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Donald Wolfit emphasizes the “magic” of theatre and the need for knowledge to turn interest into informed appreciation, particularly for acting, producing, and stagecraft. Dame Sybil Thorndike highlights the difference between watching and truly assessing a play’s values in terms of theatre and life, with the book offering accessible, experience-informed insight for all theatregoers.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/practical-stage-handbooks-appraising-a-play-a-practical-guide/566660/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/practical-stage-handbooks-appraising-a-play-a-practical-guide/566660.png","ImageObject",300,407,{"name":92,"@type":93},"Ophelia","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-18","2026-10-13",true,{"@type":102,"interactionType":103,"userInteractionCount":14},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the main purpose of Appraising a Play in the Practical Stage Handbooks series?","Question",{"text":112,"@type":113},"To help theatregoers assess a play’s values in terms of the theatre and of life, not just to watch and enjoy it.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How do the foreword and preface describe the role of knowledge in theatre?",{"text":117,"@type":113},"They stress that interest alone is not enough; informed knowledge enables deeper appreciation of the complex art of the theatre.",{"name":119,"@type":110,"acceptedAnswer":120},"Who is Appraising a Play meant for?",{"text":121,"@type":113},"For theatre supporters and casual visitors alike—whether inexperienced or experienced, young or old—who want to learn what to look for when choosing and evaluating plays.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},566660,1792316918,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":14,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},7971461741311,"https://ap-avatar.wpscdn.com/avatar/74000253aff267980c6?x-image-process=image/resize,m_fixed,w_180,h_180&k=1779345379180704826","N  \n2O37  \n559  \nPRACTICAL STAGE HANDBOOKS  \n# APPRAISING A PLAY\n\nHU24EER COLLEGELARE9PCPECAMPUS  \nLE及应NNGFESDURCE CENTRE2159LARESH   LVD WTTCRON了00MTAHO SVK3  \nPractical Stage Handbooks  \nACTING  \nSTAGE MAKE-UPPLAY PRODUCTIONSTAGECRAFT  \nSTAGE MOVEMENT·STAGE SPEECHSTAGE LIGHTINGSTAGE COSTUME  \nRUNNING AN AMATEUR SOCIETYMUSICAL PRODUCTIONSETC.  \nAPPRAISING A PLAY  \nHAROLD DOWNS  \nFOREWORD BY DONALD WOLFIT,O.B.E.PREFACE BY DAME SYBIL THORNDIKE  \nLONDON:HERBERT JENKINS  \n161912155    \nFirst Published byHerbert Jenkins Lid3 Duke of York Street,London,S.W.1  \nI955  \nCOPYRIGHTALL RIGHTS RESERVED  \nFOREWORD  \nby DoNALD WoLFIT,C.B.E.  \nHIS series of PRACTICAL STAGE HANDBOOKs is intendedIfor those who have come to know the indefinable magicof the theatre.Their first experience of this may have arisenout of regular theatregoing,with memorable performances togive pleasure in recollection,or through personal work doneto advance the Amateur Theatre.  \nThis magic invariably stirs in the mind of the theatre-loverthe desire for further knowledge of all the activities that con-tribute to the complex Art of the Theatre—acting,producing,costuming,make-up,lighting.  \nIn schools and factories,in clubs and civic centres,interestthat is created in the theatre is often followed by the determina-tion to become a producer or a player,or to work \"behindthe scenes.\"But interest is not enough;knowledge is neces-sary.Some of this is,no doubt,acquired in haphazardfashion.The volumes in this Series will be of practicalassistance to all to whom they are designed to appeal,thusadding knowledge to interest and strengthening what is oftenthe irresistible magnetism of the theatre.  \nPREFACE  \nby DAME SYBL THORNDIKE  \nEEING a play,when a theatre is within convenient reach,Dis easy.Seeing a play and enjoying it is also easy—whenthe choice of play is made in accordance with the taste of thetheatregoer.Seeing a play,having no dificulty whatever inunderstanding its story,and being thoroughly entertained byit,is,perhaps,not quite so easy.Seeing any play and beingable to assess its values in terms of the Theatre and of Life ismuch more difficult.  \nThis volume,one of an important series of Stage Hand-books,clearly illustrates these facets of theatregoing.  \nThe author's intention is neither to preach nor to dogma-tize,but to help any theatregoer,inexperienced or experienced,young or old,a regular supporter or a casual visitor to thetheatre,to become more keenly aware of the enjoyment thatimaginative and selective theatregoing bestows.He advises,in effect,\"See any play you fancy.No matter what kind ofplay it is—there will be something in it to interest and toillumine life for any theatregoer who knows what to lookfor in the many varieties that the London or ProvincialTheatre offers to-day.Although his own theatregoingbegan many years ago,he is obviously as keen on the theatrenow as he was when he first became acquainted with it.Ithas yielded him incalculable pleasure.He wishes others to beequally as fortunate—hence this interesting,revealing,andhelpful book.","cbCaihxKt8mn1Ih7","https://ap.wps.com/l/cbCaihxKt8mn1Ih7","pdf",3231214,100,"English","# Foreword\n# Preface\n# Appraising a Play","[{\"question\":\"What is the main purpose of Appraising a Play in the Practical Stage Handbooks series?\",\"answer\":\"To help theatregoers assess a play’s values in terms of the theatre and of life, not just to watch and enjoy it.\"},{\"question\":\"How do the foreword and preface describe the role of knowledge in theatre?\",\"answer\":\"They stress that interest alone is not enough; informed knowledge enables deeper appreciation of the complex art of the theatre.\"},{\"question\":\"Who is Appraising a Play meant for?\",\"answer\":\"For theatre supporters and casual visitors alike—whether inexperienced or experienced, young or old—who want to learn what to look for when choosing and evaluating plays.\"}]","Practical Stage Handbooks - Appraising a Play - A Practical Guide | PDF",1791863221,154]