[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-135165-en":3,"doc-seo-135165-105":31,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},135165,1374391974585,"Genevieve","https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c",8,"Research & Report","Media and the “SpongeBob” Cartoon - Productions of Meaning About Childhood and Its Social Representations","This essay reflects on media culture and the animated cartoon “SpongeBob,” examining how childhood is produced through meaning in contemporary contexts. By analyzing selected episodes of SpongeBob SquarePants, it studies the representations of childhood and the social relationships attached to them. Grounded in critical theory, the study uses bibliographic methodology and self-reflection inspired by Adorno and Horkheimer, exploring media effects on children’s formative and representative processes and arguing for more critical, diverse, participatory, and emancipatory cartoon-based childhood cultures.","Media and the “SpongeBob ” cartoon: productions of meaning about childhood and its social representations  \nMEDIA AND THE “SPONGEBOB” CARTOON: PRODUCTIONS OF MEANING ABOUT CHILDHOOD AND ITS SOCIAL REPRESENTATIONS  \nMÍDIA E ODESENHO ANIMADO “BOB ESPONJA”: PRODUÇÕES DE SENTIDO SOBRE AINFÂNCIAESUAS REPRESENTAÇÕES SOCIAIS  \nLOS MEDIOS Y EL DIBUJOANIMADO “BOB ESPONJA”: PRODUCCIONES DESIGNIFICADO SOBRE LA INFANCIA Y SUS REPRESENTACIONES SOCIALES  \nLeticia Gaspar Rocha PEREIRA 1 Marta Regina FURLAN DE OLIVEIRA2  \nABSTRACT: The main objective of this essay is to reflect on media culture and the cartoon\"SpongeBob\" in contemporary childhood. In a specific way, analyze some episodes of SpongeBob Squarepants and the meaning productions about childhood and its representationsand social relationships. The study proposal is related to the Research Project - \"Semiformation and Education in the context of the Damaged Society: beyond the demarcated territory\" of the State University of Londrina. The methodology is bibliographic in the light of the foundations of critical theory and authors who dialogue with this theoretical basis. In this sense, by self-reflection in the thresholds of Adorno and Horkheimer, it is possible to analyze the effects of media culture and its design on the formative and representative process of childhood in the current scenario, as well as to raise the gaze to the possibility of the use of cartoons in favor of a more critical, diversified, participatory and emancipatory childhood culture.  \nKEYWORDS: Media. Cartoon. Childhood. Consumption.  \nRESUMO: Esse ensaio tem por objetivo principal refletir sobre a cultura midiática e odesenho animado “Bob Esponja” na infância contemporânea. De modo específico, analisaralguns episódios de Bob Esponja Calça Quadrada e as produções de sentido sobre a infânciae suas representações e relações sociais. Aproposta de estudo está relacionada ao Projeto de Pesquisa – “Semiformação e Educação no contexto da Sociedade Danificada: para além do território demarcado” da Universidade Estadual de Londrina. A metodologia é de cunhobibliográfico à luz dos fundamentos da Teoria Crítica e de autores que dialogam com essabase teórica. Nesse sentido, pela autorreflexão nos limiares de Adorno e Horkheimer, é possível analisar os efeitos da cultura midiática e do respectivo desenho no processo formativo e representativo da infância no cenário atual, bem como elevar o olhar para apossibilidade do uso do desenho animado em prol de uma cultura da infância mais crítica, diversificada, participativa e emancipatória.  \nPALAVRAS-CHAVE: Mídia. Desenho animado. Infância. Consumo.  \n1 State University of Londrina (UEL), Londrina – PR – Brazil. Pedagogy Undergraduate. ORCID: [https://orcid.org/0000-0002-2917-9687. E-mail:](https://orcid.org/0000-0002-2917-9687. E-mail:) [leticia.gaspar@uel.br](leticia.gaspar@uel.br).  \n2 State University of Londrina (UEL), Londrina – PR – Brazil. Professor at the Department of Education and atthe Postgraduate Program in Education. Post-Doctorate in Education (UNESP). ORCID: [https://orcid.org/0000-](https://orcid.org/0000-)[ ](https://orcid.org/0000-)[0003-2146-2557. E-mail: marta.furlan@yahoo.com.br](0003-2146-2557. E-mail: marta.furlan@yahoo.com.br)  \nDoxa: Rev. Bras. Psico. e Educ., Araraquara, v. 22, n. 00, e021010, 2021. e-ISSN: 2594-8385  \nDOI: [https://doi.org/10.30715/doxa.v22i00.15451](https://doi.org/10.30715/doxa.v22i00.15451) 1  \nLeticia Gaspar Rocha PEREIRA and Marta Regina FURLANDE OLIVEIRA  \nRESUMEN: El objetivo principal de este ensayo es reflexionar sobre la cultura mediática y la caricatura \"Bob Esponja\" en la infancia contemporánea. De manera específica, analizaralgunos episodios de Bob Esponja y las producciones de significado sobre la infancia y sus representaciones y relaciones sociales. La propuesta de estudio está relacionada con el Proyecto de Investigación - \"Semiformación y Educación en el contexto de la Sociedad Dañada: más allá del territorio demarca","cbCaibfFYzcdvC8T","https://ap.wps.com/l/cbCaibfFYzcdvC8T","pdf",453270,2,1,13,"English","en",105,"# Introduction\n## Cartoons as a narrative genre for children\n## Historical development of animated productions\n## Childhood imaginary shaped by media","[{\"question\":\"What is the main objective of the essay?\",\"answer\":\"To reflect on contemporary media culture and the cartoon “SpongeBob,” analyzing how meanings about childhood and related social representations are produced.\"},{\"question\":\"Which cartoons and episodes does the study focus on?\",\"answer\":\"The study analyzes selected episodes of SpongeBob SquarePants to examine the production of meanings about childhood.\"},{\"question\":\"What methodology is used and on which theoretical basis?\",\"answer\":\"It uses a bibliographic methodology grounded in critical theory, drawing on authors that dialogue with this framework, including self-reflection in the thresholds of Adorno and Horkheimer.\"}]","Media and the “SpongeBob” Cartoon - 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