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The study positions family ties, female power, writing practices, and textual forms as sites where meaning and control are negotiated. Across chapters on nurturing text and autobiography alongside analyses of rape and textual violence, the book develops an integrated argument about interpretive challenges and the ethical implications of reading Lispector’s 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Fictions:\n\nGender,Narrative,and  \nViolence in  \nClarice Lispector    \nMarta Peixoto  \nM  \nCopyright 1994 by the Regents of the University of Minnesota  \nChapter 2,\"Female Power in Family Ties,\"first appeared as\"Family Ties:Female Developmentin Clarice Lispector,\"in The Voyage In:Fictions of Female Development,edited by ElizabethAbel,Marianne Hirsch,and Elizabeth Langland,copyright 1983 by the Trustees of DartmouthCollege,reprinted by permission of the University Press of New England.Chapter 5,\"Rape andTextual Violence,\"first appeared as \"Rape and Textual Violence in Clarice Lispector,\"in Rapeand Representation,edited by Lynn Higgins and Brenda Silver,copyright 1991 by Columbia Uni-versity Press,New York,reprined by permission of the publisher  \nAll rights reserved.No part of this publication may be reproduced,stored in a retrieval system,or transmitted,in any form or by any means,electronic,mechanical,photocopying,recording,orotherwise,without the prior written permission of the publisher.  \nPublished by the University of Minnesota Press  \n2037 University Avenue Southeast,Minneapolis,MN 55455-3092Printed in the United States of America on acid-free paper  \nLibrary of Congress Cataloging-in-Publication Data  \nPeixoto,Marta.  \nPassionate fictions :gender,narrative,and violence in ClariceLispector/Marta Peixoto.  \np.cm.  \nIncludes bibliographical references(p.)and index.  \nISBN 0-8166-2158-6(acd-free).-ISBN 0-8166-2159-4(pb.:  \nacid -free)  \n1.Lispector,Clarice—Criticism and interpretation.2.Women inliterature.3.Sex role in literature.4.Violence in literature.I.  \nTitle  \nPQ9697.L585Z841994869.3—dc20  \n93-29690  \nCIP  \nFor Jim,Daniel,Thomas,and Mariana  \nThis page intentionally left blank  \nContents  \nAcknowledgments ix  \nIntroduction xi  \n1.The Young Artist and the Snares of Gender  \n2.Female Power in Family Ties24  \n3.The Nurturing Text in Hélene Cixous and Clarice Lispector 39  \n4.A Woman Writing:Fiction and Autobiography inThe Stream of Life and The Stations of the Body 60  \n5.Rape and Textual Violence 82Afterword:The Violence of a Heart 100Notes 103Bibliography 109Index 113  \nThis page intentionally left blank  \nAcknowledgments  \nOver the many years it has taken me to write this book I have profited in ways Icannot even measure from conversations with students and colleagues here and inBrazil,and from the responses of audiences to the lectures I have given on Lis-pector.I am also very grateful for the institutional support I have received in theform of several grants and fellowships from Yale University(a Whitney GriswoldFaculty Research Grant,a summer travel grant from the Yale Center for Interna-tional and Area Studies,and a Senior Faculty Fellowship)and a sabbatical leavefrom New York University.I would also like to thank the staff at the Arquivo-Museu de Literatura at the Fundacāo Casa de Rui Barbosa in Rio de Janeiro,es-pecially Eliane Vasconcellos,who allowed me to look at materials she was stillengaged in cataloguing for the Clarice Lispector Archive.  \nTwo sections of this book were published previously in somewhat differentforms.Chapter 2 appeared in The Voyage In:Fictions of Female Development,edited by Elizabeth Abel,Marianne Hirsch,and Elizabeth Langland.A version ofchapter 5 appeared first in the proceedings of a conference at the University ofTexas at Austin,Transformations of Literary Language in Latin American Liter-ature,edited by K.David Jackson.Later,another version was published in Rapeand Representation,edited by Lynn Higgins and Brenda Silver.I thank the edi-tors for their invitations and helpful comments.Participation in those projectsfirst made me see that there would be an audience for a book of this kind in En-glish.  \nMany friends and colleagues have provided invaluable comments on drafts ofthis book over the years.My greatest debt is to my husband,J","cbCaiqUGgr9qyj4Y","https://ap.wps.com/l/cbCaiqUGgr9qyj4Y","pdf",13565841,138,"English","# Contents\n## Acknowledgments\n## Introduction\n## The Young Artist and the Snares of Gender\n## Female Power in Family Ties\n## The Nurturing Text in Hélene Cixous and Clarice Lispector\n## A Woman Writing: Fiction and Autobiography in The Stream of Life and The Stations of the Body\n## Rape and Textual Violence\n## Afterword: The Violence of a Heart\n## Notes\n## Bibliography\n## Index","[{\"question\":\"What topics does Passionate Fictions focus on in Lispector’s writing?\",\"answer\":\"It focuses on gender, narrative, and the representation of violence in Clarice Lispector’s work, including family ties, female power, and textual violence.\"},{\"question\":\"Which chapter addresses female power within family ties?\",\"answer\":\"Chapter 2, titled “Female Power in Family Ties,” examines that theme.\"},{\"question\":\"How does the book treat rape and textual violence?\",\"answer\":\"Chapter 5, “Rape and Textual Violence,” addresses how rape is represented and how violence operates at the level of textual form and meaning.\"}]","Passionate Fictions - Gender, Narrative, and Violence in Clarice Lispector | PDF",1792016393,213]