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The speaker emphasizes the diversity of musical styles within Africa, stating that there is no single entity that can be called \"African music.\" To illustrate this diversity, the transcript introduces three distinct musical genres: Highlife, Soukous, and Juju. Highlife, originating in Sierra Leone and Ghana during the 1920s, is described as a fusion of traditional West African rhythms and melodies with European and North American sounds, featuring instruments like drums, guitars, harmonicas, and accordions. It enjoyed peak popularity in the 1950s and 60s before declining in the 1970s. Soukous, which emerged in Zaire and Congo, traditionally uses instruments such as the likembe (thumb piano), guitar, and bottle, with roots tracing back to the early 20th century. It gained international popularity in France and the UK in the 1970s, with notable performers like Papa Wemba. Juju music, hailing from Nigeria, builds upon traditional Nigerian music but incorporates modern instruments like guitars, keyboards, and pedal steel guitars alongside drums. 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