[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-676854-105":59,"doc-detail-676854-en":129},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":122,"head_meta":124,"extra_data":126,"updated_unix":128},105,"en","midas-xl4-operators-manual-issue-10-february-2005","MIDAS XL4 Operators Manual - Issue 1.0 - February 2005","","MIDAS XL4 audio mixing console operators manual describing the live performance console, its design intent, and the operational concept behind an analogue signal path managed with digital-domain control, high signal routing, and moving-fader automation. It presents an overview of the console’s capabilities, core modules, block-level organization, rear-panel connectivity, and key feature highlights such as mic amplifiers, direct outputs, group structures, line playback, equalization, inserts, and input metering. It also lists automation and communications support for performance consistency.",{"@graph":69,"@context":121},[70,84,104],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":30,"@type":76,"position":81},"https://docshare.wps.com/document/technology/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/midas-xl4-operators-manual-issue-10-february-2005/676854/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":98,"encodingFormat":97,"isAccessibleForFree":99,"interactionStatistic":100},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/midas-xl4-operators-manual-issue-10-february-2005/676854.png","ImageObject",300,407,{"name":92,"@type":93},"anakgang17","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-04",true,{"@type":101,"interactionType":102,"userInteractionCount":4},"InteractionCounter",{"@type":103},"ViewAction",{"@type":105,"mainEntity":106},"FAQPage",[107,113,117],{"name":108,"@type":109,"acceptedAnswer":110},"What is the design goal of the XL4 console described in the manual’s introduction?","Question",{"text":111,"@type":112},"The manual states the XL4 was created to deliver an analogue state-of-the-art live mixing and recording console, with intuitive operation supported by digital-domain control, extensive routing, and moving-fader automation for consistent performance.","Answer",{"name":114,"@type":109,"acceptedAnswer":115},"What key input and output facilities does the XL4 include?",{"text":116,"@type":112},"The manual highlights 48 mic inputs and direct outputs on every input module, with source selection options such as post fader, pre fader, or pre insert and equaliser.",{"name":118,"@type":109,"acceptedAnswer":119},"How does the XL4 handle automation and communications?",{"text":120,"@type":112},"The automation package can memorize audio, VCA, mute group routing, and the status of input channel switches, and it also supports external control via MIDI, SMPTE, and RS-232 ports. The console includes dedicated communications and automation central control modules in the described configuration.","https://schema.org",{"og:url":83,"og:type":123,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":125,"canonical":83},"index,follow",{"doc_id":127,"site_id":62},676854,1793776883,{"code":4,"msg":5,"data":130},{"doc_id":127,"user_id":131,"nickname":92,"user_avatar":132,"doc_module":4,"category_id":29,"category_name":30,"doc_title":65,"doc_description":67,"doc_content":133,"file_id":134,"file_url":135,"file_type":136,"file_size":137,"view_count":4,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":138,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":128,"read_time":143},962090883568,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","XL4  \nOPERATORS MANUAL  \nTelex Communications (UK) Ltd, Klark Teknik Building, Walter Nash Road, Kidderminster.  \nWorcestershire.  \nDY11 7HJ.  \nEngland.  \nTel:+44 1562 741515  \nFax:+44 1562 745371 [Website: www.midasconsoles.com](Website: www.midasconsoles.com)  \nMIDAS XL4 audio mixing console DOC02-XL4 Issue 1.0-February 2005  \n© Telex Communciations (UK) Ltd.  \nIn line with the company’s policy of continual improvement, specifications and function may be subject to change without notice. This Operators Manual was correct at the time of writing. E&OE.  \nDownloaded from [www.Manualslib.com](www.Manualslib.com) manuals search engine  \nDownloaded from [www.Manualslib.com](www.Manualslib.com) manuals search engine  \nMIDAS XL4  \nLIVE PERFORMANCE CONSOLE Contents  \nIntroduction  \nFeatures  \nOverview and Statistics  \nTechnical Specification  \nBlock Diagrams  \nRear Panel  \nMidas XL402 Input Pod 1  \nMidas XL401 Input Module 3  \nMidas XL405 Stereo Input Pod 7  \nMidas XL404 Stereo Input Module 9  \nMidas XL403 Input VCA Fader 13  \nMidas XL414 Group Module 15  \nMidas XL412 Group Pod 19  \nMidas XL413 Grand Master A VCA Fader 21  \nMidas XL421 Master Module 25  \nMidas XL422 Master Pod 29  \nMidas XL431 Communications Module 33  \nMidas XL441 Matrix Module 38  \nMidas XL443 Automation Central Control 41  \nDownloaded from [www.Manualslib.com](www.Manualslib.com) manuals search engine  \nDownloaded from [www.Manualslib.com](www.Manualslib.com) manuals search engine  \nIntroduction to the XL4  \nThe XL4 was born out of a dream to design an analogue state ofthe art live mixing and recording console with unparalleled performance/features intrinsic with intuitive layout and operation. The vision required the analogue sound path to be controlled in the digital domain via a high degree of signal routing and moving fader automation enabling the live sound engineer whether in a touring or theatre production environment to utilise automation functions in order to enhance mix efficiency and performance to performance consistency.  \nThe benchmark for the XL4 was the XL3 console which during production since 1990 gained a worldwide reputation for unequaled sonic performance and system transparency culminating in its award for best live sound mixing console 1993 and 1994.  \nBob Doyle, Midas Sales & Marketing Director, spent ten months finalising the XL4 specification, discussing its concept with world class sound engineers and rental company heads as well as theatrical production designers and artists alike. The criteria was to develop a mixing environment which enhanced the creativity of the mixing engineer by automating the repetitive functions of specific mix and cue requirements, thus leaving he or she free to concentrate on the main thrust of live mixing by reproducing the Artist􀂒s music as it should be.  \nIn our opinion, the XL4 combines all these criteria in a coherent, easy to operate mixing aid with unsurpassed sound and sonic quality.  \nBob Doyle  \nSpecial thanks to:  \nMick Anderson Chris Beale Tim Boyle Gary Bradshaw Lars Brogaard David Bryson  \nRobert 􀂓Cubby􀂔 Colby  \nRobert Collins Ralph Collins Alex Cooper Charlie Davies Keith Davies Steve Flewin Bryan Grant Chris Hill Paul Haseldine Rocky Holman Mick Hughes  \nRobbie McGrath Paul Newman  \nPaul Owen John Penn Clay Powers Chris Rogers Ivan Schwartz Sophie Webster Mike Spratt Yan Stile  \nSteve Sunderland Phil Wilkie  \nRobin Whittaker Wladyslav Wygnanski Peter Ratcliffe Bob Goldstein Gottfried Duren-Fisgus Christian Gobbel  \nDownloaded from [www.Manualslib.com](www.Manualslib.com) manuals search engine  \nMasters & Comms 20 x 8  \nModules Matrix  \n16 mic/line level returns  \nInput Pots Aux Send Masters  \n16 Audio Sub Groups  \n24 Input channels each with direct output, 4band parametric e/q, 16 mono aux (post panpot)  \n8 stereo groups and stereo masters  \n10 VCA sub groups on moving faders  \n2 Grand Masters  \n24 Input  \nChannels  \nAutomation package capable of memorising:audio, VCA, mute group routing,status","cbCaik4VwyFZZt6Z","https://ap.wps.com/l/cbCaik4VwyFZZt6Z","pdf",2024599,84,"English","# Introduction\n## Features\n## Overview and Statistics\n## Technical Specification\n## Block Diagrams\n## Rear Panel\n## Input Pods and Modules\n## Communications and Automation Modules\n# Appendix: Masters & Comms and Matrix/Groups Summary","[{\"question\":\"What is the design goal of the XL4 console described in the manual’s introduction?\",\"answer\":\"The manual states the XL4 was created to deliver an analogue state-of-the-art live mixing and recording console, with intuitive operation supported by digital-domain control, extensive routing, and moving-fader automation for consistent performance.\"},{\"question\":\"What key input and output facilities does the XL4 include?\",\"answer\":\"The manual highlights 48 mic inputs and direct outputs on every input module, with source selection options such as post fader, pre fader, or pre insert and equaliser.\"},{\"question\":\"How does the XL4 handle automation and communications?\",\"answer\":\"The automation package can memorize audio, VCA, mute group routing, and the status of input channel switches, and it also supports external control via MIDI, SMPTE, and RS-232 ports. The console includes dedicated communications and automation central control modules in the described configuration.\"}]","MIDAS XL4 Operators Manual - Issue 1.0 - February 2005 | PDF",212]