[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-395679-105":59,"doc-detail-395679-en":131},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":124,"head_meta":126,"extra_data":128,"updated_unix":130},105,"en","mfabook-v7-online","MFABook-v7-online","","Graduate fine arts catalog text acknowledging thesis advisors, exhibition advisors, editors, designers, essayist, and participating artists from the MFA program. It includes a dedication to Peter Simensky and reflective remarks about the two-year MFA timeline, artistic curiosity, openness, and the Class of 2024’s collective cohesion. Artist statements describe material practice, themes of scale, embodiment, memory, spirituality, identity, migration, and vulnerability, accompanied by artwork titles and medium details.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/mfabook-v7-online/395679/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/mfabook-v7-online/395679.png","ImageObject",300,407,{"name":92,"@type":93},"eBook King","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-04","2026-09-26",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",11,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"What is the purpose of this publication within the MFA program?","Question",{"text":113,"@type":114},"It functions as a catalog that documents the graduate exhibition and presents the Class of 2024’s artwork, framed by dedication and reflective commentary.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"Who is dedicated in the text?",{"text":118,"@type":114},"The dedication is to Peter Simensky, described as a revered, dedicated leader and artist whose passing in December 2023 is noted.",{"name":120,"@type":111,"acceptedAnswer":121},"What do the artist statements emphasize across the works?",{"text":122,"@type":114},"They highlight identity and lived experience through material practices, including memory, spirituality, migration, vulnerability, and the transformation of physical form and materials.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},395679,1791400155,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":145,"read_time":36},962088006270,"https://ap-avatar.wpscdn.com/davatar_085a072bc5b1113ac321206ff7593b45","Chair of Graduate Fine Arts Peter Simensky  \nSusanne Cockrell  \nThesis Advisors  \nMaria Porges Karen (Ren) Fiss  \nExhibitions Advisors  \nPeter Simensky Glen Helfand Aaron Gach  \nEditors  \nLynse Cooper Yue Xiang Dottie Lo Bue Kelley Finley Willow  \nDesign  \nXinling Wang Yishi Chen  \nEssayist Sloane Holzer  \nARTISTS  \n5 Kelley Finley [kelleyfinley.com / @kyfin](kelleyfinley.com / @kyfin)  \n7 Deena Qabazard  \n[deenamachina.com / @deenamachina](deenamachina.com / @deenamachina)  \n9 Seven Chen @seven_chenn  \n11 Carrie Han @[jingyi.art](jingyi.art)  \n13 Yue Xiang  \n[xiang-yue-art.com / @xiangyuecreates](xiang-yue-art.com / @xiangyuecreates)  \n15 Xianghan Cheng @chengcxh  \n17 John Furth @johnfurthart  \n19 Jesse Muñoz @jmoonartwork  \n21 Duma Mock [danielmock.com / @mockthings](danielmock.com / @mockthings)  \n23 Jason Stern @jason_pottery  \n25 Dottie Lo Bue [dottielobue.com / @dottielll](dottielobue.com / @dottielll)  \n27 Gene VanWyk  \n[genevw.com / @green](genevw.com / @green_bean_gene)[_](genevw.com / @green_bean_gene)[bean](genevw.com / @green_bean_gene)[_](genevw.com / @green_bean_gene)[gene](genevw.com / @green_bean_gene)  \n29 Xiaohan Zhou [achiiart.com / @achiiart](achiiart.com / @achiiart)  \n31 Molly Barker [mollybarkerart.com](mollybarkerart.com)  \n33 Peipei Li [popos.world / @popo.art](popos.world / @popo.art)  \n35 Lynse Cooper [lynse-cooper-photo.com](lynse-cooper-photo.com)  \n37 Willow [26willow26.art / @26willow26](26willow26.art / @26willow26)  \n39 Luning Ge @luningart  \n41 Erica Nicole Hannel[ericanicolehannel.com / @ericanicolehannel](ericanicolehannel.com / @ericanicolehannel)  \n43 Chrissa Chorvat [chorvatart.com / @chrissachorvat](chorvatart.com / @chrissachorvat)  \nDEDICATED TO  \nour dearest  \nPETER SIMENSKY  \nWe are living in strange, strange times. That’s an understatement. But we always seem to be. In the many years that I have been working with MFA students, I have reflected on that same phrase when considering the graduate exhibition. A two-year program is such a distinct boundary of time, though it is a format that really does accommodate growth and bonding.  \nIt is such a rewarding experience to see the evolution of an art practice. So much happens in four semesters. There are myriad conversations, connections, and experiences. It is something that students and faculty go through together.  \nIn the arts, we exalt the curiosity that comes with navigating our era. An MFA program is a microcosm of exploration. In this timeframe, artists make the commitment to dive deep and be vulnerable. An MFA program relies on openness and expansion. The Class of 2024 is impressive for its strength and cohesion. This publication exists out of their pluck and sweat equity.  \nThey did this in the face of loss, that of a revered, dedicated leader and artist, Peter Simensky. His passing in December 2023 brought us all, students and faculty, closer together in grief and dialog. Our conversations became more difficult, but also more profound. Peter was deeply in support of this catalog project, and what you hold in your hand speaks, with reverence and appreciation, to his memory.  \nThis publication is also an expression of life and forward thinking. The graduating artists offer their work as a bridge to the future and to an enduring creative spirit. All of us who shared this experience with them can’t wait to see what they do next.  \nGlen Helfand Associate Professor  \nChair, Graduate Curatorial Practice  \nKELLEY FINLEY  \n“My work uses scale and embodiment to question the internal versus the external view of the marginalized woman’s existence. These diasporic experiences are venerated and tenderly held within the sculptural, anthropomorphic containers I make, creating a sacred space. Domestic materials like fabric, thread, and medicinal herbs actualize protection, grief, monumentalization, vulnerability, and personal shrines.”  \nCheongsam vinyl, thread, stainless steel envelopes a 5’2” body  \nLotus House Wishes  \nvinyl, thread, archiva","cbCaimvKnLBF344B","https://ap.wps.com/l/cbCaimvKnLBF344B","pdf",16074115,26,"English","# Thesis and Exhibition Personnel\n## Advisors, Editors, Design, Essayist\n# Dedication and Program Reflection\n## Tribute to Peter Simensky\n# Artist Works and Statements\n## Featured Artists and Artwork Media","[{\"question\":\"What is the purpose of this publication within the MFA program?\",\"answer\":\"It functions as a catalog that documents the graduate exhibition and presents the Class of 2024’s artwork, framed by dedication and reflective commentary.\"},{\"question\":\"Who is dedicated in the text?\",\"answer\":\"The dedication is to Peter Simensky, described as a revered, dedicated leader and artist whose passing in December 2023 is noted.\"},{\"question\":\"What do the artist statements emphasize across the works?\",\"answer\":\"They highlight identity and lived experience through material practices, including memory, spirituality, migration, vulnerability, and the transformation of physical form and materials.\"}]","MFABook-v7-online | PDF",1790422891]