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The preface describes the book’s origins in 35 years at the Royal Danish Academy of Fine Arts, addressing both how students and teachers work and how artists collaborate with materials and artworks. 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If I have forgotten a photographer, it was not intentional.  \nLayout: Rasmus Eckardt, [21221281.dk](21221281.dk)[ ](21221281.dk)Print: SpecialtrykkerietARCOA/S  \nISBN: 978-87-7945-114-8  \nPrinted in Denmark 2019  \nReproduction of the text and pictures is permitted without fee with reference to this book.  \n9  \n11  \n12  \n34  \n58  \n62  \n82  \n90  \n100  \n104  \n116  \n126  \n128  \nContents  \nPreface  \nPlaster’s materiality  \nThe universe of stuccoand sculpture as I have experienced it  \nA story about teaching in Stuccoand Sculpture techniques at The Royal Danish Academy of Fine Arts  \nA Sculptor’s Manual  \nMoulding and Casting Body casting Concrete  \nMural techniques Stucco  \nThe Royal Danish Academy of Fine Arts’Collection of Plaster Castings Modelling and Modelmaking Examples  \nTools and Materials  \nTools  \nMaterials  \nThe book is supported by  \nGROSSERER L.F. FOGHTS FOND  \nPontus Kjerrman  \nMoulding and Casting  \nStucco-and  \nSculpture techniques  \nBILLEDKUNSTSKOLERNES FORLAG  \nPreface  \nSanne Kofod Olsen  \nDean, the Faculty of Fine, Applied and Performing Arts, Gothenburg University  \nRector of the Royal Danish Academy of Fine Arts’ Schools of Visual Arts 2014-18.  \nThe book “Moulding and Casting. Stucco and Sculpture Techniques “, written and designed by Pontus Kjerrman, isnot an ordinary book. It is a book that deals with sculptural techniquesas well as other artists’ works, personal stories about a life with plaster, art historical insight and Pontus Kjerrman himself. It is also a book that has been created during the 35 years Pontus has worked atthe Royal Danish Academy of Fine Arts as a lecturer in plaster, and where he has interested great numbers of new students in the technical and artistic work with plaster as a primary material.  \nThe book reflects all the years Pontus Kjerrman has spent at the Royal Danish Academy of Fine Arts, first as a student and later as a teacher. Focusing on plaster and plaster techniques, the book gives an in-depth insight into what, and in particular how, students and teachers work atthe Royal Danish Academy of Fine Arts, but the book also gives a general picture of how to work asan artist in close dialogue with the materials and the works of art.  \nIn 1979, when Pontus himself started atthe Royal Danish Academy of Fine Arts, the place was something different than it is today. Then artistic techniques in many different media had both more space and more staff to teach the specialized techniques. Later followed years, perhaps even decades, when interest in the material practices declined, and in step with the constant changes of art, the focus shifted from techniques to concepts. At least for a period of time. All those years, Pontus kept the sacred fire burning as a lecturer in plaster at his laboratory, which for many years was attached to the Sculpture School at Charlottenborg. And even during the time when concept art dominated the Royal Danish Academy of Fine Arts, there was something interesting to doin the plaster workshop.  \nIn recent years, interest in the material practices and thus also the more classical techniques has flourished again. The gen","cbCailnMNSNugMfZ","https://ap.wps.com/l/cbCailnMNSNugMfZ","pdf",12917486,73,"English","# Contents\n## Preface\n## Plaster’s materiality\n## The universe of stucco and sculpture as I have experienced it\n## A story about teaching in Stucco and Sculpture techniques at The Royal Danish Academy of Fine Arts\n## A Sculptor’s Manual\n## Moulding and Casting Body casting Concrete\n## Mural techniques Stucco\n## The Royal Danish Academy of Fine Arts’Collection of Plaster Castings Modelling and Modelmaking Examples\n## Tools and Materials\n## Tools\n## Materials","[{\"question\":\"What topics does the book cover according to the contents list?\",\"answer\":\"It covers moulding and casting, stucco and sculpture techniques, plaster’s materiality, teaching experiences, a sculptor’s manual, body casting and related processes, tools and materials, and examples connected to the Royal Danish Academy of Fine Arts’ plaster cast collection.\"},{\"question\":\"What is the main purpose described in the preface?\",\"answer\":\"The preface presents the book as a non-ordinary work combining technical sculptural guidance with personal stories about working with plaster, art-historical insight, and Pontus Kjerrman’s own experience at the academy.\"},{\"question\":\"How does the preface describe changes in art education over time?\",\"answer\":\"It explains that art education in Europe shifted toward conceptual or contextual paradigms, sometimes reducing workshop facilities, but notes that the Royal Danish Academy of Fine Arts preserved many workshops, though reduced since the 1980s.\"}]","Pontus Kjerrman - Moulding and Casting - Stucco-and Sculpture techniques | PDF",112]