{"url":52,"name":13,"@type":54,"author":55,"headline":13,"publisher":57,"fileFormat":60,"inLanguage":24,"description":14,"dateModified":61,"datePublished":62,"encodingFormat":60,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":56},"Person",{"url":41,"name":58,"@type":59},"DocShare","Organization","application/pdf","2026-07-11","2026-07-06",true,{"@type":65,"interactionType":66,"userInteractionCount":20},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"这本书在媒体哲学系列中强调哪些核心问题？","Question",{"text":75,"@type":76},"它强调计算、自动化与数字化如何重组主体性、时间性、感知与关系，并探讨媒介如何触发新的思想与经验模式。","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"“媒体不是单纯的事实性存在”这一观点在书系中如何被界定？",{"text":80,"@type":76},"书系将媒体理解为会发生的事件：具备情感性、不可预测性与非线性，并且超越“纯粹的客观事实”的误解。",{"name":82,"@type":73,"acceptedAnswer":83},"为什么该系列并不把媒体哲学等同为“把哲学应用到媒体对象上”？",{"text":84,"@type":76},"系列强调学科之间的思想互相感染与横向变异：媒体与哲学彼此不可化约，从而持续生成新视角，而不是仅讨论形式上的媒介哲学。","https://schema.org",{"og:url":52,"og:type":87,"og:title":13,"og:site_name":58,"og:description":14},"article",{"robots":89,"canonical":52},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":92},[93,97,101,105,110,115,120,123,128,131,135],{"id":21,"doc_module":4,"doc_module_name":46,"category_name":94,"show_sort_weight":95,"slug":96},"Story & Novel",90,"story-novel",{"id":47,"doc_module":4,"doc_module_name":46,"category_name":98,"show_sort_weight":99,"slug":100},"Literature",80,"literature",{"id":20,"doc_module":4,"doc_module_name":46,"category_name":102,"show_sort_weight":103,"slug":104},"Exam",70,"exam",{"id":106,"doc_module":4,"doc_module_name":46,"category_name":107,"show_sort_weight":108,"slug":109},5,"Comic",60,"comic",{"id":111,"doc_module":4,"doc_module_name":46,"category_name":112,"show_sort_weight":113,"slug":114},6,"Technology",50,"technology",{"id":116,"doc_module":4,"doc_module_name":46,"category_name":117,"show_sort_weight":118,"slug":119},7,"Healthcare",40,"healthcare",{"id":11,"doc_module":4,"doc_module_name":46,"category_name":12,"show_sort_weight":121,"slug":122},30,"research-report",{"id":124,"doc_module":4,"doc_module_name":46,"category_name":125,"show_sort_weight":126,"slug":127},9,"Religion & Spirituality",20,"religion-spirituality",{"id":126,"doc_module":4,"doc_module_name":46,"category_name":129,"show_sort_weight":126,"slug":130},"World Cup","world-cup",{"id":132,"doc_module":4,"doc_module_name":46,"category_name":133,"show_sort_weight":132,"slug":134},10,"Lifestyle","lifestyle",{"id":136,"doc_module":4,"doc_module_name":46,"category_name":137,"show_sort_weight":106,"slug":138},19,"General","general"]