[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-321589-105":59,"doc-detail-321589-en":131},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":124,"head_meta":126,"extra_data":128,"updated_unix":130},105,"en","not-a-still-life","NoT A STILL LIFE","","A contemporary poetry-and-painting collaboration that treats familiar flowers as living metaphors, blending lyrical observation with vivid visual storytelling. The text frames flowers as objects of grace, surprise, and emotional resonance, showing how poems turn impressions and memories into word pictures while the paintings offer color-saturated still lifes tied to domestic details and close inspection. The collection invites readers to consider where flowers end and begin through images, facts, and 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BooKCLARKSoN PoTTER/PuBLISHERSNEw YoRK  \nText copyright ◎1993 by Susan KinsolvingArtwork copright ◎1993by Susan Colgan  \nAll rights reserved under International and Pan-AmericanCopyright Conventions.  \nPublished by Panache Press,an imprint of Clarkson N Potter,Ine.,201 East 50th Street,Neu lork,Neu York,10022.Member of the Crown Publishing Group.Random House.Inc.New York,Toronto,London.Svdney.Auckland  \nCLARKSONN.POTTER.POTTER.PANACHE PRESS.andcolophon are trademarks of Clarkson N Potter.Inc.  \nManufacturedin ChinaDesign by K C.Witherell  \nLibrary of CongressCataloging-in-Publication Number.92-34136ISBN0-517-59114-61098765+321First Edition  \nPreceding page.left.Nastartiuns i lellow Pot 1Preceding page,right:Nasturtiums in Yellew Pot II.Final page:Willour Cups on Drain Board.  \nIn this mised bouquet of art and letters,Susan Kinsolking andSusan Colgan take a fresh look at familiar flowers—and whatthey see is a garden of delights and surprises.The two share notonly first names,but similar sensibilities—to both artists,flowersare not just objects of sublime shape and scent,but evocations ofwhat matters to each.  \nThe voice of poet Susan Kinsolving is modern—sometimes lyri-cal,sometimes wry,sometimes the purveyor of fascinating factand fable.In her poems,fowers become metaphors for impres-sions and memories that touch,amuse,or astonish.Painter SusanColgan's vivid oils present skillful compositions of flowers withsundries of domesticity or the closer-than-close inspection ofsingle blooms.Whatever the perspective,the paintings cele-brate flowers as irreplaceable grace notes and ornaments of living.  \nIn a remarkable synergy,the poems and paintings do doubleduty—Kinsolving's pointed observations in verse paint word pic-tures,and Colgan's color-drenched still lifes tell stories.Together,they offer a contemporary collaboration of charm,character,and originality.  \n# NoT A STILL LIFE\n\nAmised bouquet may mecdiateamong colors and shapes.makesense of so many sensibilities.See the nasturtiums fan andrestrain their small flames?And the zinnia composes a fullcircle of kisses and contusionscovered with pink tiers as sweetpeas intimate a sheen of skin.Where do flowers end and begin?Ancient and infamous,they swarimwith bees and all allusionsthat are alive,blooming and being.","cbCaiuMdg5NyDK9t","https://ap.wps.com/l/cbCaiuMdg5NyDK9t","pdf",1381401,48,"English","# NoT A STILL LIFE","[{\"question\":\"What is the document’s main theme?\",\"answer\":\"Flowers are presented as metaphors and living grace notes, inspiring both poetic insight and visual storytelling.\"},{\"question\":\"How do the poems and paintings relate to each other?\",\"answer\":\"The poems contribute pointed observations in verse, while the paintings create color-drenched still lifes that together tell stories.\"},{\"question\":\"What kinds of flowers are highlighted in the featured section?\",\"answer\":\"The text specifically mentions nasturtiums and zinnia, along with other flowers used to evoke comparisons and emotional imagery.\"}]","NoT A STILL LIFE | PDF",1789959740,74]