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It highlights repeated refrains and chorus-like chanting, blending grief, love, and belief into a single emotional 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Martin","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-11-04","2026-09-29",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",8,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69],{"name":60,"@type":61,"acceptedAnswer":62},"What is the main poem featured in this document?","Question",{"text":63,"@type":64},"The document prominently includes “Main Na Bhoolunga” by Fatimah Asghar, presented with a translation note.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"What does the translation “I won't forget” refer to?",{"text":68,"@type":64},"It is the translation of the poem’s title phrase “Main Na Bhoolunga,” framing the poem’s theme of persistent memory.",{"name":70,"@type":61,"acceptedAnswer":71},"How does the poem structure its emotional theme?",{"text":72,"@type":64},"The poem revisits scenes from the narrator’s father and mother and repeatedly returns to the chorus-like phrase 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\nof the eventual corruption of my body,but of how quaint and humorous they are,like a collection of doorknobs,half-moons,  \nthen a yellow drizzle of flying saucers.In any case  \nthey won't hurt me unlessI take them between my lips  \nand swallow,which I know enoughnot to do.Once,in the south,I had this happen:  \nthe soft rope of a water moccasinslid down the red knees  \nof a mangrove,the hundreds of ribshoused in their smooth,whitesleeves of muscle moving itlike a happiness  \ntoward the water,where some bubbles  \non the surface of that underworld announceda fatal carelessness.I didn't  \neven then move toward the fine pointof the story,but stood in my lonely bodyamazed and full of attention as it felllike a stream of glowing syrup intothe dark water,as death  \nblurted out of that perfectly arranged mouth.POETRYJULY 1988  \nPOETRYMARCH 2019  \nFounded in 1912 by Harriet MonroeVolume 213,Number 6  \nCONTENTS  \nPOEMS  \nFATIMAH ASGHAR509 Main Na Bhoolunga  \nMEENA ALEXANDER510 RevenantDiagnosis  \n512 A Root  \nANNIE FINCH  \nZEINA HASHEM BECK513 Ghazal:With PrayerSouk  \nROCKET CALESHU516 ThinkingCome Back  \nTESS GALLAGHER518 Stolen Dress  \n519 Awl  \nNAOMI COHN  \nCell  \n522 Quf:P  \nPETER COLE  \nLIEKE MARSMAN524 The Following Scan Will Last Four MinutesTranslated by Sophie Collins  \nCHRISSY WILLIAMS525 !katya!  \nMIRIAM BIRD GREENBERG526 ●  \n527 Town of Frijoles  \nRAY GONZALEZ  \nBody of Rags,International Bridge Betweenthe US &MexicoI Belong Here  \nJANE HUFFMAN532 Failed Sestina  \nELIZA GRISWOLD534 Pulling Out  \nALYSSA MOORE  \n535“Black Rapunzel Broadcasting Live from America'sNext”/“original communication”  \n\"When”/“i’m hysterical”/“ican't stop thinkingabout\"/“representations”  \nKIEN LAM  \n537 Silhouettes  \nFANNY HOWE  \n538 The Definitions  \nRAJIV MOHABIR  \n544 Hanuman Puja  \nJANA PRIKRYL  \n546 Asylum,  \nBEN PURKERT  \n548 The Only Museum  \nNATASHA SAJE  \n549 Alive  \nSTEPHEN SEXTON  \n550 The BurdensFrom “Terrestrials”  \nANGELA NARCISO TORRES 552 If You Go to Bed Hungry  \nVI KHI NAO553 The Binchotan Charcoal&Its Ash  \nSHIRA DENTZ556 Mango hats stood out from the restAt the End of the Day  \nANTHONY LAWRENCE558 Explaining Villanelles to an Alien  \n559 Explorer  \nKAZIMALI  \n560 IHaven't Masturbated in Five Days for Fearof Crying  \nELOISA AMEZCUA  \nJULIA KOLCHINSKY561 Okean Means EndlessDASBACH  \n562 Dead Men Walking563 Red GrapesPigeonsSaltTranslated by HuangFang&Margaret Ross  \nWILLIAM LOGAN  \nHUANG FAN  \n566 on this day/or any other  \nMIA KANG  \n567 From “Case Comparison”  \nPATRICK DURGIN  \nRAYMOND ANTROBUS570 Maybe my most important identity is being a son  \nD.NURKSE572 The White Room  \nBRIAN KIM STEFANS573 To A—  \nJOSHUA MARIE WILKINSON 578 It'll Get Worse Before It Gets Worse  \n# BRENDA SHAUGHNESSY 580 Honeymoon\n\nCOMMENT  \nJENNIFER TSENG583 Among Every Three Fathers,One Will  \nCONTRIBUTORS593  \nDON SHARE EditorFRED SASAKI Art Director  \nLINDSAY GARBUTT Associate EditorHOLLY AMOS Assistant Editor  \nHANNAH KUCHARZAK Marketing &Production AssistantCHRISTINA PUGH Consulting EditorPENTAGRAM Design ConsultantNORMAL Cover Artist  \n# POETRYMAGAZINE.ORG\n\nA publication of the Poetry Foundation  \nPrinted by Cenveo Publisher ServicesPoetry,March 2019,Volume 213,Number 6  \nPoetry(ISSN:0032-2032)is published monthly,except bimonthlyJuly/August,by the Poetry Foundation.Addresseditorial correspondence to 61W.Superior St.,Chicago,IL60654.Individual subscription rates:$35.00 per yeardomestic;$47.00 per year foreign.Library/institutional subscription rates:$38.00 per year domestic;$50.00 per yearforeign.Single copies $3.75,plus$1.75 postage.Address new subscriptions,renewals,and related correspondence toPoetry,PO Box 421141,Palm Coast,FL32142-1141 or call 800-327-6976.Periodicals postage paid at Chicago,L,andadditional mailing offces.POSTMASTER:Send address changes to Poetry,PO Box421141,Palm Coast,FL32142-1141.All rights reserved.Copyright e","cbCaimNGiXCmPt5a","https://ap.wps.com/l/cbCaimNGiXCmPt5a","pdf",2845405,100,"English","# Poems\n## Fatimah Asghar\n## Main Na Bhoolunga\n## Comment\n## Contributors","[{\"question\":\"What is the main poem featured in this document?\",\"answer\":\"The document prominently includes “Main Na Bhoolunga” by Fatimah Asghar, presented with a translation note. \"},{\"question\":\"What does the translation “I won't forget” refer to?\",\"answer\":\"It is the translation of the poem’s title phrase “Main Na Bhoolunga,” framing the poem’s theme of persistent memory.\"},{\"question\":\"How does the poem structure its emotional theme?\",\"answer\":\"The poem revisits scenes from the narrator’s father and mother and repeatedly returns to the chorus-like phrase “main na bhoolunga,” tying grief and love to remembrance.\"}]","POETRY - July 1988 - Issue 6 - Main Na Bhoolunga | PDF",1790692943,154]