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The material is organized into two groups: Oscar Peterson Classics with full transcriptions of eight well-known originals, and Oscar Peterson Blues with partial, mostly right-hand-only transcriptions of ten blues compositions. The introduction emphasizes the technical and musical challenges of Peterson’s speed, harmonic richness, rhythmic depth, and swing feel, along with specific bar-numbering conventions and notation practices to help readers locate and compare choruses across 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Audio Performances by Miles Black  \nCanadian Cataloguing in Publication Data  \nPeterson,Oscar,1925-Oscar Peterson,note for note [music]  \nComposer and M.Black Canadian.  \nAccompanied by compact disc containing performances of thetranscriptions played by the pianist Miles Black.ISBN 0-9685120-0-3  \n1.Piano music(Jazz)I.Black,Miles,1966-II.Title.II.Title:Note for note.M22.P4850831999786.2'165C99-910471-3  \nCredits  \nMiles Black-Transcriptions and Audio Performances  \nJohn Gittins-Editor  \nKen Gee(Artset Hamilton)-Copyist  \n⑥Copyright notices  \nAccompanying audio CD  \nAll compositions by Oscar PetersonBlues for Big Scotia  \n◎Lynnstorm Music and Tomi MusicAll other musical compositions◎Tomi Music  \nPerformances by Miles BlackPerformances 1999 PG Music Inc.and Miles Black  \nPublished by:  \nAll rights reserved.This book may not be reproduced or transmitted in any form or by any means,electronic ormechanical,including photocopying,recording,or by any information storage and retrieval system,without priorwritten permission from the Publisher,except in the form of brief excerpts or quotations for the purpose of review.The information contained herein is for the personal use of the reader and may not be incorporated into any com-mercial work,or other books.Making copies of this book or any portion for any purpose other than your own is aviolation of International Copyright Laws.  \nOscar Peterson Note for NoteAll compositions by Oscar PetersonBlues for Big Scotia  \n⑥Lynnstorm Music and Tomi Music  \nAll other musical compositions⑥Tomi Music  \nTranscriptions by Miles BlackTranscriptions 1999 PG Music Inc.and Miles Black  \nPG Music Inc.  \nEmail:info@pgmusic.com  \nInternet:www.pgmusic.com  \n0scar Peterson  \n# NOTE F0R NOTE\n\nTranscriptions of Classic Recordings  \n    Table o f Contents     \nii  \nIntroduction  \nPARTI-Classic Originals:  \nBlues for Big Scotia6  \nChicago Blues31  \nHogtown Blues60  \nHymn to Freedom72  \nNightingale87  \nNight Time118  \nPlace St.Henri140  \nThe Smudge163  \nPARTII-Oscar Peterson Plays The Blues:  \nBlues Etude183  \nBlues of the Prairies195  \nGay's Blues202  \nGreasy Blues212  \nKelly's Blues221  \nOscar's Boogie231  \nR.B.Blues244  \nRiff Blues249  \nRon's Blues257  \nTexas Blues262  \n0scar Peterson  \n# NOTE F0R NOTE\n\nTranscriptions of Classic Recordings  \nscar Emmanuel Peterson was born August 15,1925,in Montreal,Canada,the son of a railroad porter.By the ageof20he had a national reputation and a recording contract.By 25he had played Carnegie Hall,won the DownbeatAward for best Jazz Pianist,and embarked on his first world tour.The rest,as they say,is history.  \nThis book provides transcriptions of 18 of Oscar Peterson's piano solos-note-for-note renderings of his playing,takendirectly from the original recordings.Accompanying the written transcriptions is an audio CD containing performances ofthese transcriptions played by the gifted Jazz pianist,Miles Black.  \nThe solos are divided into two groups:Oscar Peterson Classics and Oscar Peterson Blues.The first section,containing 8 ofhis best known original compositions,provides fulltranscriptions.The second section,which offers 10 original Bluescompositions from his many recordings,gives partial transcriptions—right hand only,for the most part.  \nThis is the most extensive body of transcription of Oscar Peterson's work so far made available.The breadth of the selectionis also remarkable.Here are Oscar Peterson performances that cover all the bases—from slow Blues to up tempo,eveneighth to swing feel,boogie to mainstream,solo to group format—and that cover much of his career—the almost 50 yearsfrom Oscar's Boogie in 1947 to Ron's Blues in 1995.  \nOscar Peterson's playing is legendary in its dificulty.Part of that difficulty is speed.Take,for example,Chicago Blues.Thetempo is slow.Yet superimposed above it are to","cbCaivYjS8NKfhHC","https://ap.wps.com/l/cbCaivYjS8NKfhHC","pdf",10375024,274,"English","# Introduction\n# Part I - Classic Originals\n## Blues for Big Scotia\n## Chicago Blues\n## Hogtown Blues\n## Hymn to Freedom\n## Nightingale\n## Night Time\n## Place St. Henri\n## The Smudge\n# Part II - Oscar Peterson Plays The Blues\n## Blues Etude\n## Blues of the Prairies\n## Gay's Blues\n## Greasy Blues\n## Kelly's Blues\n## Oscar's Boogie\n## R.B. Blues\n## Riff Blues\n## Ron's Blues\n## Texas Blues","[{\"question\":\"What does NOTE FOR NOTE provide to readers?\",\"answer\":\"It provides note-for-note transcriptions of selected Oscar Peterson piano solos, together with an accompanying audio CD of Miles Black performing the transcriptions.\"},{\"question\":\"How are the pieces in the book organized?\",\"answer\":\"The solos are divided into two groups: Oscar Peterson Classics (full transcriptions of eight originals) and Oscar Peterson Blues (partial, mostly right-hand-only transcriptions of ten blues compositions).\"},{\"question\":\"Why is Peterson’s playing considered difficult for transcribers?\",\"answer\":\"The introduction highlights challenges related to speed, the harmonic richness and complexity of voicings and “fattening” pitches, and the rhythmic depth and high degree of mastery required to achieve swing.\"}]","NOTE FOR NOTE - Transcriptions of Classic Recordings | PDF",1790597164,422]