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Lodge’s work analyzes Plato’s conception of art by placing it within Greek (Hellenic) aesthetic theory and the broader philosophical framework of artistic functions, limitations, and aims. The book begins by addressing how art is grounded in the origin and nature of artistic practice, then develops key topics such as mimesis, aesthetic value-judgment, sensation and quality, freedom and artists in the ideal city, and the role of knowledge. 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Topics include mimesis, artistic judgment, and the role of knowledge.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How does the book approach art in relation to Greek aesthetic theory?",{"text":117,"@type":113},"It starts with the background of Hellenic theories of art and then develops Plato’s specific ideas from foundational questions about the origin and nature of art.",{"name":119,"@type":110,"acceptedAnswer":120},"What major themes are covered beyond mimesis?",{"text":121,"@type":113},"It addresses the judge in matters of art, aesthetic value-judgment, sensation and aesthetic quality, freedom of artists in the model city, and how knowledge functions within art.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},505137,1792117837,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":81,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},2336464648322,"https://ap-avatar.wpscdn.com/avatar/2200025388227c56fec?_k=1778556882303663488","International Library of PsychologyPhilosophy and Scicntific Mechod  \nPlato's Theory of Art  \nInternational Library of PsychologyPhilosophy and Scientific Method  \nGENERAL.EDtTOR-C.K.OGOEN,MA.(Mapdalme Cellg,Cambridre)Рншо зоринсмь Зтиошьу Ё,ЧотагхншхТсткт Тосю»-Рнпозорнкс15ь СС ЛсосРзусногостм. Тугез\"byC.D.DROADЕстехтотс ТнорсттТн Монтхо ое Меачхв:byyE.ROHDEРзтснтISDIVLDoxi PsYCHOLDCY          ·by ALELD ADLIRSPECAT10NS(PYdace byjacob Eprtrn.ЬуГТГЕг НстмеТни Рншозориу бтАii.VAIINGоу Кс ЕопткАTE GROWTH OF IE MIKD.  ·Тне Мемтaптт o» АрезЬуМЙ Копштв Туе Р«тсношюу скА Мса. РюыкуЬуС. НгутдРщчстрцез ор Птпошеу СягпстЧЬуТ. А. ПIспаврзМетагтзсм ГоллЪхпоззоё Бст»сеPHYSIQCE AKD_CHARLCTEA      ·й лоношт е) Мокто» РлстЬу СнояШез ГохLANGEACE_AKD THOUGHT F nIE CRLDby J.PIACETSx AND REPRES10N IN SAVAGE SOCIETY.уВ, МлШночъМСомрАхпуе ншС орнхЬу Й.Масом. Огетн.THE SOCLL INSICTS                   ·Ь V,Моятом,Инеелсв7HORTCL B1GLGY       :by.Mos UELTLЬу Бсотт ШгспахАчTIE SrBoLte Paociss:    ::  .yJ.F,MARTYPOLTCN PLrRLISMЬуК»С.НзшоTEGRATIYZ PSYCHOLOCYЬу NV,М.МавтокНБтошсм Тктвориспоуто Мореяч ТзуснагостЪу О,СМткрнтСоштя Ахв СоИск ТнтовтезЬу Снкепат Тавв-пракинEIOLDGTCAL PRTCIPLE·  ·      .  .by J WooDGDTH         GЪ» Р,,РатнхмТит МгпАЦ Оеуєгоёмгхт ор тие Снцооу К«ВинТееEIDETIC IDCET        .      .ьу.П.К.ЛазснТпт Соссєжтис МегнооT程PEL0S0PHY FTE UscosscloLSь М, ТМемт.туепотоиптлз,оСмик тнсрнн!Ьу Е.уом Нантаннуттхпом Ахвстне ШьсомзатосзbE.ZE11Тщ яосшТ Цроор МоъкотбCONBTITVTON TYPB I DHESQuEscYпгхгЕ оеМАХБ тн КИКсУо:        A.2TMIE GETALT TDRYТш Рятспо оот ое СоетсЮосъ уЪоbC DLY KrstTH BLT OE LAYOUAGE,T选NATR2 r L三A9StKGБу Кс УоссгЯTr IspYinAL JASD D CovonrYЬу Стовс.НномгняетC1Z,LAw,ASD SoCLL SCIEMCEbyW.K LuoПтхамю,бостм, Тизеавсноу Текомт.Мгснал,япа.М..Л.АыеевSPE   DiS0xDs:   3.3.IADa and EC.LINDEMANШпг Хатсвє отМатисмхткзbS.M.STTNCEILDTe NET灶DAS郎THDLcr   :  :Ma ILACKLATO3 T50KY OF KNMLDCEиу ОюоуСе О, СамггоУ апд СТшШот БмттнВоним--ТивЕ.ог\"НспочвЬ» Е. М.СоттоввCHAIS PTTRCC′'s EMPIICTSS.