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The book traces key works—Long Day’s Journey into Night, The Iceman Cometh, The Glass Menagerie, and A Streetcar Named Desire—highlighting loss, buying time, spatial violation, and sexual violence. It situates these plays within dramatic theory from 1935 to 1947, supported by references and an index.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/mimetic-disillusion-eugene-oneill-tennessee-williams-and-us-dramatic-realism/319330/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/mimetic-disillusion-eugene-oneill-tennessee-williams-and-us-dramatic-realism/319330.png","ImageObject",300,407,{"name":92,"@type":93},"Riley","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":24},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the central critical focus of Mimetic Disillusion?","Question",{"text":112,"@type":113},"The book studies how U.S. dramatic realism develops through concepts tied to temporality and to the relationship between what is shown and what remains unseen or disillusioning in major plays.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which O’Neill and Williams works are discussed?",{"text":117,"@type":113},"It analyzes Eugene O’Neill’s Long Day’s Journey into Night and The Iceman Cometh, as well as Tennessee Williams’s The Glass Menagerie and A Streetcar Named Desire.",{"name":119,"@type":110,"acceptedAnswer":120},"How does the book connect dramatic space to meaning?",{"text":121,"@type":113},"It emphasizes spatial questions, particularly in A Streetcar Named Desire, where spatial violation is linked to sexual violence and dramatic effect, and in The Glass Menagerie, where loss and space interact.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},319330,1790875772,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":24,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},1374391975076,"https://ap-avatar.wpscdn.com/avatar/14000253ca4ec9f6853?x-image-process=image/resize,m_fixed,w_180,h_180&k=1783305029341752051","# Mimetic\n\nDisillusion  \nEugene O'Neill,  \nTennessee Wiliams,andU.S.Dramatic Realism  \nAnne Fleche  \nMimetic Disillusion  \n# Mimetic Disillusion\n\nEugene O'Neill,Tennessee Williams,and U.S.Dramatic Realism  \nANNE FLECHE  \nThe University of Alabama Press  \nCopyright ◎1997  \nThe University of Alabama PressTuscaloosa,Alabama 35487-0380All rights reservedManufactured in the United States of America  \nExcerpts from \"The Rhetoric of Temporality,\"in Blindness and Insight:Essays in the Rhetoric of Contemporary Criticism,by Paul de Man,copyright◎1971 Oxford University Press,used by permission.  \n00  \nThe paper on which this book is printed meets the minimumrequirements of American National Standard for InformationScience-Permanence of Paper for Printed Library Materials,ANSI Z39.48-1984.  \nLibrary of Congress Cataloging-in-Publication Data  \nFleche,Anne.  \nMimetic disillusion:Eugene O'Neill,Tennessee Williams,and U.S.dramatic realism/Anne Fleche.  \np.cm.  \nIncludes bibliographical references and index.ISBN 0-8173-0838-5(paper :alk.paper)  \n1.American drama—20th century—History and criticism.  \n2.O'Neill,Eugene,1888-1953—Criticism and interpretation.  \n3.Williams,Tennessee,1911-1983—Criticism and interpretation.  \n4.Realism in literature.I.Title.  \nPS338.R42F58  1997812'.5209—dc20  \n96-24510  \nFor Bets  \nContents  \nAcknowledgments ix  \n1.Introduction:Eugene O'Neill,Tennessee Williams,and U.S.Dramatic Theory,1935-1947  1  \n2.Long Days Journey into Night:The Seen and the Unseen 25  \n3.The Iceman Cometh:Buying Time 43  \n4.The Glass Menagerie:Loss and Space 65  \n5.  A Streetcar Named Desire:  \nSpatial Violation and Sexual Violence 89  \nAfterword 107Notes 113References 125Index 131  \n## Acknowledgments\n\nI want to thank the people who read drafts of some or all of thesechapters and offered their helpful suggestions:Thomas Van Laan,Thomas Edwards,Celeste Goodridge,Robin Lydenberg,and EileenSweeney.Scott Curtis and Lisa Cuklanz located the cover still.ElinDiamond has been my mimetic model,if not my icon;her sharpcriticism and energetic support are a continuing inspiration.Loveand thanks also to my mother and father,sisters and brothers,andthanks to my coworkers at Boston College,especially Patrice Scottwho typed the manuscript,and my office-mate Bonnie Rudner whoalways provided comfort and support.Special thanks are long over-due to Laura Tanner,a patient,perceptive reader and a great friend.My sister Betsy Fleche has been my best pal and closest intellectualcollaborator time out of mind.This book is for her.  \nPart of chapter 5 appears in slightly altered form as \"The Space ofMadness and Desire:Tennessee Williams and Streetcar,\"in ModernDrama,edited by David Blostein,Dorothy Parker,and Alan Thomas,copyright ◎1995 by Modern Drama.  \nThe line from “somewhere i have never travelled,gladly beyond”is reprinted from Complete Poems:1904-1962,by E.E.Cummings,ed-ited by George J.Firmage,by permission of Liveright PublishingCorporation.Copyright ◎1931,1959,1991 by the Trustees for the  \nE.E.Cummings Trust.Copyright ◎1979 by George James Firmage.  \nExcerpts from The Theater and Its Double,by Antonin Artaud,trans-lated by Mary Caroline Richards,copyright C1958 by Grove Press,Inc.Used by permission.  \nExcerpts from Brecht on Theatre:The Development of an Aesthetic,editedand translated by John Willett,published by Methuen.Translationcopyright ◎1964 and renewed ◎1992 by John Willett.Reprinted","cbCaijRo2f8CFqeT","https://ap.wps.com/l/cbCaijRo2f8CFqeT","pdf",9394294,148,"English","# Contents\n## Acknowledgments\n## Introduction: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Theory, 1935-1947\n## Long Days Journey into Night: The Seen and the Unseen\n## The Iceman Cometh: Buying Time\n## The Glass Menagerie: Loss and Space\n## A Streetcar Named Desire: Spatial Violation and Sexual Violence\n## Afterword\n## Notes\n## References\n## Index","[{\"question\":\"What is the central critical focus of Mimetic Disillusion?\",\"answer\":\"The book studies how U.S. dramatic realism develops through concepts tied to temporality and to the relationship between what is shown and what remains unseen or disillusioning in major plays.\"},{\"question\":\"Which O’Neill and Williams works are discussed?\",\"answer\":\"It analyzes Eugene O’Neill’s Long Day’s Journey into Night and The Iceman Cometh, as well as Tennessee Williams’s The Glass Menagerie and A Streetcar Named Desire.\"},{\"question\":\"How does the book connect dramatic space to meaning?\",\"answer\":\"It emphasizes spatial questions, particularly in A Streetcar Named Desire, where spatial violation is linked to sexual violence and dramatic effect, and in The Glass Menagerie, where loss and space interact.\"}]","Mimetic Disillusion - Eugene O'Neill - Tennessee Williams and U.S. Dramatic Realism | PDF",1789942811,228]