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It also addresses how to record dates of work and place of origin, plus content type recording rules for accompanying text and multimedia carriers, and it provides cataloging examples and field-level instructions.",{"@graph":14,"@context":72},[15,34,55],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/research-report/","Research & Report",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/music-library-association-best-practices-for-music-cataloging-using-rda-and-marc21-chapter-6-identifying-works-and-expressions/426840/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/music-library-association-best-practices-for-music-cataloging-using-rda-and-marc21-chapter-6-identifying-works-and-expressions/426840.png","ImageObject",300,407,{"name":42,"@type":43},"Himbo","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-10-17","2026-09-29",true,{"@type":52,"interactionType":53,"userInteractionCount":22},"InteractionCounter",{"@type":54},"ViewAction",{"@type":56,"mainEntity":57},"FAQPage",[58,64,68],{"name":59,"@type":60,"acceptedAnswer":61},"What is the purpose and scope of Chapter 6?","Question",{"text":62,"@type":63},"It provides guidelines for authority records describing individual works and expressions, with related encoding examples and notes on when the recommendations also apply to bibliographic records for manifestations.","Answer",{"name":65,"@type":60,"acceptedAnswer":66},"How should form of work be recorded for access points?",{"text":67,"@type":63},"When form of work is part of an access point, also record it in field 380. For other works, record it separately in 380 if readily ascertainable, using controlled vocabulary such as LCGFT and capitalizing the first term.",{"name":69,"@type":60,"acceptedAnswer":70},"Which content types should be recorded for accompanying materials and carriers?",{"text":71,"@type":63},"Record content types for primary content and also for substantial accompanying materials described in 300 or in separate 300. For audio/video carriers, use the appropriate separate 336 field(s) and encode additional fields as indicated, and record “text” in 336 only for significant textual matter.","https://schema.org",{"og:url":32,"og:type":74,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":76,"canonical":32},"index,follow",{"doc_id":78,"site_id":7},426840,1792213859,{"code":4,"msg":81,"data":82},"success",[83,87,91,95,100,105,110,114,119,122,126],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":84,"show_sort_weight":85,"slug":86},"Story & Novel",90,"story-novel",{"id":26,"doc_module":4,"doc_module_name":25,"category_name":88,"show_sort_weight":89,"slug":90},"Literature",80,"literature",{"id":33,"doc_module":4,"doc_module_name":25,"category_name":92,"show_sort_weight":93,"slug":94},"Exam",70,"exam",{"id":96,"doc_module":4,"doc_module_name":25,"category_name":97,"show_sort_weight":98,"slug":99},5,"Comic",60,"comic",{"id":101,"doc_module":4,"doc_module_name":25,"category_name":102,"show_sort_weight":103,"slug":104},6,"Technology",50,"technology",{"id":106,"doc_module":4,"doc_module_name":25,"category_name":107,"show_sort_weight":108,"slug":109},7,"Healthcare",40,"healthcare",{"id":111,"doc_module":4,"doc_module_name":25,"category_name":29,"show_sort_weight":112,"slug":113},8,30,"research-report",{"id":115,"doc_module":4,"doc_module_name":25,"category_name":116,"show_sort_weight":117,"slug":118},9,"Religion & Spirituality",20,"religion-spirituality",{"id":117,"doc_module":4,"doc_module_name":25,"category_name":120,"show_sort_weight":117,"slug":121},"World Cup","world-cup",{"id":123,"doc_module":4,"doc_module_name":25,"category_name":124,"show_sort_weight":123,"slug":125},10,"Lifestyle","lifestyle",{"id":127,"doc_module":4,"doc_module_name":25,"category_name":128,"show_sort_weight":96,"slug":129},19,"General","general",{"code":4,"msg":81,"data":131},{"doc_id":78,"user_id":132,"nickname":42,"user_avatar":133,"doc_module":4,"category_id":111,"category_name":29,"doc_title":10,"doc_description":12,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":22,"is_deleted":4,"is_public":22,"is_downloadable":22,"audit_status":22,"page_count":139,"language":140,"language_code":8,"site_id":7,"html_lang":8,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":12,"update_tm":144,"read_time":98},687197100911,"https://ap-avatar.wpscdn.com/avatar/a000239b6f1da00475?x-image-process=image/resize,m_fixed,w_180,h_180&k=1785132997149421697","Music Library Association Best Practices for Music Cataloging Using RDA and MARC21 for Chapter 6: Identifying Works and Expressions  \nMLA BP FOR 6.0   \nPURPOSE AND SCOPE  \nThe guidelines and encoding examples below generally pertain to authority records for individual works, unless otherwise indicated. For authority records representing compilations of works (e.g. ,“Piano music”) or classes of expressions (e.g. ,“Kartinki svystavki; arranged”), MLA recommends encoding only those elements which pertain to all works/expressions that can be represented by that access point.  \nMLA recommends recording all elements that are readily ascertainable when creating or enhancing authority records for individual works. 1  \nIn most cases, however, these guidelines are equally applicable to bibliographic records for manifestations embodying a single work/expression. The recording of work/expression attributes in separate MARC fields (i.e. , encoding data in fields 046 and 380-384 in addition to formulating access points) in bibliographic records is largely a matter to be decided by individual cataloging agencies. 2 The utility of such fields, and the feasibility of encoding them, depends on the presence of authority records for the relevant works and/or expressions and the number of works embodied within a resource, respectively.  \n1 Consult the Descriptive Cataloging Manual, Z1. Name and Series Authority Records for general guidelines in encoding data in authority records.  \n2 Library of Congress’s practice is described here  .  \nMLA BP FOR 6.3   \nFORM OF WORK  \nMLA recommendation: If giving form of work as a component of an access point (i.e. , preferred titles consisting of the name of one or more type of composition), routinely also record form of work in a 380 field. For other works, record form of work separately in a 380 field if readily ascertainable. Prefer controlled vocabulary such as Library of Congress Genre/Form Terms for Library and Archival Materials  (LCGFT) . For consistency, capitalize the first term.  \n100 1_ Bach, Johann Sebastian, 1685-1750. $t Masses, $n BWV 234, $r A major  \n380   Masses $2 lcgft  \n110 2_ Green Day (Musical group) . $t American idiot (Musical)  \n380   Musicals $2 lcgft  \n100 1_ Mendelssohn-Bartholdy, Felix, $d 1809-1847. $t Hebriden  \n380   Overtures $2 lcgft  \n100 1_ Shepherd, Adaline, $d 1883-1950. $t Pickles and peppers  \n380   Ragtime music $2 lcgft  \nWhen terms do not come from a controlled vocabulary, use the singular form.  \n100 1_ Bartók, Béla, $d 1881-1945. $t Sonatinas, $m piano $n (1915)  \n380   Sonatina  \nDo not record in a 380 field types of composition terms that are:  \nterms indicating a number of performers (e.g. Duets)  \ntempo markings (e.g. , Allegros)  \nother generic terms that do not convey formal characteristics (e.g. , Pieces, Music) .  \nMLA BP FOR 6.4   \nDATE OF WORK  \nMLA recommendation: Record date of work as a data element in 046 $k (and $l as appropriate) if readily ascertainable. 3 See 6.28.1.9.4  and 6.28.1.10.1  for instructions on giving date of work as a component of an access point (i.e. , to distinguish two works with the same preferred title) .  \n046   $k 1947  \n100 1_ Antheil, George, $d 1900-1959. $t Sonatas, $m piano, $n no. 3 (1947)  \n046   $k 1927 $l 1928  \n100 1_ Thomson, Virgil, $d 1896-1989. $t Four saints in three acts  \n046   $k 1884 $l 1889  \n100 1_ Puccini, Giacomo, $d 1858-1924. $t Edgar  \nComposed 1884-1889; revised 1889-1892; revised 1905.  \n3 See here  for guidance on inputting dates using the Extended Date Time Format.  \nMLA BP FOR 6.5   \nPLACE OF ORIGIN OF THE WORK  \nMLA recommendation: In authority records for works, record place of origin of the work in 370 $g if readily ascertainable. Record country or local place within a country, as appropriate.  \n100 1_ Peterson, Marvin Hannibal. $t Dear Mrs. Parks  \n370   $g United States  \n100 1_ Cavalli, Pier Francesco, $d 1602-1676. $t Calisto  \n370   $g Venice (Italy)  \nMLA BP FOR 6.9   \nCONTENT TYPE  \nML","cbCaiuw3LlFsJELX","https://ap.wps.com/l/cbCaiuw3LlFsJELX","pdf",288490,24,"English","# Purpose and Scope\n# Form of Work\n## Controlled vocabulary and capitalization\n## Terms to avoid in 380\n# Date of Work\n# Place of Origin of the Work\n# Content Type\n## Scores with audio/video carriers\n## Textual matter in scores\n# Date of Expression\n# Recording Date of Expression\n# Language of Expression","[{\"question\":\"What is the purpose and scope of Chapter 6?\",\"answer\":\"It provides guidelines for authority records describing individual works and expressions, with related encoding examples and notes on when the recommendations also apply to bibliographic records for manifestations.\"},{\"question\":\"How should form of work be recorded for access points?\",\"answer\":\"When form of work is part of an access point, also record it in field 380. For other works, record it separately in 380 if readily ascertainable, using controlled vocabulary such as LCGFT and capitalizing the first term.\"},{\"question\":\"Which content types should be recorded for accompanying materials and carriers?\",\"answer\":\"Record content types for primary content and also for substantial accompanying materials described in 300 or in separate 300. For audio/video carriers, use the appropriate separate 336 field(s) and encode additional fields as indicated, and record “text” in 336 only for significant textual matter.\"}]","Music Library Association Best Practices for Music Cataloging Using RDA and MARC21 - Chapter 6 - Identifying Works and Expressions | PDF",1790641987]