ь...С.К,ОсвехСохссюч. Овихтктпочь чать. Вистатевё1.Н.*Уам рер. НоорT⁸DDCTu  n SicsATLRes   :Ь Мопев.],АиетвbyJ.THeLms or ScirKE       :by Scor7 BUCHANANTrv TYYTS oP EmICM.TKEORYЬуДТеоч СнвтПкLoiIcAL SYTAOF LisoLMGE   .Ьу,СьО ВролЮPRzeirLrs D GTATBSYCHOLOcY.  :у Нгроц, Сакнарre Psvco0GYoPTTYE.ьу. К. КогеаuTO TIEORY OF EDLCAnovЬу Млвт БтилтFTD AND PuIMEIDESмзтюу АхрЗАчтЬ».Н. С. Товсеn MesTT OP ESIT10tv E\",М,,СояктолоhoLDGICLL.StroY               +byS.\"TitALJITZ1EAMAT0N07 LocicL PosrNist:ьу Ецпемо ЯтоХХкОOLL-9LNDNT1peoLOGY ASDUTOPLAby Jut WEINEn0Гэспъ оЧ не МгхэbMAr COULRAn rLAUCID  :  :еу,Кам. МакуннмTe CovDTON5 OP Ksowisq       :1BGBARDSicoinyJ.C.GRKGORYby AGis SDYCLAIRnibyC.D.BROADЄптэмь ЧУонЬу Мнппи ЁннтнШщHLESL FRTZ丸:::by Goan H  ORc  \nPLATO'STHEORY OF ART  \nby  \nRUPERT C.LODGEMA.(oxoN),r.R S.(CANADA)  \nMLSU-CENTRAL LIBRARY  \n13094EX  \nFirst published in I953  \nNew York,The Hunuanities Press Inm  \nLondon,Rourledge G Kegan Panl Lrd  \nPrinted in Great BritainbyJ.V.ArrorsnithLidBristol  \nR8512C572:S(N)J3  \n13094  \nRAJAST4AN UNIVERSITYEXTENSION LI9RARYUpAIPUR  \nContents  \nACKNOWLEDGEMENTSpage viiINTRODUCTIONI  \n1.THE BACKGROUND OF HELLENIC THEORIES OF ARTIIII.THE ORIGIN OF ART23  \nI.THE NATURE OF ART,I52IV.THE NAT URE OF ART,II75V.THE FUNCTIONS OF ART,I93VI.THE FUNCTIONS OF ART,III09VII,THE LIMITATIONS OF ART:HOw TO MEET THEM,I I36Vm.THE LIMTATIONS OF ART:HOw TO MEET THEM,II I46IX.MIMESIS167X.THE JUDGE IN MATTERS OF ARTI92XI,THE AESTHETICAL VALUE-JUDGEMENT2IOXII.SENSATION AND AESTHETIC QUALITY234XII.FREEDOM AND ARTISTS IN THE MODEL CITY265XIV.THE FUNCTION OF KNOWLEDGE IN ART283BIBLIOGRAPHY30SINDEX OF NAMES308INDEX OF SUBJECTS312  \n# Acknopledgements\n\nT will be obvious,that ny chicf obligation is to Plato hinself,as edited byJolin Burnet;and it is probable that a phrase hereLand there is due to the influence of Jowett's Translation of theJowectt.For my usc,howevcr,of both these sources,I owe a debt ofgratitude to the Clarendon Press,Oxford.  \nI also owe a good deal to all ","cbCairHMWAkrU20g","https://ap.wps.com/l/cbCairHMWAkrU20g","pdf",8713319,319,"English","# Acknowledgements\n# Introduction\n# The Background of Hellenic Theories of Art\n## The Origin of Art\n## The Nature of Art\n## The Functions of Art\n## The Limitations of Art: How to Meet Them\n## Mimesis\n## The Judge in Matters of Art\n## The Aesthetical Value-Judgement\n## Sensation and Aesthetic Quality\n## Freedom and Artists in the Model City\n## The Function of Knowledge in Art\n# Bibliography\n# Index of Names\n# Index of Subjects","[{\"question\":\"What is the focus of Plato’s theory of art in this book?\",\"answer\":\"It examines art’s origin, nature, functions, and limitations, connecting aesthetic experience to Plato’s philosophical system. Topics include mimesis, artistic judgment, and the role of knowledge.\"},{\"question\":\"How does the book approach art in relation to Greek aesthetic theory?\",\"answer\":\"It starts with the background of Hellenic theories of art and then develops Plato’s specific ideas from foundational questions about the origin and nature of art.\"},{\"question\":\"What major themes are covered beyond mimesis?\",\"answer\":\"It addresses the judge in matters of art, aesthetic value-judgment, sensation and aesthetic quality, freedom of artists in the model city, and how knowledge functions within art.\"}]","PLATO'S THEORY OF ART - First published in 1953 - New York, The Humanities Press | PDF",1791091406,491]