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Using a semiotic methodology grounded in Ronald Barthes’ theory, the research analyzes how these films both challenge and reinforce cultural myths and ideologies surrounding gender roles in Western-Euro American contexts. The thesis applies textual analysis and examines patterns across leadership, emotional expression, vulnerability, and physical appearance.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/media-representation-of-the-new-disney-princesses-portrayal-of-gender-roles-master-of-arts-thesis/139528/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/media-representation-of-the-new-disney-princesses-portrayal-of-gender-roles-master-of-arts-thesis/139528.png","ImageObject",300,407,{"name":92,"@type":93},"Mason","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-09-20","2026-08-24",true,{"@type":102,"interactionType":103,"userInteractionCount":29},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"Which Disney Princess films are analyzed in the thesis?","Question",{"text":112,"@type":113},"The study focuses on “Tangled” (2010), “Moana” (2016), and “Raya and the Last Dragon” (2021).","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"What research method is used to study gender role representation?",{"text":117,"@type":113},"The thesis uses semiotic methodology, grounded in Ronald Barthes’ theory, alongside textual analysis.",{"name":119,"@type":110,"acceptedAnswer":120},"How does the thesis evaluate change over time in princess portrayals?",{"text":121,"@type":113},"It compares earlier, middle, and recent films to examine how leadership roles, emotional expression, vulnerability, and physical appearance are represented across the selected movies.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},139528,1787553386,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":29,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":129,"read_time":144},5909887256941,"https://ap-avatar.wpscdn.com/davatar_9964176cb1d06d4a9deccf72a44ae3dc","UNIVERSITY OF OKLAHOMA  \nGRADUATE COLLEGE  \nMEDIA REPRESENTATION OF THE NEW DISNEY PRINCESSES: PORTRAYAL OF  \nGENDER ROLES  \nA THESIS  \nSUBMITED TO THE GRADUATE FACULTY  \nIn partial fulfillment of the requirements of the  \nDegree of  \nMASTER OF ARTS  \nBy  \nNICOLE COLQUE ROMERO  \nNorman, Oklahoma  \n2023  \nMEDIA REPRESENTATION OF THE NEW DISNEY PRINCESSES: PORTRAYAL OF  \nGENDER ROLES  \nA THESIS APPROVED FOR THE DEPARTMENT OF GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION  \nBY THE COMMITTEE CONSISTING OF  \nDr. Ralph Beliveau  \nDr. David Craig  \nProfessor Colleen Thurston  \n© Copyright by NICOLE COLQUE ROMERO 2023 All Rights Reserved.  \niv  \nDEDICATION  \nTHIS THESIS IS WHOLEHEARTEDLY DEDICATED TO MY FATHER AND MY  \nBROTHER, THE UNWAVERING PILLARS OF MY LIFE. THEY HAVE CEASELESSLY INFUSED MY WORLD WITH LOVE AND SUPPORT, MAKING ME FEEL LIKE THE CHERISHED PRINCESS OF THEIR LIVES. THEIR CONSTANT ENCOURAGEMENT TO PURSUE MY DREAMS HAS BEEN THE GUIDING LIGHT ON MY JOURNEY, ILLUMINATING THE PATH TO ACHIEVING THIS MILESTONE. TO THEM, I OWE A  \nWORLD OF GRATITUDE AND LOVE.  \nv  \nACKNOWLEDGEMENTS  \nFirst and foremost, I express my deepest gratitude to God, who has blessed me with the opportunity to pursue my master’s degree in the United States. This journey has been a testament to faith and perseverance, and I am profoundly thankful for the strength and wisdom I have been granted along this path.  \nI extend a heartfelt thank you to my parents, Iver and Martha, for their immense sacrifices and unwavering support. Your efforts and love have been the foundation of my achievements. Your belief in me has been my greatest motivation.  \nTo my siblings, Alejandro and Carla, your constant encouragement and belief in my potential have been a source of comfort and strength. Your support has been a beacon of light in moments of doubt and a celebratory cheer in times of success.  \nI owe immense gratitude to Dr. Ralph Beliveau, whose mentorship has been a guiding light in my academic journey. His profound wisdom and insightful guidance have been transformative, turning each challenge into a learning opportunity. In moments of doubt, his inspiring counsel rekindled my determination and provided clear direction. I also would like to thank Dr. Craig and Professor Thurston as respected members of my thesis committee who went above and beyond to assist me.  \nFinally, an extended thank you to my nephews. You are the reason I strive to be a good example. Your presence in my life reminds me of the importance of setting a positive example for future generations. Your joy and curiosity have been a constant reminder of the broader impact of my academic journey.  \nvi  \nTABLE OF CONTENTS  \nABSTRACT.................................................................................................................. VIII  \nCHAPTER 1 INTRODUCTION/RATIONALE............................................................ 1  \nCHAPTER 2: LITERATURE REVIEW ....................................................................... 7  \nTHE EARLIER MOVIES–THE EARLIER PRINCESSES ............................................................ 9  \nTHE MIDDLE MOVIES–THE MIDDLE PRINCESSES ............................................................ 12  \nTHE RECENT MOVIES–THE RECENT PRINCESSES ............................................................ 15  \nDISNEY FILMS AND GENDER ROLES ............................................................................... 17  \nBARTHES' SEMIOTICS OF MYTH ..................................................................................... 21  \nCHAPTER 3: RESEARCH QUESTIONS ................................................................... 24  \nCHAPTER 4: METHODS ............................................................................................. 27  \nTEXTUAL ANALYSIS....................................................................................................... 27  \nSEMIOTICS.........................................................","cbCaie8QC03G2Jy0","https://ap.wps.com/l/cbCaie8QC03G2Jy0","pdf",417495,85,"English","# Abstract\n# Chapter 1 - Introduction/Rationale\n# Chapter 2 - Literature Review\n## The earlier movies - The earlier princesses\n## The middle movies - The middle princesses\n## The recent movies - The recent princesses\n## Disney films and gender roles\n## Barthes' semiotics of myth\n# Chapter 3 - Research Questions\n# Chapter 4 - Methods\n## Textual analysis\n## Semiotics\n# Chapter 5 - Data\n## Tangled (2010)\n## Moana (2016)\n## Raya and the Last Dragon (2021)\n# Chapter 7 - Discussion\n## Current leadership roles\n## Exploration of emotional depth and vulnerability\n## Emphasis on partnership and collaborative endeavors\n## Physical appearance and beauty\n## Traditional leadership roles\n## Emotional expression\n## Future research\n# References","[{\"question\":\"Which Disney Princess films are analyzed in the thesis?\",\"answer\":\"The study focuses on “Tangled” (2010), “Moana” (2016), and “Raya and the Last Dragon” (2021).\"},{\"question\":\"What research method is used to study gender role representation?\",\"answer\":\"The thesis uses semiotic methodology, grounded in Ronald Barthes’ theory, alongside textual analysis.\"},{\"question\":\"How does the thesis evaluate change over time in princess portrayals?\",\"answer\":\"It compares earlier, middle, and recent films to examine how leadership roles, emotional expression, vulnerability, and physical appearance are represented across the selected movies.\"}]","Media Representation of the New Disney Princesses - Portrayal of Gender Roles - Master of Arts Thesis | PDF",214]