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The introduction reflects on the French poet Arthur Rimbaud and the notion of the poet as a visionary, emphasizing youth’s intense prophetic imagination and the life-weight carried in early work. The volume includes publication data, acknowledgments, and an introductory essay situating Bogarad’s writing within biographical and artistic 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is the series focus of “Visions and Prophecies” in this volume?","Question",{"text":113,"@type":114},"The series presents “visions and prophecies” associated with prodigious poets, highlighting youthful, imaginative artistic projects and the deep life-weight expressed in their lines.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"Who provides the introduction for this poetry collection?",{"text":118,"@type":114},"Mary Gordon provides the introduction.",{"name":120,"@type":111,"acceptedAnswer":121},"Why does the introduction discuss biographical context for Carley Bogarad’s work?",{"text":122,"@type":114},"It explains hesitancy in beginning discussions of women writers by focusing on life, then argues that in Bogarad’s case the life and the work illuminate each other, making both more 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N E\n\nPoems by Carley Rees Bogarad  \nIntroduction by Mary Gordon  \nVISIONS AND PROPHECIESNUMBER 2  \nVISIONS AND PROPHECIES  \nIn the 1870s in France,Arthur Rimbaud,a seventeen year old childprodigy,in his famed \"Lettre du Voyant\"declared the artistic projectfor the poets to follow him:The poet must be a visionary.Rimbaud'sentire poetic work was produced before he was nineteen.As noother poet,before or since,he embodies the passionate propheciesof youth,those lives not yet lived or realized.  \nIt seems fitting to us,more than a hundred years later,to recognizewith this series the visions and prophecies of those prodigious poetswhose first books are published late in their careers,carrying intheir lines the weight of entire lives lived in the tumult of the actual.  \nNo.2  \nCopyright 1995 by the Estate of Carley Rees Bogarad  \nPrinted by Harperprints,Inc.in Henderson,North Carolina  \nFor St.Andrews College Press1700 Dogwood MileLaurinburg,North Carolina  \n# Library of Congress Cataloging-in-Publication Data\n\nBogarad,Carley Rees 1936-1995.Outrageous fortune /Carley Rees Bogarad—Albany,NY/Laurinburg,NC—State University of New York/St.Andrews College  \nI.Bogarad,Carley Rees.II.Title.  \nISBN:1-879934-44-2  \nFirst Printing:November 1995  \n# Acknowledgments\n\nSome of these poems have appeared in the following publications:“Skin”and“Healing”in The Soho Review;“Night Change”and\"On the Thermodynamics of Moving Bodies\"in Rebirth of Artemis;“Cooling Towers at Three Mile Island,”in San Fernando PoetryJournal,reprinted in Poem the Nukes;\"Ordinary Conscience\"in SanFernando Poetry Journal;\"Insomnia\"in The Cauldron and the Well;“My Fathers Black Lungs”in Magazine of Appalachian Women,reprinted in An Anthology of Appalachian Poetry and in Old Wounds,New Words;“Picasso's Dove”in Passage V;“West Virginia”in Winnersof the National Poetry Competition,Chester H.Jones Foundation,reprinted in New Voices,in Bridges:An Anthology,and in Unemploymentand Social Issues:Literary and Philosophical Texts;\"Connection\"and“Geode”in Art Times;\"Gooseberries”in Bridges:An Anthology;\"BabyFae,”\"Harvest,\"\"Nuclear Winter,\"and\"The Schoharie Creek  \nBridge\"in Oxalis;\"Snakehandling\"in Oxalis,reprinted in Bridges:AnAnthology;“The Wolf,”\"Tienanmen Square,\"“Van Gogh in Arles,”and \"Moons”in Plexis 91;\"Chasing Fire Engines\"in Legacies:Fiction,Poetry,Drama,Nonfiction.  \nI wish to acknowledge the encouragement and support of Michaeland Barbara Adams,John B.Alphonso-Karkala and Leena Karkala,Mary Boyle,Peter D.G.Brown,Arthur Cash and Mary Gordon,Catherine Comins,Richard and Helen Fein,Sarah Gardner,Davidand Irma Goldknopf,Daniel Kempton and Beverly Haviland,MarkKirschenbaum,David Krikun and Phyllis Freeman,Ellis Lader,Loyd and Cynthia Lee,Carole Levin,Bruce Mindich,Shirley Powell,Edward Quinn,Marleigh Grayer Ryan,Philip and Jan Schmidt,Sheila Schwartz,Harry and Sparrow Stoneback,Wade and MariaThompson,William and Sally Vasse,Robert and Kappa Waugh.  \nI owe special recognition to Patricia Kerr Ross for believing in me andmy work,and for her dedication to this book and the co-creationof this series;and to Judith Johnson for her brilliant editing of thisvolume,and her inventiveness and vitality in the founding of thisseries;to Jan Zlotnik Schmidt for the great gift of friendship andunerring critical judgment;to Mary Gordon for her generous andinsightful introduction,and for honoring my poems with her words;  \nto Pamela Wiggins without whom many of these poems wouldnot have been written;to Dean A.David Kline for his constantencouragement;to William Wood Vasse,Vice President of AcademicAffairs at SUNY New Paltz,for the many ways in which he hasenriched my life and in which he has given institutional support;toPresident Alice Chandler for telling me that my poems are“magical”in such a concrete manner and with such ineffable generosity;andto my","cbCaioIuKUdCxGNd","https://ap.wps.com/l/cbCaioIuKUdCxGNd","pdf",3046570,100,"English","# VISIONS AND PROPHECIES\n## No.2\n# Acknowledgments\n# Introduction","[{\"question\":\"What is the series focus of “Visions and Prophecies” in this volume?\",\"answer\":\"The series presents “visions and prophecies” associated with prodigious poets, highlighting youthful, imaginative artistic projects and the deep life-weight expressed in their lines.\"},{\"question\":\"Who provides the introduction for this poetry collection?\",\"answer\":\"Mary Gordon provides the introduction.\"},{\"question\":\"Why does the introduction discuss biographical context for Carley Bogarad’s work?\",\"answer\":\"It explains hesitancy in beginning discussions of women writers by focusing on life, then argues that in Bogarad’s case the life and the work illuminate each other, making both more legible.\"}]","OUTRAGEOUS FORTUNE - Visions and Prophecies Number 2 - Poems | PDF",1790716232,154]