[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-568216-105":59,"doc-detail-568216-en":129},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":122,"head_meta":124,"extra_data":126,"updated_unix":128},105,"en","michael-tippett-five-negro-spirituals-five-negro-spirituals","MICHAEL TIPPETT - Five Negro Spirituals - Five Negro Spirituals","","A choral music score titled “Five Negro Spirituals” by composer Michael Tippett, arranged for mixed chorus with optional unaccompanied performance. The preface explains that, despite occasional visual complexity, the harmonies are fundamentally simple and the effect comes from the number of parts and doubled lines rather than separate independent voices. It advises how the conductor should select voice types, including flexible casting across registers, and highlights the special role of the “Leader” parts in leading both text and music. The document also lists the individual spiritual movements.",{"@graph":69,"@context":121},[70,84,104],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/michael-tippett-five-negro-spirituals-five-negro-spirituals/568216/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":98,"encodingFormat":97,"isAccessibleForFree":99,"interactionStatistic":100},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/michael-tippett-five-negro-spirituals-five-negro-spirituals/568216.png","ImageObject",300,407,{"name":92,"@type":93},"Blitz","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-13",true,{"@type":101,"interactionType":102,"userInteractionCount":4},"InteractionCounter",{"@type":103},"ViewAction",{"@type":105,"mainEntity":106},"FAQPage",[107,113,117],{"name":108,"@type":109,"acceptedAnswer":110},"For what ensemble are the Five Negro Spirituals intended?","Question",{"text":111,"@type":112},"They are written for mixed chorus, designed to be performed as an unaccompanied chorus (a cappella).","Answer",{"name":114,"@type":109,"acceptedAnswer":115},"Why do the printed pages look more complex than the music sounds?",{"text":116,"@type":112},"The apparent complexity comes mainly from the number of parts and the way lines are doubled at the octave, not from fundamentally complex harmonies.",{"name":118,"@type":109,"acceptedAnswer":119},"What is the purpose of the “Leader” parts?",{"text":120,"@type":112},"Leader parts must be clearly differentiated so an individual voice stands out to lead the singing in both words and music.","https://schema.org",{"og:url":83,"og:type":123,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":125,"canonical":83},"index,follow",{"doc_id":127,"site_id":62},568216,1791869898,{"code":4,"msg":5,"data":130},{"doc_id":127,"user_id":131,"nickname":92,"user_avatar":132,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":133,"file_id":134,"file_url":135,"file_type":136,"file_size":137,"view_count":4,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":138,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":128,"read_time":143},24464137899374,"https://us-avatar.wpscdn.com/davatar_3d24733baf745e90a7e4bdd5f77d97b2","# MICHAEL TIPPETT\n\nFive Negro Spiritualsfrom A Child of Our Time  \nfor mixed chorus  \nED 10585.SCHOT  \n| 03 AUG  \u003Cbr>20   |  | 0   |  | C■   |\n| --- | --- | --- | --- | --- |\n| 0   | 09    |  |  |  |\n| 1919   | 108   |  |  |  |\n| SAfoo   |  | k   |  |  |\n|  |  |  |  |  |\n| 21101   |  |  2012   |  |  |\n| crs2u.?   |  |  |  |  |\n|  |  |  |  |  |\n| 12 JUN   |  | 2013   |  |  |\n|  |  |  |  |  |\n|  |  |  |  |  |\n|  |  |  |  |  |\n\nThis book is to be returned on or before the date above.t may be borrowed for a further period if not in demand.Essex County Council  \nMICHAEL TIPPETT  \n# Five Negro Spiritualsfrom A Child of Our Time\n\nfor mixed chorus  \nED 10585  \nISMN M-2201-0326-1  \nMainz·London·Madrid·New York·Paris·Tokyo·Toronto  \nThese five spirituals for unaccompanied chorus,despite the occasionalappearance of complexity are basically simple:the harmony,indeed,is ofthe simplest possible.The apparent complexity arises primarily from thenumber of parts,which are not however all real parts.These,in fact,seldom comprise more than the traditional four.Lines are frequentlydoubled at the octave,rather in the manner of organ registration,so thatthe chorus needs to be thought of as an organ-like body producing ahomogeneous sound at many levels of the chords and melodies.Thus,the numbers and even the kinds of voices needed to produce thesechords and melodies in the most effective manner must be selected bythe conductor from the whole body of the chorus according to theconditions of performance.Great latitude can be taken in this respect,even to the extent of using low female voices for the high registers ofwritten tenor parts,or high male voices for low registers of written altoparts,etc.  \nThe only parts which are strictly differentiated are those marked Leader.These should be an individual voice,standing out from the choir suf-ficiently to lead the singing,both in the words and in the music.Theyneed not be soloists engaged from outside.  \nIf the spirituals are performed in this way the apparent complexity ofcertain printed pages will disappear.Any reasonably sized chorus withfour good leaders can produce the effect required.  \nDiese fünf Spirituals für Chor a capella sehen nur kompliziert aus;inWahrheit sind die Harmonien die denkbar einfachsten.Der Eindruckdes Komplizierten erwächst aus der Anzahl der Stimmen,die jedochnicht immer wirkliche,selbständige Stimmen sind.Die Grundlage bil-den die vier üblichen Stimmen,zu denen gelegentlich Oktavverdop-plungen kommen,wie eine Orgelmixtur.Man stelle sich den Chor alseine Klangeinheit mit Akkorden und Melodien in verschiedenen Lagenvor.Deshalb muss der Dirigent die Zahl der Sänger und den Charakterder Stimmen entsprechend wählen,und er hat hierbei freie Hand.Wenn er will,kann er sogar tiefe Frauenstimmen mit hohenMännerstimmen besetzen und umgekehrt.  \nDie als Leader-Solo bezeichneten Stimmen müssen hingegen her-vortreten.Man braucht sie nicht notwendigerweise mit Solisten ausser-halb des Chorus zu besetzen,wenn geeignete führende Sänger mitQualität in Ton und Ausdruck vorhanden sind.  \nWerden die Spirituals so gesungen,wird der Eindruck des Kompli-zierten verschwinden.Jeder einigermassen vollbesetzte Chor mit vierguten führenden Stimmen kann den gewünschten Erfolg hervor-bringen.  \nESCZKCOUNTY  \nCOUNCLL7ARY  \n.  \nFive Negro Spirituals  \n## 1.Steal awayStiehl dich fort\n\nAltoTenorBassPiano  \nB.  \n## 2.Nobody knowsWer kennt die Not,Herr\n\nS.T.  \nB.S.  \nA.T.","cbCair2dG3LmpAyT","https://ap.wps.com/l/cbCair2dG3LmpAyT","pdf",3527195,36,"English","# MICHAEL TIPPETT\n## Five Negro Spirituals from A Child of Our Time\n## 1. Steal away\n## 2. Nobody knows","[{\"question\":\"For what ensemble are the Five Negro Spirituals intended?\",\"answer\":\"They are written for mixed chorus, designed to be performed as an unaccompanied chorus (a cappella).\"},{\"question\":\"Why do the printed pages look more complex than the music sounds?\",\"answer\":\"The apparent complexity comes mainly from the number of parts and the way lines are doubled at the octave, not from fundamentally complex harmonies.\"},{\"question\":\"What is the purpose of the “Leader” parts?\",\"answer\":\"Leader parts must be clearly differentiated so an individual voice stands out to lead the singing in both words and music.\"}]","MICHAEL TIPPETT - Five Negro Spirituals - Five Negro Spirituals | PDF",55]