[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-157904-en":3,"doc-seo-157904-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":4,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},157904,8796095360427,"Lucas Martin","https://ap-avatar.wpscdn.com/davatar_994ba38a5ba835b3df7d355c54d3ed8d",5,"Comic","NEKO GIRL MAGAZINE - Our Dreams","NEKO GIRL MAGAZINE issue frames a dystopian “corona-chan” atmosphere and uses psychoanalytic and anti-humanist language to reimagine desire, isolation, and infection as forces that disrupt productive, modern routines. Through editor Nevada-Tan’s letter, the text treats the virus as a parody of libido, turning catastrophe into a creative mandate: hijack the factory through perversion, destruction, and renewed creative drive. The contents announce essays, moodboards, and artwork contributions shaped by themes of gendered gaze, eroticized politics, and fragmented mass culture.","“Sibacenkfyolrvoeingrus  \nshowed up...”  \nThe First Journal of Fujoshi-Bataille Studies  \nWord by Our Editor, NEVADA-TAN  \nMy dearNEKO  \nGIRLS,  \nIt wasn’t supposed to be like this. I’m in a damp corner of the world, watching the adults panic like rats on a ship. Though I’ve feel I’ve been in  \nA  \nquarantine for the entirety of my life, my isolation has taken on a newfound meaning. In my loneliness, an incredible perversion developed—with a smile, I feel myself thinking as the iceberg approaches: “I want the ship to sink.”  \nA virus is a perversion of the libido’s tendency towards an overabundance of energy. While the dutiful cell produces, the virus hijacks the factory for the sole purpose of reproduction. The virus does not live, yet its sole drive is its libido, uselessly consuming energy & reproducing itself without even the purpose of creating life. It seeks only to make itself a problem, to prevent the healthy Apollonian cell from being seduced by the comforts of an endless cycle: production, consumption. It is a creature of pure passion, so consumed within its own desire for reproduction that it becomes destructive as without potential for life it has no choice but perversion.  \nIn this state of emergency, how shall we show our affection for the infection? Perhaps by standing in solidarity as fellow perverts—“since you have given us no choice that resembles life, I have chosen perversion. Since you have deemed me an infection, I have taken arms against the cure.” Head the words of my good friend Greta Thunberg...  \n2  \n@NEKO_GIRL92:: OUR DREAMS [DESTROY YRS_::nekogirlmagazine.com](DESTROY YRS_::nekogirlmagazine.com)  \n“E ntirecollap ecsionsgystemthesa aredults  \nare not listening . the only cure for this overraught of energy consumption, is useless consumption. yamanashi ochinashi iminashi (no climax, no point, no meaning)1.”  \nSo what is to follow? Complete collapse? Did it take the demonic non-life of a virus to finally free us from the libidinal dampening of modern existence? Dear READER, I entrust onto you this issue of NEKO GIRL MAGAZINE in the hopes that you find within yourselfthe perversion necessary to hijack the factory. The machine is now in its masturbatory phase, with no purpose other than to ward off the eventual impotence that is its fate. We have no choice but to drown it in the fluids of our own creativity, for only in its death will we find once again the libidinal force within us that engenders the creative act.  \nAnd should you choose to engender this creative act, why not send a document of it to me at  \n[submissions@nekogirlmagazine.com?](submissions@nekogirlmagazine.com?)  \n“Thisessedemnceoniiscd force,estructwihoonse(evveilr)y, atthe same time is the creative force, since out of the destruction (of two individuals) a new one arises. That is in fact the sexual drive,which is by nature a destructive drive, an exterminating drive for the individual, and for that reason, in my opinion, must overcome such great resistance in everyone2.”  \n—Sabina Spielrein  \n“Oh, but should we not speak of our humanity? Humanism?” There’s of course, no more time to waste on being human. The human is to be eaten, and the tragedies of mass production is a consumptive theater whose horrors demand our rapt attentions. Like the virus, I seek to devour. I want to let myself fall into that state between living and emptiness. I want perversion. I hope to see none of you out thereon the wastelands—I have a ferocious appetite, and I chew thoroughly.  \nForever yours, Nevada-Tan.  \n「人間、失格。  \nもはや、 自分は、完全に、  \n人間でなくなりました3。」  \n@NEKO_GIRL92:: OUR DREAMS [DESTROY YRS_::nekogirlmagazine.com](DESTROY YRS_::nekogirlmagazine.com)  \n3  \n4  \nFootnotes  \n1. [https://twitter.com/startchimes/sta-](https://twitter.com/startchimes/sta-)  \ntus/1205191250514776070  \n2. Spielrein, S. (1912) .“Die Destruktion als Ursache des Werdens”. Jahrbuch für Psychoanalytische und Psychopathologische Forschungen.  \n3. Dazai, O. (1958) . No Longer Human  \n@NEKO_","cbCaikJlPQec0DEu","https://ap.wps.com/l/cbCaikJlPQec0DEu","pdf",30051652,1,52,"English","en",105,"# A Word from our Editor, NEVADA-TAN\n# QUEEN SHIT IN THE AGE OF CORONA-CHAN:: INANE DREAMZ\n## Moodboards:: J.S.\n## Aida Makoto’s Eroticized Marx\n## NEW NINEVEH, LACERATED\n## tableaus:: Mara Barl\n## Yandere\n## Female Gaze\n## The Blue Rose Shattering and Reformatting Again, Another\n## Anime Where the White-Haired Bisexual Boy Dies\n## furry tableaus\n## Hopeful Objects\n## collage:: Cockydoody","[{\"question\":\"What central idea does the editor express about the virus and modern life?\",\"answer\":\"The editor portrays the virus as a perversion of libido that hijacks production and consumes energy, mirroring destructive cycles of modern existence. This metaphor is used to question homeostasis and endless consumption.\"},{\"question\":\"How does the magazine propose responding to the “state of emergency”?\",\"answer\":\"It calls for solidarity as “fellow perverts” and for channeling destruction into creativity. The issue frames creative acts as a way to recover libidinal force.\"},{\"question\":\"What kind of contributions and sections does this issue include?\",\"answer\":\"The contents list editorials plus multiple categories such as moodboards, eroticized political analysis, tableaus, yandere- and gaze-themed pieces, and collage or other artwork-focused segments.\"}]","NEKO GIRL MAGAZINE - Our Dreams | PDF",1787990979,20,{"code":4,"msg":31,"data":32},"ok",{"site_id":24,"language":23,"slug":33,"title":13,"keywords":34,"description":14,"schema_data":35,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":28},"neko-girl-magazine-our-dreams","",{"@graph":36,"@context":85},[37,54,68],{"@type":38,"itemListElement":39},"BreadcrumbList",[40,44,48,51],{"item":41,"name":42,"@type":43,"position":20},"https://docshare.wps.com","Home","ListItem",{"item":45,"name":46,"@type":43,"position":47},"https://docshare.wps.com/document/","Document",2,{"item":49,"name":12,"@type":43,"position":50},"https://docshare.wps.com/document/comic/",3,{"item":52,"name":13,"@type":43,"position":53},"https://docshare.wps.com/document/neko-girl-magazine-our-dreams/157904/",4,{"url":52,"name":13,"@type":55,"author":56,"headline":13,"publisher":58,"fileFormat":61,"inLanguage":23,"description":14,"dateModified":62,"datePublished":62,"encodingFormat":61,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":57},"Person",{"url":41,"name":59,"@type":60},"DocShare","Organization","application/pdf","2026-08-29",true,{"@type":65,"interactionType":66,"userInteractionCount":4},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"What central idea does the editor express about the virus and modern life?","Question",{"text":75,"@type":76},"The editor portrays the virus as a perversion of libido that hijacks production and consumes energy, mirroring destructive cycles of modern existence. 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