[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-192533-en":3,"doc-seo-192533-105":30,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},192533,4398048949847,"Eliana","https://ap-avatar.wpscdn.com/avatar/400002536579ef2da7f?_k=1778318612642679267",8,"Research & Report","Reading Manga: Local and Global Perceptions of Japanese Comics - Proceedings","This anthology examines how Japanese comics (manga) gained global success since the late 1990s and how they are discussed across different critical and academic settings. It focuses on “reading manga” to connect diverse consumption contexts with the discourses that shape assumptions about comics in general and manga in particular. Derived from a 2005 international workshop at Leipzig University, the contributions bring together manga researchers, comics experts, and japanologists through comparative, historical, and theoretical perspectives on Japanese and non-Japanese comic cultures.","MITTELDEUTSCHE STUDIEN ZU OSTASIEN  \nJaqueline Berndt,Steffi Richter (eds.)11  \n# READING MANGA:\n\nLOCAL AND GLOBAL PERCEPTIONSOF JAPANESE COMICS  \nJaqueline Berndt,Steffi Richter(eds.)  \n# Reading Manga:Local and Global Perceptionsof Japanese Comics\n\nMITTELDEUTSCHE STUDIEN ZU OSTASIEN11  \nHerausgegeben vonGesine Foljanty-Jost,Ralf Moritz und Steffi Richter  \nReading Manga:  \n# Local and Global Perceptionsof Japanese Comics\n\nJaqueline Berndt,Steffi Richter(eds.)  \nBibliografische Information Der Deutschen Bibliothek  \nDie Deutsche Bibliothek verzeichnet diese Publikation in der DeutschenNationalbibliografie;detaillierte bibliografische Daten sind im Internetüber http://dnb.ddb.de abrufbar.  \nGedruckt mit Unterstützung des Fördervereins japanisch-deutscherKulturbeziehungen e.V.,Köln (JaDe)  \nDas Werk einschlieBlich aller Abbildungen ist urheberrechtlich geschützt.Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes istohne Zustimmung des Verlages unzulässig und strafbar.Das gilt insbesondere fürVervielfaltigungen,Ubersetzungen,Mikroverfilmungen und die Einspeicherungund Bearbeitung in elektronischen Systemen.  \nBildnachweis(Cover):Privataufnahme  \nCLeipziger Universitätsverlag GmbH 2006Umschlag:berndtstein l grafikdesign,BerlinDruck:DDF,LeipzigISBN 3-86583-123-0ISSN 1436-9591  \nContents  \nJaqueline BerndtForeword  \n7  \n19  \nI.Readings of Barefoot Gen  \nItōYū and Omote TomoyukiBarefoot Gen in Japan:An Attempt at Media History  \n21  \nRoger SabinBarefoot Gen in the US and UK:Activist Comic,Graphic Novel,Manga  \n39  \nSabine FiedlerNudpieda Gen-Hadashi no Gen in an International Speech Community  \n59  \nOgi Fusami  \nBarefoot Gen and MAUS:Performing the Masculine,Reconstructing the Mother 77  \n93  \nII.Depictions of History in Japanese Comics  \nBettina Gildenhard  \nHistory as Faction:Historiography within Japanese Comics as seen throughTezuka Osamu's Manga Adolf  \n95  \nJaqueline Berndt‘Adult'Manga:Maruo Suehiro's Historically Ambiguous Comics  \n107  \nStephan Köhn  \nGlimpses of the Past:The Allegedly Authentic Samurai Spirit as seen throughKozure okami(Lone Wolf and Cub)  \nII.Reading Manga beyond Japan  \nJean-Marie BouissouJapan's Growing Cultural Power:Manga in France  \nJens BalzerThe Roses of Coconino:Reading the shōjo in Krazy Kat  \nPascal Lefevre  \nOverlooked by Comics Experts:The Artistic Potential of Manga as Revealedby a Close Reading of Nananan Kiriko's Kuchizuke  \nYamanaka ChieDomesticating Manga?National Identity in Korean Comics Culture  \nSteffi RichterReading Reading Manga:Personal Reflections by a Japanologist  \nGlossary  \nList of Contributors  \n147  \n149  \n167  \n179  \n193  \n205  \n215  \n217  \nJaqueline BerndtForeword  \nSince the late 1990s,Japanese comics,or manga,have become established as a globally successfulprint medium.Increasingly available to readers without a command of the Japanese language,theyhave also been made subject to critical discourse.In Europe,for example,this applies first andforemost,to the realm ofa fan culture specialized in East-Asian products;second,to cultural criticisminitially focused on Europe and America,yet occasionally discussing phenomena like so-calledJ-pop;and third,to universities courses,especially the field ofJapanese Studies.An exchange betweenthese different perspectives is rare,not to mention the dialogue with Manga Studies conducted inJapanese.However,in order to explicate manga's astonishing global appeal,comparisons prove to bepertinent—on the one hand,between the highly selective supply of manga abroad and its diversityin Japan and,on the other hand,between Japanese and non-Japanese comics cultures.Disregardingsuch comparisons is an inclination among both manga fans and students of Japanese Studies;thiseventually leads to overplaying cultural particularities with regard to Japan while underplayingaesthetic peculiarities with regard to comics.One way of avoiding a culturalist essentialization of'the manga'or,as its opposite,a constriction on economic causes for the","cbCaibQUI86HiumS","https://ap.wps.com/l/cbCaibQUI86HiumS","pdf",31136309,1,224,"English","en",105,"# Contents\n## Readings of Barefoot Gen\n## Depictions of History in Japanese Comics\n## Reading Manga beyond Japan\n## Glossary\n## List of Contributors","[{\"question\":\"What is the core focus of this anthology?\",\"answer\":\"The anthology centers on “reading manga,” emphasizing how audiences engage with manga under different conditions and how related discourses shape views of comics and manga.\"},{\"question\":\"Where did the essays originate?\",\"answer\":\"The essays derive from talks given at an international workshop held at Leipzig University in July 2005.\"},{\"question\":\"How does the book handle cultural comparisons?\",\"answer\":\"It argues that comparisons are useful for explaining manga’s global appeal, but cautions against cultural essentialization that overplays Japan-specific particularities while underplaying comics-specific aesthetics.\"}]","Reading Manga: Local and Global Perceptions of Japanese Comics - Proceedings | 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