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It explains the Index of American Design as a cross-section of decorative and popular arts from before 1700 to about 1900, developed under the Federal Art Project. The text details how artists used visual analysis, training, and faithful rendering techniques, producing highly admired visual substitutes now housed at the National Gallery of 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THE UNITEDSTATES  \nBY ERWIN O.CHRISTENSENWITH ILLUSTRATIONS  \nFROM THE  \nINDEX OF AMERICAN DESIGNNATIONAL GALLERY OF ARTWASHINGTON,D.C.  \nPENGUIN BOOKS  \nLONDON  \nTHE KING PENGUIN BOOKSEditor:N.B.L.PevsnerTechnical Editor:R.B.Fishenden  \n*  \nFirst published in 1948  \nby Penguin Books Ltd,Harmondscorth,Middleseaand by Penguin Books Pty,Ltd,200,Normanby Road,Melbourne,Australia  \n*  \nTexct pages set in Scotch Roman  \nand printed by R.&R.Clark,Ltd,Edinburgh  \nColour plates made and printed  \nby John Suain&Sons,Ltd,Barnet  \n*  \nMade in Great Britain  \n# PREFACE\n\nIrit were not for the fact that the author is indebted to a num-ber of persons who have given assistance,this small book mightnot require a preface.In addition to the books mentioned in theBibliography,the files of the Index of American Design con-tain much information accumulated by the anonymous researchworkers who were attached to the various state projects whenthe Index was being prepared.As this material has been useful,this source is gratefully acknowledged.Particular thanks aredue the following persons who have answered various questionson the designs here reproduced:Professor Emily Williams Akinof the Department of Home Economics of the University ofMaryland;Dr Herbert Krieger,Curator,and Mr Robert A.Elder,Jr.,Assistant Curator of Ethnology,National Museum,Washington,D.C.;Mr George Graf of Peru,Indiana;MissFrances Lichten of Philadelphia;Miss Grace M.Mayer,Cura-tor of Prints,Museum of the City of New York;Mr W.S.Mangels,Treasurer and Director,American Museum of PublicRecreation,Brooklyn,N.Y.;and Miss Estella T.Weeks ofWashington,D.C.I am also indebted to Miss Ann Watkinsand Miss Elizabeth Benson,who have contributed valuable sug-gestions.  \nILLUSTRATIONS  \nCover Design.Alice Stearns,Massachusetts Project  \n1.Elizabeth Fairchild,New York City Project2A.Elizabeth Moutal,Massachusetts Project2B.Joseph Goldberg,Massachusetts Project  \n3.John Matulis,Connecticut Project  \n4.David Ramage,Michigan Project  \n5.Georgine .Mason,Iowa Project  \n6.Albert Ryder,Rhode Island Project  \n7.Frank M.Keane,Florida Project  \n8.David Ramage,Michigan Project  \n9.Charles Henning,New York City Project  \n10.Eugene Shellady,Pennsylvania Project  \n11.Elmer G.Anderson,Pennsylvania Project  \n12.Beverly Chichester,Michigan Project  \n13.Van Silvay,New York City Project  \n14.Martin Partyka,Connecticut Project  \n15.Harry Jennings,Ohio Project16A.John Matulis,Connecticut Project16B.George V.Vezolles,Kentucky Project  \n17.Charlotte Angus,Pennsylvania Project18.Donald L.Donovan,Rhode Island Project  \n19.Hester Duany,New York City Project  \n20.Byron Dingman,Pennsylvania Project  \n21.Ralph Atkinson,Pennsylvania Project22A.F.C.Davenport,Iowa Project22B.Regina Henderer,Delaware Project  \n23.Harold Merriam,Connecticut Project  \n24.Betty Jean Davis,Pennsylvania Project25A.Nicholas Amantea,New York City Project25B.Betty Fuerst,Massachusetts Project  \n26.Charlotte Winter,New York City Project27A.Ruth M.Barnes,Southern California Project27B.John W.Kelleher,Massachusetts Project  \n28.William Herbert,Southern California Project  \n29.E.Boyd,New Mexico Project  \n30.Majel G.Clafin,New Mexico Project  \n31.Ranka S.Woods,Colorado Project  \n32.Carl O'Bergh,Colorado Project  \n# POPULAR ARTIN THE UNITED STATES\n\nTHE popular arts of the United States were created by peoplewho carried on the traditions of England,Germany,Spain andmany other European countries.These objects were made onNew England waterfronts,on the deserts of New Mexico,among the hills of Tennessee,on the prairies of the Midwest,and in the rolling country of Pennsylvania.And,to a large ex-tent,they have remained there,but now they are owned bymuseums,historical societies and private collectors,and treas-ured as part of the nation's cultural heritage.  \nMany of the best of these achievements ha","cbCaicb5YcZUabsQ","https://ap.wps.com/l/cbCaicb5YcZUabsQ","pdf",3375733,"English","# Preface\n# Illustrations\n# Popular Art in the United States","[{\"question\":\"What traditions influenced popular arts in the United States, according to the book?\",\"answer\":\"Popular arts were created by people who carried on traditions from England, Germany, Spain, and many other European countries.\"},{\"question\":\"What is the Index of American Design described in the book?\",\"answer\":\"It is a cross-section of American decorative and popular arts from before 1700 to about 1900, produced through the Federal Art Project.\"},{\"question\":\"How were the renderings produced and improved during the project?\",\"answer\":\"Each rendering was based on thorough visual analysis of form, shape, colour, and texture; when improvements were needed, an intensive training program was instituted and successful methods were passed to artists in state projects.\"}]","Popular Art in the United States | PDF",1791864910,108]