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The front matter includes publication and copyright notices, distribution information, journal acknowledgments for previously published work, and thanks to editors, writing communities, students, and collaborators. 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acknowledgments.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},441899,1790828500,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":52,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},16904993612988,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","MYMYKRISTI MAXWELL  \nDigitized by the Internet Archivein 2022 with funding fromKahle/Austin Foundation  \nhttps://archive.org/details/mymy0000maxw  \n# MYMY\n\nKRISTI MAXWELL  \nDistributed by Independent Publishers Group Chicago  \nMYMY  \nKRISTI MAXWELL  \n◎2020 Kristi Maxwell  \nNo part of this book may be used or reproduced in any manner without written permission except in the case ofbrief quotations embodied in critical articles and reviews.Please direct inquiries to:  \nSaturnalia Books105 Woodside Rd.Ardmore,PA 19003info@saturnaliabooks.com  \nISBN:978-1-947817-16-6(print),978-1-947817-17-3(ebook)  \nLibrary of Congress Control Number:2019952590  \nCover and book design by Robin Vuchnich  \nDistributed by:  \nIndependent Publishing Group814N.Franklin St.Chicago,IL60610800-888-4741  \nThank youto the editors ofthe followingjournals,w here poems from this manuscript appear:The Account,  \nAPARTMENT,Bennington Review,Black Warrior Review,Bone Bouquet,Boston Review,Dusie:the Tuesday Poem,  \nEoagb,jubilat,Masque Spectacle,RHINO,Sprung Formal,Typo,and Transition:Poems in the Aftermath.  \nI am grateful to the members of writing communities in Tucson,AZ;Knoxville,TN;Cincinnati,OH;and Louis-ville,KY,who have embraced my poems and me.I am especially grateful to the Tuesday night poetry crew:JessicaFarquhar,Ann DeVilbiss,Juan Ramirez,Michael Estes,and Kristen Miller—and to Karis Land.Thanks,too,toBrett Eugene Ralph and Ashley Taylor for building thriving community spaces in Louisville and for inviting meto share early drafts of these poems.I am grateful to the support I get from the University of Louisville EnglishDepartment and especially from my Creative Writing Program colleagues,Kiki Petrosino,Ian Stansel,Paul Gri-ner,and Sarah Strickley.Thanks,too,to all the students who've helped me think about my own poems by sharingtheir writing with me,and to Alex Niemi,for shifting from mentee to friend and reader.Deep thanks to FranMcDonald,for thinking with me,writing with me,and being around for the other things,too.I am ever gratefulto Henry Israeli,Christopher Salerno,and the rest of the team at Saturnalia Books—thank you for continuing tosupport my writing.  \nThank you to my family—the Maxwell family and the Sanders.And,of course,my love and gratitude to my favoritepostscript,P.S.,and our purr-bots,Gerty and Tang,who sat beside(and on)me during the writing of these poems.  \nfor Perry Sanders,for building with me a bomethat's so friendly to acts of makingandin memory of Artbur Smith—“bow little lasts,and how long”  \nL  \nCONTENTS  \nSEA SoNGs  \nIPoEM STARTING WITH AMISREADING OF THE FIRST LINE IN“THE GLAss EssAY”MANGROVE OR BRAMBLE  \n5  \n8  \nFROM A MOUTH IN WHICH PRAYER AND ERROR RHYMEIOYou'RE THE ONLY AuDIENCE I EvER NEEDEDIIPLENTYI2PETAL TEXTUREI3AND THE DoLLARS,TooI4*  \nAFTER AFTERI7AUBADEI8FESTIVAL SEASON20On SEEING22OF THE TECHNOLOGIES23A WHOLE GLOBE24In MEMORY OF THE SoUND OF A SILENT LETTER26ReD SoNG27THE FoAL WAs ALREADY THERE28DRIP DRIP29MICHIGAN30SPRING OFFSPRING3IJAG32ON WoRKING IT OuT33DoUBLING34Go FIGURE35OFFHAND HANDS OFF36HELLO,DETECTIVE37*  \nIRL4IOR THE LIGHT IS A CREAK IN THE CLoUD's SoUND-SCAPE/A CREEK IN THE CLoUD's LANDSCAPE42ONGOING EFFORTS43VIOLIN44WEREN′T NONE OF Us45IN THE MIDDLE OF SoMETHING47PoEM WHOSE CoMPOSITION LEADS TO THE TERM WINTERKILL48IN A PiCKLE51  \n(PRE)OcCUPATION55AccOUNTABILITY57NIGHT WITH DILL,LEMON59MY FINGERNAILS ARE NEW To ME62IT's EITHER MAINTAIN OR DESTROY63A PAUSE64ON ToxICITY65BLANKS66ELEGY FOR THREATENED WoRDS67RosE GARLAND CENTO69THE BOAT WAS A THOUGHT THE RIVER WAS HAVING  \n70ON UNNATURAL NATURE71ON THE CoMMON SUFFIXES OF TowNS72BEFORE AFTER74HouDINI75WITHOUT WITHOUT76","cbCaigo3dA4Ym1ti","https://ap.wps.com/l/cbCaigo3dA4Ym1ti","pdf",2872315,100,"English","# Contents\n## Sea Songs\n## (Pre)Occupation\n## Accountability\n## Before After","[{\"question\":\"What is the document primarily about?\",\"answer\":\"It is a poetry collection titled “MYMY” by Kristi Maxwell, with a detailed table of contents listing many individual poems.\"},{\"question\":\"Does the document include acknowledgments for previously published poems?\",\"answer\":\"Yes. The front matter thanks editors of multiple journals where poems from the manuscript appear.\"},{\"question\":\"What kind of information is provided before the poems?\",\"answer\":\"Publication, copyright permissions, distribution details, ISBN and Library of Congress control number, book design credit, and extensive personal acknowledgments.\"}]","MYMY - poems | PDF",1790698009,154]