[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-46071-en":3,"doc-seo-46071-105":30,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":13,"seo_description":14,"update_tm":28,"read_time":29},46071,1099514067438,"River Wang","https://ap-avatar.wpscdn.com/avatar/100002539ee87300030?x-image-process=image/resize,m_fixed,w_180,h_180&k=1780474512215547542",2,"Literature","Playing in the Dark Whiteness and the Literary Imagination","Playing in the Dark: Whiteness and the Literary Imagination presents Toni Morrison’s critical exploration of how American literature has been shaped by racial thinking, especially through the presence and positioning of Blackness within “white” fiction. The text surveys widely accepted generalizations about literary history and offers new ways to read American writing. It frames race as an embedded cultural lens, examines the temptation to dominate rather than embrace freedom, and proposes a revised critical vocabulary for literary study.","Acclaim for TONI MORRISON’S  \nPlaying in the Dark  \n“A profound redefi nition of American cultural identity…. Her method of reading…inevitably revises what American literature means today.”  \n—Philadelphia Inquirer  \n“Morrison brings the indomitable spirit of her fiction to her feelings about literature   She hits the center of an unspoken truth about American fiction and criticism—about what we take for granted, and what we ignore, in the process.”  \n—Boston Sunday Globe“A compelling dissection of U.S. fiction…To recognize the black presence in white fiction as offering both threat and reassurance permits Morrison to challenge some of the most widely accepted generalizations about our literary history…. Morrison’s individual readings are not just convincing, they are alarming.”  \n—San Francisco Chronicle“[Toni Morrison’s] argument is lucid and eloquent ; its paradigmshattering implications are profound. This brilliant and provocative book raises questions that have never been asked about American literature and provides some compelling models for how we might go about answering them. Morrison succeeds in mapping a new critical geography for American literary study.”  \n—Journal of American History  \n“Morrison…hopes to show the richness of investigation still available interrain long thought to have been exhausted in earlier readings by critics unconscious of their own racialist agenda…. An exuberant exercise, conducted by a writer…who knows that her own work makes steady inroads on the unspeakable.”  \n—Los Angeles Times“Essential reading for anyone interested in American literature and in the ways in which racial thinking is everywhere embedded in cultural production. Morrison is vividly sketching a new way to read American literature and enabling us to see the hard racial truths that it contains. Her argument is daring, profound and painful.”  \n—In These Times  \n“As in her novels…the writing is meticulously crafted, each word seemingly weighed and measured for its heft and impact   She has ventured down an avenue of critical inquiry too long neglected.”  \n—The Globe and Mail (Toronto)  \n“A magisterial jeremiad against literary racism…Playing in the Dark is a wrenching critical enterprise.”  \n—Express Books  \n“Brings to mind critical works by other literary artists, such as T. S. Eliot’s essays and D. H. Lawrence’s Studies in Classic American Literature.”  \n—Newsday  \n“In Playing in the Dark…Morrison again reaches for a new language, only here she seeks to expand the vocabulary of literary criticism….[She] explores how the temptation to enslave others instead of embracing freedom has shaded our national literature.”  \n—Village Voice Literary Supplement  \n“She herself may be the last classic American writer, squarely in the tradition of Poe, Melville, Twain and Faulkner.”  \n—Newsweek  \nTONI MORRISON  \nPlaying in the Dark  \nToni Morrison is the author of eleven novels, from The Bluest Eye (1970) to God Help the Child (2015) . She received the National Book Critics Circle Award, the Pulitzer Prize, and in 1993 she was awarded the Nobel Prize in Literature. She died in 2019.  \nALSO BY TONI MORRISON Fiction God Help the Child Home  \nA Mercy Love Paradise Jazz Beloved Tar Baby Song of Solomon Sula The Bluest Eye Nonfiction The Source of Self-Regard The Dancing Mind The Origin of Others  \nFIRST VINTAGE BOOKS EDITION, AUGUST 1993 Copyright © 1992 by Toni Morrison  \nAll rights reserved. Published in the United States by Vintage Books, a division of Penguin Random House LLC, New York, and distributed in Canada by Penguin Random House Canada Limited, Toronto. Originally published in hardcover by Harvard University Press,  \nMassachusetts, in 1992.  \nVintage and colophon are registered trademarks of Penguin Random  \nHouse LLC.  \nLines from T. S. Eliot,“Preludes, IV,” in Collected Poems, 1909–1962, copyright 1936 by Harcourt Brace Jovanovich, Inc., copyright © 1943 , 1963 , 1964 by T. S. Eliot, reprinted by permission of the publisher. 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